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Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor at the Royal Conservatory of The Hague and the University of Leiden. In April 2003 he was knighted in the Netherlands, and received the Order of the Netherlands Lion. Biography Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology at the Amsterdam conservatory. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord. In the organ, he never learned how to play with heels and toes, and because of his short height, always plays with his toes on the pedalboard. This is an authentic Baroque practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zwolle
Zwolle () is a city and municipality in the Northeastern Netherlands. It is the capital of the province of Overijssel and the province's second-largest municipality after Enschede with a population of 130,592 as of 1 December 2021. Zwolle is on the border with Gelderland, which follows the river IJssel, and is located about 50 km north east of Utrecht and 85 km south west of Groningen. The current Mayor of Zwolle is Lorenzo Brands. History Archaeological findings indicate that the area surrounding Zwolle has been inhabited for a long time. A woodhenge that was found in the Zwolle-Zuid suburb in 1993 was dated to the Bronze Age period. During the Roman era, the area was inhabited by Salian Franks. The modern city was founded around 800 CE by Frisian merchants and troops of Charlemagne. Previous spellings of its name include the identically pronounced ''Suolle'', which means "hill" (cf. the English cognate verb "to swell"). This refers to an incline in the landscape betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandrine Piau
Sandrine Piau (born 5 June 1965) is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018. Biography Born in Issy-les-Moulineaux, she initially studied harp and turned to singing at the Conservatoire de Paris. After meeting William Christie, she commenced her exposure to Baroque music and their collaboration notably at the Aix-en-Provence Festival. She proceeded further vocal studies with Rachel Yakar and René Jacobs. She collaborated with many of the leading European conductors of the Baroque revival, including Marc Minkowski, Philippe Herreweghe, Paul McCreesh, Alan Curtis, Christophe Rousset, René Jacobs, and Fabio Biondi. Piau also excels in opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelia Samuelis
Cornelia Samuelis (born 1972) is a German classical soprano who has performed in opera, oratorio, lieder and chamber music both in her native Germany and internationally. Her many recordings as a soprano soloist include Bach's ''St Matthew Passion'' conducted by Ton Koopman and the sacred works of Alessandro Melani conducted by Hermann Max. Samuelis was born in Gernsbach and completed her studies in singing and violin at the Musikhochschule in Detmold Detmold () is a city in North Rhine-Westphalia, Germany, with a population of . It was the capital of the small Principality of Lippe from 1468 until 1918 and then of the Free State of Lippe until 1947. Today it is the administrative center of ... in 1996.Oron, Aryeh (July 2005)"Cornelia Samuelis (Soprano)" Bach-cantatas.com References External links on the website of the Collegium Cantorum Köln German sopranos Living people 1972 births Hochschule für Musik Detmold alumni 21st-century German women opera singers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisa Larsson
Lisa Larsson (born 14 February 1967) is a Swedish classical soprano singer. Career Larsson studied in Basel and since 1993 appeared in the ''Internationales Opernstudio'' of the Zurich Opera House under conductors such as Franz Welser-Möst, Nikolaus Harnoncourt and Christoph von Dohnányi.Lisa Larsson on the Ton Koopman website She has performed at La Scala Milan, Opera de Lausanne, and with the Basel Opera Company. She has sung at European festivals such as the |
Challenge Classics
: ''To be distinguished from Challenge Records (1920s) and Challenge Records (1950s)'' Challenge Records is a record company and label in the Netherlands founded by Hein van de Geyn, Anne de Jong, and Joost Leijen in 1994. Its catalogue includes music by Nat Adderley, Paul Bollenback, Bob Brookmeyer, Keith Ingham, Rick Margitza, Enrico Pieranunzi, Yitzhak Yedid, Clark Terry, Jasper van 't Hof, Eric Ineke and Eric Vloeimans. Imprints Challenge's labels include Buzz, Between The Lines, Challenge Classics, Challenge Jazz Records, V-Flow, Double Moon (producer Volker Dueck), Challenge Jazz (producer Hein van de Geyn), Challenge Legacy, Retrieval (restorations by John R. T. Davies), Daybreak (producer Fred Dubiez), Timeless Jazz Legacy, A Records, JJ-Tracks, PineHill, Van Dyck Records, Supertracks Records, Drukplaten, Fineline, SunnyMoon Records, and Antoine Marchand. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Marchand
Antoine Marchand is a record label established in 2003 by the Dutch early music performer Ton Koopman. Antoine Marchand is the French translation of Ton Koopman. The label is distributed by Dutch Jazz and classics distributor Challenge. Koopman brought his Bach cantata series to completion on Antoine Marchand after Erato Records Erato Records is a record label founded in 1953 as Disques Erato by Philippe Loury to promote French classical music. Loury was head of éditions musicales Costallat. His first releases in France were licensed from the Haydn Society of Boston, a ... was shuttered during the project. See also * Soli Deo Gloria. Another "own label" involved with Bach cantatas. References Classical music record labels 2003 establishments in the Netherlands {{europe-record-label-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warner Classics
Warner Classics is the classical music arm of Warner Music Group. The label began issuing new recordings under the Warner Classics banner in 1991. The company also includes the Erato Records, Teldec Records and NVC Arts labels. Based in France, Warner Classics also distributes the Lontano and Finlandia labels. History What was then known as Warner Bros.-Seven Arts, which owned Warner Bros. Records and Atlantic Records, acquired Elektra Records in 1969 which included Elektra's Nonesuch Records classical music label. This led to the formation of WEA, the forerunner of Warner Music Group. Nonesuch is now part of Warner Records. WEA acquired Teldec Records in 1988. Warner Classics was formed in 1991. The renamed Warner Music Group acquired Erato Records in 1992. Warner acquired the classical video company NVC in 1994. The label developed a larger profile in 2013 when it absorbed EMI Classics (including Pye Records' classical music catalogue) with that label's output absorbed into t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erato Classics
Erato Records is a record label founded in 1953 as Disques Erato by Philippe Loury to promote French classical music. Loury was head of éditions musicales Costallat. His first releases in France were licensed from the Haydn Society of Boston, and he made Erato's first recording in January 1953: Marc-Antoine Charpentier's Te Deum with Les Jeunesses Muslcales. Michel Garcin became the label's artistic director and producer and built up the catalogue with contemporary French composers such as Henri Dutilleux and French artists: Jean-François Paillard (234 records), Marie-Claire Alain (234 records), Maurice André (198 records), Jean-Pierre Rampal (127 records), and Lily Laskine. Notable recordings Erato released first recordings of * J S Bach's complete organ works, played by Marie-Claire Alain, in 1968 * J M Leclair's works, played by Jean-François Paillard, in 1978 * D Scarlatti's complete keyboard sonatas, played by Scott Ross, in 1988. *The world premiere of John Corig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Champêtre
''Concert champêtre'' (, ''Pastoral Concerto''), FP 49, is a harpsichord concerto by Francis Poulenc, which also exists in a version for piano solo with very slight changes in the solo part. It was written in 1927–28 for the harpsichordist Wanda Landowska who said she "adored" playing it as it made her "insouciant and gay!" Landowska was responsible for the composition of several other new pieces of music for the instrument, notably Manuel de Falla's harpsichord concerto and his ''El retablo de Maese Pedro'' (at the premiere of which, at the salon of Winnaretta Singer, Poulenc and Landowska met for the first time). After a private performance in which Poulenc played the orchestral parts on the piano, the piece's public premiere was on May 3, 1929 at the Salle Pleyel in Paris, with Landowska playing the solo part and the Orchestre Symphonique de Paris conducted by Pierre Monteux. The work is scored for an orchestra of two flutes, piccolo, two oboes, cor anglais, two cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
