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Tomb Of The Reliefs
The Tomb of the Reliefs ( it, Tomba dei Rilievi) is an Etruscan tomb in the Banditaccia necropolis near Cerveteri, Italy. It was discovered in 1847 and has been dated to the end of the 4th century BC. It is a unique example of an Etruscan tomb which is decorated with stucco reliefs instead of the usual frescoes. Description The tomb belonged to the Matuna family according to inscriptions inside the chamber. The rectangular chamber is entered through a steeply descending stepped dromos. The center of the room is surrounded by a raised platform, which is separated by low ledges into 32 spaces to depose the dead. Above these are 12 oblong niches carved in the walls, which provided space for more deceased. The niches are modeled after beds with stucco pillows. The central niche in the rear wall is deeper, which allowed for a deceased couple to be placed side by side. Below this central niche are reliefs of Kerberos and an unidentified demon from the underworld. The demon has a fis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomba Dei Rilievi (Banditaccia)
The Tomb of the Reliefs ( it, Tomba dei Rilievi) is an Etruscan tomb in the Banditaccia necropolis near Cerveteri, Italy. It was discovered in 1847 and has been dated to the end of the 4th century BC. It is a unique example of an Etruscan tomb which is decorated with stucco reliefs instead of the usual frescoes. Description The tomb belonged to the Matuna family according to inscriptions inside the chamber. The rectangular chamber is entered through a steeply descending stepped dromos. The center of the room is surrounded by a raised platform, which is separated by low ledges into 32 spaces to depose the dead. Above these are 12 oblong niches carved in the walls, which provided space for more deceased. The niches are modeled after beds with stucco pillows. The central niche in the rear wall is deeper, which allowed for a deceased couple to be placed side by side. Below this central niche are reliefs of Kerberos and an unidentified demon from the underworld. The demon has a fis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomba Dei Rilievi Outside 2
''Tomba!'' is a 1997 platform-adventure game developed by Whoopee Camp and published by Sony Computer Entertainment for the PlayStation. It was released in Japan in 1997 and in other territories the following year. The game centers on the eponymous feral child as he attempts to recover his grandfather's bracelet from an evil race of anthropomorphic pigs. Creator Tokuro Fujiwara developed ''Tomba!'' after leaving Capcom in 1995, founding Whoopee Camp as director, producer and lead designer. He chose the game's 2D side-scrolling perspective for the format's straightforward nature, and created a non-linear "event" system to differentiate the game from other platforming titles. ''Tomba!'' was received positively by critics, with praise for its controls, visuals, and varied gameplay objectives. However, the game's audio received a more mixed reception. Despite the game's lackluster commercial performance, it was followed by a sequel in 1999, '' Tomba! 2: The Evil Swine Return''. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Civilization
The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania. The earliest evidence of a culture that is identifiably Etruscan dates from about 900BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region. Etruscan civilization endured until it was assimilated into Roman society. Assimilation began in the late 4thcenturyBC as a result of the Roman–Etruscan Wars; it accelerated with the grant of Roman citizenship in 90 BC, and became complete in 27 BC, when the Etr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banditaccia Necropolis
Cerveteri () is a town and ''comune'' of northern Lazio in the region of the Metropolitan City of Rome. Known by the ancient Romans as Caere, and previously by the Etruscans as Caisra or Cisra, and as Agylla (or ) by the Greeks, its modern name derives from Caere Vetus used in the 13th century to distinguish it from Caere Novum (the current town). It is the site of the ancient Etruscan city which was one of the most important Etruscan cities with an area more than 15 times larger than today's town. Caere was one of the city-states of the Etruscan League and at its height, around 600 BC, its population was perhaps around 25,000 – 40,000 people. Site The ancient city was situated about 7 km from the sea, a location which made it a wealthy trading town derived originally from the iron-ore mines in the Tolfa Hills.Karl-Wilhelm Weber: Geschichte der Etrusker, Berlin, Köln, Mainz 1979, , S. 38 It had three sea ports including Pyrgi, connected to Caere by a road about 13 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cerveteri
Cerveteri () is a town and ''comune'' of northern Lazio in the region of the Metropolitan City of Rome. Known by the ancient Romans as Caere, and previously by the Etruscans as Caisra or Cisra, and as Agylla (or ) by the Greeks, its modern name derives from Caere Vetus used in the 13th century to distinguish it from Caere Novum (the current town). It is the site of the ancient Etruscan city which was one of the most important Etruscan cities with an area more than 15 times larger than today's town. Caere was one of the city-states of the Etruscan League and at its height, around 600 BC, its population was perhaps around 25,000 – 40,000 people. Site The ancient city was situated about 7 km from the sea, a location which made it a wealthy trading town derived originally from the iron-ore mines in the Tolfa Hills.Karl-Wilhelm Weber: Geschichte der Etrusker, Berlin, Köln, Mainz 1979, , S. 38 It had three sea ports including Pyrgi, connected to Caere by a road about 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dromos , modes (types of scales) used in Greek music
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Dromos may refer to: * ''Cursus publicus'', the public road system of the Roman and Byzantine empires * Dromos, in architecture, an entrance passage or avenue leading to a building * Dromoi Dromoi (Greek: δρόμοι "ways"; singular: δρόμος) is the word for a melody type of the Greek music system. In Greek music theory, dromoi is not only characterized by a sequence of phonemes,{{cn, date=March 2013 but also individual charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cerberus
In Greek mythology, Cerberus (; grc-gre, Κέρβερος ''Kérberos'' ), often referred to as the hound of Hades, is a multi-headed dog that guards the gates of the Underworld to prevent the dead from leaving. He was the offspring of the monsters Echidna and Typhon, and was usually described as having three heads, a serpent for a tail, and snakes protruding from multiple parts of his body. Cerberus is primarily known for his capture by Heracles, the last of Heracles' twelve labours. Descriptions Descriptions of Cerberus vary, including the number of his heads. Cerberus was usually three-headed, though not always. Cerberus had several multi-headed relatives. His father was the multi snake-headed Typhon, and Cerberus was the brother of three other multi-headed monsters, the multi-snake-headed Lernaean Hydra; Orthrus, the two-headed dog who guarded the Cattle of Geryon; and the Chimera, who had three heads: that of a lion, a goat, and a snake. And, like these close relatives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aita
Aita (also spelled ''Eita'' in Etruscan inscriptions) is the name of the Etruscan equivalent to the Greek Hades, the god of the underworld. Images Aita is a relatively late addition to the Etruscan pantheon, appearing in iconography and in Etruscan text beginning in the 4th century BC, and is heavily influenced by his Greek counterpart, Hades. Aita is pictured in only a few instances in Etruscan tomb painting, such as in the Golini Tomb from Orvieto and the tomb of Orcus II from Tarquinia. In these tomb paintings, he is shown with his consort Phersipnai, the Etruscan equivalent to the Greek Persephone. Although Aita is very rarely depicted, he may appear enthroned and sometimes wears a wolf cap, borrowing a key attribute from the earlier Etruscan underworld wolf-deity, named Calu. Other examples of Aita in Etruscan art depict his abduction of Phersipnai. Aside from tomb painting, Aita may be identified in a few examples in other media, including on a 4th-century painted va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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