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Tina Brooks
Harold Floyd "Tina" Brooks (June 7, 1932 – August 13, 1974) was an American jazz tenor saxophonist and composer best remembered for his work in the hard bop style. Early years Harold Floyd Brooks was born in Fayetteville, North Carolina, and was the brother of David "Bubba" Brooks. The nickname "Tina", pronounced ''Teena'', was a variation of "Teeny", a childhood moniker. His favourite tune was "My Devotion".Original 1980 liner notes to '' Minor Move'' by Lawrence Kart He studied harmony and theory with Herbert Bourne. Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks' first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist Lionel Hampton. Brooks also received less formal guidance from trumpeter and composer "Little" Benny Harris, who led the saxophonist to his first recording as a leader. Harris recommended Brooks t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Wolff
Francis Wolff (April 5, 1907 – March 8, 1971) was a record company executive, photographer and record producer. Wolff's skills, as an executive and a photographer, were important contributions to the success of the Blue Note record label. Career Jakob Franz "Franny" Wolff was born in Berlin, Germany, where he became a jazz enthusiast, despite the government ban placed on this type of music after 1933. After a career as a commercial photographer in Germany, Wolff emigrated to the United States. A Jew, he left Berlin for New York in the late 1930s. In 1939 in New York his childhood friend Alfred Lion had co-founded Blue Note Records (with sleeping partner Max Margulis, who soon dropped out of any involvement in the company), and Wolff joined Lion in running the company. During Lion's war service, Wolff worked for Milt Gabler at the Commodore Music Store, and together they maintained the company's catalogue until Lion was discharged. Until Lion retired in 1967, Wolff concen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Move
''Minor Move'' is an album by American hard bop tenor Tina Brooks. It features performances by Brooks, Lee Morgan, Sonny Clark, Doug Watkins and Art Blakey. It was recorded on March 16, 1958, and was the first album Brooks recorded as a leader for the Blue Note label. The album, however, remained unreleased until being issued in Japan in 1980 (Blue Note GXF 3072). In 2000, ''Minor Move'' was released on CD. The composition "Nutville" (not to be confused with the fast-paced Latin composition of the same name by Horace Silver) is sometimes credited to Lee Morgan, but as producer Michael Cuscuna explains in the liner notes to the 2000 release: "Lee brought the tune to the session, but never claimed credit for it. Curtis Fuller also confirms that it was indeed a Tina Brooks original."Liner notes by Michael Cuscuna Track listing #"Nutville" (Brooks) - 8:52 #"The Way You Look Tonight" (Jerome Kern, Dorothy Fields) - 10:41 #"Star Eyes" (Gene De Paul, Don Raye)- 8:15 #"Minor Move" (Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song " The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after '' The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hackensack, New Jersey
Hackensack is a city in and the county seat of Bergen County, New Jersey, United States.New Jersey County Map New Jersey Department of State. Accessed July 10, 2017. The area was officially named New Barbadoes Township until 1921, but has informally been known as Hackensack since at least the 18th century. As of the , the city's population was 46,030. An [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Gelder Studio
The Van Gelder Studio is a recording studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey, United States. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (1924–2016) moved to the new location for his recording studio in July 1959. It has been used to record many albums released by jazz labels such as Blue Note, Prestige, Impulse!, Verve and CTI. It was added to the National Register of Historic Places on April 25, 2022, for its significance in performing arts and engineering. With accompanying 24 photos. Background From around 1952, beginning with a session led by Gil Melle that was sold to Blue Note, recordings were made by Van Gelder for commercial release in the living room of his parents' house at 25 Prospect Avenue in Hackensack, a house that had been built with the intention of doubling as a recording studio (the area was later subsumed by the Hackensack University Medical Center). In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard McGhee
Howard McGhee (March 6, 1918 – July 17, 1987) was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro. Biography Howard McGhee was born in Tulsa, Oklahoma, United States, and raised in Detroit, Michigan. During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory. In 1946–47, some record sessions for the new label Dial were organized in Hollywood, with Charlie Parker and McGhee. The first was held on July 29, 1946. The musicians were Charlie Parker, Howard McGhee, Jimmy Bunn, Bob Kesterson, and Roy Porter. With Parker's health near to collapse, he played "Max is Making ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felsted Records
Felsted Records was the name of two record labels. The UK version began as a subsidiary of Decca Records in July 1954 with music mainly in the jazz and dance band genres and recordings leased from the French Blue Star, Riviera, and Classique labels. The label took its name from the village where Sir Edward Lewis, the head of UK Decca, lived. The British label's only release of note was "Smokie", the first single by Bill Black's Combo, Black having been Elvis Presley's bassist, licensed from Hi Records. Late in 1957, Felsted Records US opened, operating from London Records' office in New York and was marketed as a pop label. Releases included Kathy Linden's " Billy" and "Goodbye Jimmy, Goodbye"; Jimmy Wisner's 1961 instrumental "Asia Minor", credited to "Kokomo, his Piano and Orchestra" on the London label in the UK; and The Flares' 1961 release "Foot Stompin' Part 1", which reached No. 20 on the Black Singles chart and No. 25 on the ''Billboard'' Hot 100 In 1958 Felsted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music From The Connection
''Music from The Connection'' is a jazz album by trumpeter Howard McGhee recorded on June 13, 1960, and released on the Felsted label. accessed July 5, 2017 It features performances by McGhee, , , and . The album featured music from the off-Broadway play '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Gelber
Jack Gelber (April 12, 1932 – May 9, 2003) was an American playwright best known for his 1959 drama '' The Connection'', depicting the life of drug-addicted jazz musicians. The first great success of the Living Theatre, the play was translated into five languages and produced in ten nations. Gelber continued to work and write in New York, where he also taught writing, directing and drama as a professor, chiefly at Brooklyn College, City University of New York, where he created the MFA program in playwriting. In 1999 he received the Edward Albee Last Frontier Playwright Award in recognition of his lifetime of achievements in theatre. Early life and education Jack Gelber was born April 12, 1932 in Chicago, the first of three sons of Molly (Singer) and Harold Gelber, a Jewish American couple of Russian and Romanian descent. Harold was a sheet metal worker, a trade the younger Gelber would briefly adopt to finance his education at the University of Illinois. While at the un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Connection (1959 Play)
''The Connection'' is a 1959 play by Jack Gelber. It was first produced by the Living Theatre, directed by Living Theatre co-founder Judith Malina, and designed by co-founder Julian Beck. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music. The music for the original production was composed by jazz pianist Freddie Redd. Original cast *Jim Dunn – Leonard Hicks *Jaybird – Ira Lewis *Leach – Warren Finnerty *Solly – Jerome Raphel *Sam – John McCurry *Ernie – Garry Goodrow *1st Musician – Freddie Redd (composer, piano) *4th Musician – Michael Mattos (bass) *First P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Lion
Alfred Lion (born Alfred Löw; April 21, 1908 – February 2, 1987), was an American record executive who co-founded the jazz record label Blue Note in 1939. Lion retired in 1967, having sold the company, after producing recordings by leading musicians throughout the 1940s, 1950s, and 1960s. Early years Lion was born in Schöneberg -later a borough of Berlin- on April 21, 1908.Garner, Carla"Alfred Lion."In ''Immigrant Entrepreneurship: German-American Business Biographies, 1720 to the Present'', vol. 5, edited by R. Daniel Wadhwani. German Historical Institute. Last modified April 28, 2014. His fascination with jazz began at the age of 16 when he saw a concert by Sam Wooding's Orchestra. In 1926, Lion emigrated to the United States, but while working on the New York docks he was attacked by an anti-immigrant worker; he returned to Germany to convalesce. From 1933, Lion lived in South America, working for German import-export companies, returning to New York in 1938. His presence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Harris
"Little" Benny Harris (April 23, 1919 in New York City – May 11, 1975 in San Francisco) was an American bebop trumpeter and composer. A self-taught musician, in the mid-1930s Benny Harris was already playing with Thelonious Monk. In later years, he participated in some of the jam sessions that gave birth to the bebop jazz style. Reportedly, it was Harris that persuaded Dizzy Gillespie of Charlie Parker's ability by playing one of Parkers's improvisations to Gillespie. Harris's first major gig was in 1939 with Tiny Bradshaw.Scott Yanow, Benny Harrisat AllMusic He played with Earl Hines on and off from 1941 to 1945, and worked the 52nd Street bebop circuit in New York City in the 1940s, where he collaborated with Benny Carter, John Kirby, Coleman Hawkins, Don Byas, and Thelonious Monk. He was with Boyd Raeburn from 1944 to 1945 and Clyde Hart in 1944; he and Byas worked together again in 1945. He played less in the late 1940s, though he appeared with Dizzy Gillespie in 1949 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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