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Tielman Susato
Tielman (or Tylman) Susato (''c.'' 1510/15 – after 1570) was a Renaissance composer, instrumentalist and publisher of music in Antwerp. Biography While Susato's exact place of birth is unknown, some scholars believe that because of his name—Susato meaning de Soest, of the town of Soest — he may be from the town of that name in Westphalia, or the town of Soest in The Netherlands. Not much is known about his early life, but he begins appearing in various Antwerp archives of around 1530 working as a calligrapher as well as an instrumentalist: trumpet, flute and tenor pipe are listed as instruments that he owned. In 1543, he founded the first music publishing house using movable music type in the Low Countries. He could be found in Antwerp, "At the Sign of the Crumhorn." Until Susato set up his press in Antwerp, music printing had been done mainly in Italy, France and Germany. Soon afterwards, Susato was joined by Petrus Phalesius the Elder in Leuven and Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tielman Susato Gravure
Tielman, or Tieleman, is a primarily archaic Dutch given name that could be of West Frisian origin or was a nickname of Theodorus. It also exists as a patronymic surname. Notable people with the name include: Given name * Tielman van Gameren (1632–1706), Dutch architect and engineer working in Poland as Tylman Gamerski *Tielman Roos (1879–1935), South African politician and minister *Tielman Susato (also Tylman) 1510–1570, Renaissance composer, instrumentalist and publisher of music in Antwerp Surname *Andy Tielman (1936–2011), Indonesia-born Dutch singer and guitarist **Tielman Brothers The Tielman Brothers was the first Dutch-Indonesian band to successfully venture into the international music scene in the 1950s. They were one of the pioneers of rock and roll in The Netherlands, and are credited with releasing the first Dutch ..., his 1950s Dutch-Indo band * (born 1946), Dutch sociologist See also * Dielman (other) * Tielemans * Tilman * Tillmann (dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alkmaar
Alkmaar () is a city and municipality in the Netherlands, located in the province of North Holland, about 30 km north of Amsterdam. Alkmaar is well known for its traditional cheese market. For tourists, it is a popular cultural destination. The municipality has a population of 109,896 as of 2021. History The earliest mention of the name Alkmaar is in a 10th-century document. As the village grew into a town, it was granted city rights in 1254. The oldest part of Alkmaar lies on an ancient sand bank a couple meters above the surrounding region; it afforded some protection from inundation during medieval times. Its vicinage consists of some of the oldest polders in existence. Older spellings include Alckmar. On June 24, 1572, after the Geuzen captured the town, five Franciscans from Alkmaar were taken to Enkhuizen and hanged (martyrs of Alkmaar). Siege of Alkmaar In 1573 the city underwent a siege by Spanish forces under the leadership of Don Fadrique, son of the Duke of Alv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlande De Lassus
Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Name Lassus's name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlande de Lassus, variations include Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Life and career Orlande de Lassus was born in Mons in the County of Hainaut, Habsburg Netherlands (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Crecquillon
Thomas Crecquillon or Créquillon ( – probably early 1557) was a Franco-Flemish school composer of the Renaissance. While his place of birth is unknown, it was probably within the region loosely known at the time as the Low Countries, and he probably died at Béthune. Biography Very little is known about his early life. He was a priest and a member of the chapel of Emperor Charles V, but whether he was ''maître de chapelle'' or merely a singer is still a matter of dispute; the surviving documents are contradictory. Later he seems to have held positions at Dendermonde, Béthune, Leuven, and Namur. Unlike many of the composers of the Franco-Flemish school, he seems never to have left his home region for Italy or other parts of Europe. Crecquillon was retired by 1555, and most likely he died in 1557, probably a victim of the serious outbreak of the plague in Béthune that year. The location of his burial remains a mystery, and no likeness of Crecquillon is known to exist. Crecqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De Manchicourt
Pierre de Manchicourt (c. 1510 – 5 October 1564) was a Renaissance composer of the Franco-Flemish School. De Manchicourt was born at Béthune. Little is known of his early life other than that he was a choirboy at Arras in 1525; later in life he had a succession of posts in Arras, Tours and Tournai, before going to Spain to be master of the Flemish chapel (capilla flamenca) at the court of Philip II, where he stayed for the remainder of his life. Similar to many composers of the early to mid 16th century, he predominantly wrote masses, motets and chansons. His motets are particularly significant as they show the three separate stages of early sixteenth century motet development, highly unusual to find in the work of a single composer. In his earliest motets one can hear the influence of Ockeghem; in his middle period works, the paired imitation style of Josquin des Prez; and in his late works the stylistic refinement, well-crafted melodic lines and pervasive imitation recall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galliard
The ''galliard'' (; french: gaillarde; it, gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance form The ''galliard'' is not an improvised dance, but rather, it consists of choreographed patterns of steps, which occupy one or more measures of music. In one measure, a galliard typically has five steps; in French such a basic step is called a ''cinq pas'' and in Italy, ''cinque passi''. This is sometimes written in English sources as ''sinkapace''. These steps are: right, left, right, left, cadence. The galliard is an athletic dance, characterised by leaps, jumps, hops and other similar figures. The main feature that defines a galliard step is a large jump, after which the dancer lands with one leg ahead of the other. This jump is called a ''cadence,'' and the final landing is called the ''posture.'' The cadence is typically preceded by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allemande
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel. It is often the first movement of a Baroque suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or prelude. A quite different, later, Allemande, named as such in the time of Mozart and Beethoven, still survives in Germany and Switzerland and is a lively triple-time social dance related to the waltz and the ''Ländler''.Scholes P., 1970, article: ''Allemande''. History The allemande originated in the 16th century as a duple metre dance of moderate tempo, already considered very old, with a characteristic "double-knocking" upbeat of two or occasionally three sixteenth notes.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext It appears to have derived from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Clemens Non Papa
Jacobus Clemens non Papa (also Jacques Clément or Jacob Clemens non Papa) ( – 1555 or 1556) was a Netherlandish composer of the Renaissance based for most of his life in Flanders. He was a prolific composer in many of the current styles, and was especially famous for his polyphonic settings of the psalms in Dutch known as the '' Souterliedekens.'' Grove Music Online, "Jacobus Clemens non Papa" Life Nothing is known of Clemens's early life, and even the details of the years of his artistic maturity are sketchy. He may have been born in Middelburg, Zeeland, though the evidence is contradictory; certainly he was from somewhere in modern Belgium or the Netherlands. The first unambiguous reference to him is from the late 1530s, when Pierre Attaingnant published a collection of his chansons in Paris. Between March 1544 and June 1545 he worked as ''succentor'' at the cathedral of Bruges, and shortly thereafter he began a business relationship with Tielman Susato, the publisher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Souterliedekens
The ''Souterliedekens'' (literal: Psalter-songs) is a Dutch metrical psalter, published in 1540 in Antwerp, and which remained very popular throughout the century. The metrical rhyming psalms were, probably, arranged by a Utrecht nobleman: Willem van Zuylen van Nijevelt (d. 1543). For the melodies he used folksongs from the Low Countries (though some have German or French origin). This publication has great value, because the publisher ( Symon Cock) not only added the phrase 'sung to the tune of...' but also provided the actual music (melody) with the texts. Nowadays many of the folksong melodies that were known at that time can only be reconstructed because they have survived in the "Souterliedekens". Composers like Jacobus Clemens non Papa, Gerardus Mes, and Cornelis Boscoop made polyphonic settings based on the melody of the monophonic "Souterliedekens". The melody often functions as a cantus firmus. The Antwerp printer Tielman Susato dedicated four volumes of his music-books (" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
