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Souterliedekens
The ''Souterliedekens'' (literal: Psalter-songs) is a Dutch metrical psalter, published in 1540 in Antwerp, and which remained very popular throughout the century. The metrical rhyming psalms were, probably, arranged by a Utrecht nobleman: Willem van Zuylen van Nijevelt (d. 1543). For the melodies he used folksongs from the Low Countries (though some have German or French origin). This publication has great value, because the publisher ( Symon Cock) not only added the phrase 'sung to the tune of...' but also provided the actual music (melody) with the texts. Nowadays many of the folksong melodies that were known at that time can only be reconstructed because they have survived in the "Souterliedekens". Composers like Jacobus Clemens non Papa, Gerardus Mes, and Cornelis Boscoop made polyphonic settings based on the melody of the monophonic "Souterliedekens". The melody often functions as a cantus firmus. The Antwerp printer Tielman Susato dedicated four volumes of his music-books (" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerardus Mes
Gerardus Mes or Gherardus (fl. c. 1561) was a Franco-Flemish composer. Life and work Little of his work has survived, except the settings for four voices of the ''Souterliedekens'', 150 Dutch Psalm Songs and canticles, possibly written by nobleman Willem van Zuylen van Nijevelt and published in 1540 with a notation of the melody for one voice. Mes's settings appeared in Antwerp in 1561 as the eighth up to the eleventh volume of the ''Musijck Boexkens'', a collection of Dutch songs edited by Tielman Susato. In this series, Susato had already published Jacobus Clemens non-Papa's Psalm settings for three voices in 1556-57. As was already the case with the Dutch secular songs from Susato's ''Ierste'' and ''Tweetste Musijck Boexken'' (first and second Music Book), performance with human voices as well as with instruments is suggested in the edition of Mes's Psalm settings. On the title page of the Souterliedekens, Mes is also mentioned as a pupil of Clemens non-Papa, which is the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus Clemens Non Papa
Jacobus Clemens non Papa (also Jacques Clément or Jacob Clemens non Papa) ( – 1555 or 1556) was a Netherlandish composer of the Renaissance based for most of his life in Flanders. He was a prolific composer in many of the current styles, and was especially famous for his polyphonic settings of the psalms in Dutch known as the ''Souterliedekens.'' Grove Music Online, "Jacobus Clemens non Papa" Life Nothing is known of Clemens's early life, and even the details of the years of his artistic maturity are sketchy. He may have been born in Middelburg, Zeeland, though the evidence is contradictory; certainly he was from somewhere in modern Belgium or the Netherlands. The first unambiguous reference to him is from the late 1530s, when Pierre Attaingnant published a collection of his chansons in Paris. Between March 1544 and June 1545 he worked as ''succentor'' at the cathedral of Bruges, and shortly thereafter he began a business relationship with Tielman Susato, the publisher in A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomissøn's Hymnal
Thomissøn's hymnal (titled ''Den danske Psalmebog'' 'The Danish Hymnal') was a hymnal published in Denmark that received royal authorization in 1569.Valkner, Kristen. 1951. ''Norges kirkehistorie ca. 1500-1800. Sammendrag av forelesninger våren 1951''. Oslo: Universitetes Studentkontor, p. 24. The hymnal's original full title was ''Den danske Psalmebog, met mange Christelige Psalmer, Ordentlig tilsammenset, formeret oc forbedret. Aff Hans Thomissøn'' (The Danish Hymnal, with Many Christian Hymns, Carefully Gathered, Expanded, and Improved. By Hans Thomissøn). The book was published by Lorenz Benedict in Copenhagen in 1569. Thomissøn's hymnal was the only hymnal allowed in Denmark–Norway after it received royal authorization. After this, churches were required to have it lying on their altars. Hans Thomissøn was the country's leading hymnologist and he translated many of the hymns from German into Danish. He began his work on the hymnal, which took him twelve years, befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genevan Psalter
The ''Genevan Psalter'', also known as the ''Huguenot Psalter'', is a metrical psalter in French created under the supervision of John Calvin for liturgical use by the Reformed churches of the city of Geneva in the sixteenth century. Background Before the Protestant Reformation a select group of performers generally sang the psalms during church services, not the entire congregation. John Calvin believed that the entire congregation should participate in praising God in the worship service and already in his famous work Institutes of the Christian Religion of 1536 he speaks of the importance of singing psalms. In the articles for the organization of the church and its worship in Geneva, dated January 16, 1537, Calvin writes: "it is a thing most expedient for the edification of the church to sing some psalms in the form of public prayers by which one prays to God or sings His praises so that the hearts of all may be roused and stimulated to make similar prayers and to render simila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymnbooks Of The Church Of Scotland
Decisions concerning the conduct of public worship in the Church of Scotland are entirely at the discretion of the parish minister. As a result, a wide variety of musical resources are used. However, at various times in its history, the General Assembly has commissioned volumes of psalms and hymns for use by congregations. Scottish Psalter (1564) The 1564 edition went through many changes that culminated with the 1635 version. Edited by Edward Millar, the 1635 Scottish Psalter included the very best of the psalm settings for the Sternhold and Hopkins psalms. This included four-part homophonic settings of many of the psalms (those texts that did not have a proper melody were assigned a melody from another psalm), several more complicated or polyphonic psalm settings (also known as Psalms in Reports), and settings of many of the so-called Common Tunes that had come to be used in the seventeenth century.Duguid, ''Metrical Psalmody,'' pp. 159-163. Scots Metrical Psalter (1650) The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tielman Susato
Tielman (or Tylman) Susato (''c.'' 1510/15 – after 1570) was a Renaissance composer, instrumentalist and publisher of music in Antwerp. Biography While Susato's exact place of birth is unknown, some scholars believe that because of his name—Susato meaning de Soest, of the town of Soest — he may be from the town of that name in Westphalia, or the town of Soest in The Netherlands. Not much is known about his early life, but he begins appearing in various Antwerp archives of around 1530 working as a calligrapher as well as an instrumentalist: trumpet, flute and tenor pipe are listed as instruments that he owned. In 1543, he founded the first music publishing house using movable music type in the Low Countries. He could be found in Antwerp, "At the Sign of the Crumhorn." Until Susato set up his press in Antwerp, music printing had been done mainly in Italy, France and Germany. Soon afterwards, Susato was joined by Petrus Phalesius the Elder in Leuven and Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ausbund
The ''Ausbund'' ("Paragon" in German) is the oldest Anabaptist hymnal and one of the oldest Christian song books in continuous use. It is used today by North American Amish congregations. History The core of the ''Ausbund'' is based on fifty-one songs written by Anabaptists from Passau, Bavaria. Eleven of these songs were written by their leader, Michael Schneider. Twelve others may have been written by Hans Betz. The hymns were composed in the dungeon of Passau Castle, where the Anabaptists were imprisoned between 1535 and 1540 because of their convictions. Some—among them Hans Betz—did not survive the imprisonment. Many of these imprisoned Anabaptists were martyred. The collection was printed in 1564. A copy of this first printing is found at the Mennonite Historical Library of Goshen College, bearing the title ''Etliche schöne christliche Gesäng wie dieselbigen zu Passau von den Schweizer Brüdern in der Gefenknus im Schloss durch göttliche Gnade gedicht und gesu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Common Prayer
The ''Book of Common Prayer'' (BCP) is the name given to a number of related prayer books used in the Anglican Communion and by other Christian churches historically related to Anglicanism. The original book, published in 1549 in the reign of King Edward VI of England, was a product of the English Reformation following the break with Rome. The work of 1549 was the first prayer book to include the complete forms of service for daily and Sunday worship in English. It contained Morning Prayer, Evening Prayer, the Litany, and Holy Communion and also the occasional services in full: the orders for Baptism, Confirmation, Marriage, " prayers to be said with the sick", and a funeral service. It also set out in full the "propers" (that is the parts of the service which varied week by week or, at times, daily throughout the Church's Year): the introits, collects, and epistle and gospel readings for the Sunday service of Holy Communion. Old Testament and New Testament readings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Common Order
The ''Book of Common Order'' is the name of several directories for public worship, the first originated by John Knox for use on the continent of Europe and in use by the Church of Scotland since the 16th century. The Church published revised editions in 1940, 1979, and 1994, the latest of these called simply ''Common Order''. Gaelic versions have long been available, and in 1996 the Church of Scotland produced "Leabhar Sheirbheisean", a Gaelic supplement to the ''Book of Common Order''. ''Genevan Book of Order'' The ''Genevan Book of Order'', sometimes called ''The Order of Geneva'' or ''Knox's Liturgy'', is a directory for public worship in the Reformed Church of Scotland. In 1557 the Scottish Protestant lords in council enjoined the use of the ''English Common Prayer'', i.e. the '' Second Book of Edward VI'' of 1552. Meanwhile, at Frankfurt, among the English Protestant exiles, there was a controversy between the upholders of the English liturgy and the French Reformed Order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Lutheran Hymnal
The First Lutheran hymnal, published in 1524 as ''Etlich Cristlich lider / Lobgesang und Psalm'' (Some Christian songs / canticle, and psalm), often also often referred to as the Achtliederbuch (Book with eight songs, literally Eightsongsbook), was the first Lutheran hymnal. History and content The hymnal was created by Martin Luther and Paul Speratus working in collaboration. It contains eight hymns: four by Luther, three by Speratus, and one anonymous, which has been attributed to Justus Jonas. The creators declared their intentions on the title page: "Lobgesang / un Psalm / dem rainen wort Gottes gemeß / auß der heylige schrifft / durch mancherley hochgelerter gemacht / in der Kirch zu singen / wie es dann zum tayl Berayt in Wittenberg in übung ist." (Canticle / and psalm / according to the pure word of God / from the holy scripture / made by several learned eople/ to be sung in church / as already practised in part in Wittenberg.) The hymnal is rather "eine lose buchhän ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erfurt Enchiridion
The ''Erfurt Enchiridion'' (enchiridion, from grc, ἐγχειρίδιον, hand book) is the second Lutheran hymnal. It appeared in 1524 in Erfurt in two competing editions. One of them contains 26 songs, the other 25, 18 of them by Martin Luther, others by Elisabeth Cruciger, Erhard Hegenwald, Justus Jonas and Paul Speratus. While the songs of the ''Enchiridion'' could be used in churches, they were intended primarily for singing elsewhere, such as at home, at court, and in guild meetings. History The songs of the reformer Luther and others were first sold as broadsheets, and contributed to the spreading of Protestant ideas. They were printed in collections, beginning with the First Lutheran hymnal, called the ', and with the Wittenberg song book, both published in 1524. The Erfurt ''Enchiridion'' appeared the same year, in two almost equal editions by two different printers, Johannes Loersfeld and Matthes Maler. Both books are identical except for one song. The double app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyn Geystlich Gesangk Buchleyn
' ("A spiritual song booklet"), sometimes called First Wittenberg Hymnal and ' (Choir hymnal), was the first German hymnal for choir, published in Wittenberg in 1524 by Johann Walter who collaborated with Martin Luther. It contains 32 sacred songs, including 24 by Luther, in settings by Walter for three to five parts with the melody in the tenor. Luther wrote a preface for the part books. The collection has been called the root of all Protestant song music. History Martin Luther used hymns in German to affirm his ideas of reformation and to have the congregation actively take part in church services. ' was the third German hymnal, after the "", published in Nürnberg by Jobst Gutnecht, and the "Erfurt Enchiridion", published in Erfurt, both also dating from 1524. ' was published in Wittenberg and is often referred to as the first Wittenberg hymnal. It came with a foreword by Martin Luther: The collection was the first German collection of hymns for choir and was published in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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