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Théodore Anne
Théodore Anne (7 April 1797 – 12 August 1869) was a French playwright, librettist, and novelist. Engaged in the army in 1814, until the July Revolution of 1830 he was a member of the compagnie de Noailles then, still faithful to the Bourbons, he resigned. An editor at the journal '' La France'', a drama critic for the ''L'Union'' journal and a collaborator with ''Revue et gazette des théâtres'', he authored numerous plays which were presented on the most significant Parisian stages of the 19th century: Théâtre du Vaudeville, Théâtre de la Gaité, Théâtre de l'Ambigu-Comique, Académie royale de musique, Théâtre des Nouveautés etc. Works *1818: ''Le Fureteur, ou l'Anti-Minerve'' *1820: ''Éloge historique du duc de Berri'' *1822: ''Le Coq de village'', tableau-vaudeville in 1 act, by Charles-Simon Favart, given to the theatre with modifications, with Eugène Hyacinthe Laffillard *1824: ''Alfred, ou la Bonne Tête ! !'', vaudeville in 1 act, with Achille d'Arto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rouen
Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the Regions of France, region of Normandy (administrative region), Normandy and the Departments of France, department of Seine-Maritime. Formerly one of the largest and most prosperous cities of Middle Ages, medieval Europe, the population of the metropolitan area (french: functional area (France), aire d'attraction) is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Normans, Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Blangini
Giuseppe Marco Maria Felice Blangini (18 November 1781 – December 1841) was an Italian musical composer. Biography Blangini was born in Turin, where, at the age of 12, he became organist of the cathedral. At 14 he led a mass with a full orchestra. He went to Paris in 1799, and was for several years a successful composer of opera there. His fame, however, rests chiefly on his smaller pieces, which were received with much favor, especially in Germany, where he officiated for some time as chapelmaster at the courts of the elector of the Bavarian Electorate of the Palatinate, and of the king of Westphalia Westphalia (; german: Westfalen ; nds, Westfalen ) is a region of northwestern Germany and one of the three historic parts of the state of North Rhine-Westphalia. It has an area of and 7.9 million inhabitants. The territory of the regio .... He died in Paris at age 60. Blangini was among the composers involved in the creation of '' La marquise de Brinvilliers''. Not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Perin
René Perin (1 November 1774 – 9 May 1858) was a 19th-century French playwright, publisher, translator and novelist. Biography A lawyer and sous-préfet of Montluçon during the Hundred Days, he resigned from his positions when the Bourbons returned to power. He used several pseudonyms such as René de Biborium-Chateauterne or René Biborium de Chateauterne as a writer. His plays were presented on the most important Parisian stages of his time including the Théâtre de l'Ambigu-Comique, the Théâtre du Vaudeville, the Théâtre de l'Odéon, the Théâtre de la Gaîté, and the Théâtre des Variétés. For thirty years he was a collaborator to the '' Moniteur'', and he also wrote historical and geographical studies. Works * ''Mr Jocrisse au sérail de Constantinople ou les Bêtises sont de tous les pays, calembour en trois actes'', 1800 * ''Kosmouk, ou les Indiens à Marseille'', comedy in 5 acts and in prose, arrangement of the play by Kotzebue, 1801 * ''Les Nouvea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel De Lurieu
Gabriel de Lurieu (real name Gabriel-Zéphirin Gonyn de Lurieu; Paris, 28 October 1799 (7 brumaire year VIII) – Paris, 5 February 1889 ) was a French author and playwright. His brother Jules-Joseph-Gabriel de Lurieu (1792–1869), with whom he is sometimes mistaken, was also a playwright, who used the pseudonym "J. Gabriel", under which he cowrote the libretto for the opera ''La perle du Brésil'' by Félicien David, and the collective pseudonym "Monsieur Sapajou" (with Armand d'Artois and Francis d'Allarde). Biography The son of a captain of Dragons from a family of the minor nobility (squire) of the former Forez province, parallel to its inspector general career in the watch of Benevolent Institutions of the City of Paris, he started writing theatre plays. He authored numerous plays and libretti for opéras comiques, most of them written in collaboration, in particular with Théophile Marion Dumersan, Francis baron d'Allarde, Armand d'Artois, Nicolas Brazier, Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel-Nicolas Balisson De Rougemont
Michel-Nicolas Balisson, baron de Rougemont (27 February 1781 - 16 July 1840), was a French journalist, novelist and dramatist. Biography His family comes from Sourdeval, in Normandy. He invented the ''mot de Cambronne''.Jacques Logie, Waterloo: l'évitable défaite, Duculot, 1984, p. 144 Theatre Rougemont has authored numerous plays, alone or in collaboration. the most importants are : *''Chantons et facéties'' ; *''L’lngénue de Brive-la-Gaillarde'' ; *''Mademoiselle Musard'' ; * 1803 : ''L’Amour à l’anglaise'' ; * 1806 : ''Le Mari supposé'' ; * 1808 : ''Monsieur et Madame Denis'' ; * 1810 : ''Sophie, ou la Nouvelle Cendrillon'' ; * 1811 : ''La Femme innocente, malheureuse et persécutée'' ; * 1811 : ''La Rosière de Verneuil'' ; * 1812 : ''La Matrimonio-manie'' ; * 1821 : ''Le Rôdeur français'' ; * 1820 : ''Le Mariage du ci-devant jeune homme'' ; * 1821 : ''Les Ermites'' comédie-vaudeville in 1 act by Edmond Crosnier, Aimé Desprez and Michel-Nicola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie En Vaudevilles
The ''comédie en vaudevilles'' () was a theatrical entertainment which began in Paris towards the end of the 17th century, in which comedy was enlivened through lyrics using the melody of popular vaudeville (song), vaudeville songs.Barnes 2001. Evolution The annual fairs of Paris at St. Germain and St. Laurent had developed theatrical variety entertainments, with mixed plays, acrobatics, acrobatic displays, and pantomimes, typically featuring vaudevilles (see Théâtre de la foire). Gradually these features began to invade established theatres. The ''Querelle des Bouffons'' (War of the Clowns), a dispute amongst theatrical factions in Paris in the 1750s, in part reflects the rivalry of this form, as it evolved into ''opéra comique'', with the Italian ''opera buffa''. ''Comédie en vaudevilles'' also seems to have influenced the English ballad opera and the German Singspiel. Vaudeville final One feature of the ''comédie en vaudevilles'' which later found its way into opera w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Jadin
Adolphe Jadin (4 May 1794 – 2 November 1867) was a French journalist, chansonnier, librettist and playwright, the son of Louis Emmanuel Jadin. A bodyguard for Louis XVIII, then for Charles X, captain in the cavalry, his plays were performed on the most important Parisian stages of the 19th century: the Théâtre Beaumarchais, Théâtre de l'Ambigu-Comique, Théâtre national de l'Opéra-Comique, Théâtre des Nouveautés, etc. Works *1814: ''Serment français'', 1814 *1823: ''Fanfan et Colas, ou les frères de lait'', opéra comique *1825: ''Ronde en l'honneur du sacre de Charles dix'', music by Louis-Emmanuel Jadin *1826: ''Le Pari'', vaudeville in 1 act, with Théodore Anne *1829: ''Le Vieux marin, ou Une campagne imaginaire'', vaudeville in 2 acts, with Théodore Anne and Emmanuel Théaulon *1830: ''Quoniam'', comédie en vaudevilles in 2 acts *1831: ''Le Carnaval et les arrêts, ou La Famille impromptu'', folie-vaudeville in 1 act *1832: ''Souvenirs de France et d'à ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Gondelier
Jean-Baptiste Gondelier (8 December 1792 in Dijon – after 1852), was a 19th-century French playwright and librettist. Biography An engraver and lithographer at 110 in the 2nd arrondissement of Paris, Jean-Baptiste Gondelier received a patent in letters on 12 septembre 1828. A widow in 1820 of Anne-Françoise-Esther Morisset, he remarried on 25 September 1824 with Joséphine Foliot. The publisher, among others, of the ''Constitutionnel'' and the ''Gazette des théâtres'', He permanently ceased his activities as a printer-lithographer on 8 July 1852. ''Bibliographie de la France, ou Journal général de l"imprimerie et de la librairie'', XLI° year, 1852, (p. 435), . His plays were presented at the |
Mathurin-Joseph Brisset
Mathurin-Joseph Brisset (22 November 1792 – 7 June 1856) was a French writer, poet, political journalist and playwright of the first half of the 19th century. Biography A bodyguard attached to the company of Havré, then an infantry officer during the reigns of Louis XVIII and Charles X, he took part to the Spanish campaign (1823) where he was awarded the cross of first class knight of the Order of Saint Ferdinand. He left the army after the July Revolution of 1830 and landed as political critic by the '' Gazette de France''. He also held there theatrical criticism and devoted himself entirely to writing. Thus, he published a considerable number of historical novels and his plays were presented on the most famous Parisian stages of his time: Théâtre des Nouveautés, Théâtre du Vaudeville, Théâtre de la Porte-Saint-Martin, Gymnase dramatique etc. Works *1816: ''Les Dames du Lis'', poem *1818: ''La Statue de Henri IV'', ode *1818: ''La Salle des Maréchaux'' *1820 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Désaugiers
Marc-Antoine Désaugiers (1742 – 10 September 1793) was a French composer of numerous operas as well as a cantata on the storming of the Bastille and several pieces of sacred music. He was born in Fréjus. He studied music there but was largely an autodidact. Désaugiers settled in Paris in 1774 where he first came to prominence with his French translation of Giovanni Battista Mancini's ''Pensieri e riflessioni pratiche sopra il canto figurato''. His translation, published in 1776 under the title ''L'Art du chant figuré'', was much admired by Gluck who became his close friend. Désaugiers died in Paris. His son, Marc-Antoine Madeleine Désaugiers Marc-Antoine Madeleine Désaugiers (17 November 1772 – 9 August 1827) was a French composer, dramatist, and songwriter. Désaugiers is easily confused in historical writings with his father, Marc-Antoine Désaugiers (b. Fréjus, 1742 – d. Pari ... was also a composer. References 1742 births 1793 deaths People from Fréjus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
