Thuburbo Majus
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Thuburbo Majus
Thuburbo Majus (or Thuburbo Maius) is a large Roman site in northern Tunisia. It is located roughly 60 km southwest of Carthage on a major African thoroughfare. This thoroughfare connects Carthage to the Sahara. Other towns along the way included Sbiba, Sufes, Sbeitla, and Sufetula. Parts of the old Roman road are in ruins, but others do remain. History Thuburbo Majus or Colonia Julia Aurelia Commoda, its Roman name, was originally a Punic town, later founded as a Roman veteran colony by Augustus in 27 BC. Military veterans were sent to Thuburbo, among other sites, by Augustus to allow them to start their post-army lives with land of their own. Its strategic location and access to trade routes made it an important establishment. Ruins of the town are in the middle of the countryside with no towns in close proximity. Most of the town was built around 150–200 and restored in the 4th century after the Crisis of the Third Century. It received a Capitolium in 168. The ...
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Aïcha Ben Abed
Aïcha Ben Abed (alternatively Aïcha Ben Abed-Ben Khedher ar, عائشة بن عابد) is an archaeologist and Director of Monuments and Sites at the Institut National du Patrimoine, Tunisia. She is one of the world's leading authorities on the mosaics of Roman Africa. Education Abed graduated from Université d'Aix-Marseille in 1979 with a doctorate in art and archaeology. Her post-doctoral award is from Paris IV-Sorbonne. Career Abed has held a number of positions during her career, including as from 1986 to 1991 as Director of the Bardo National Museum (Tunis), Bardo Museum in Tunis. She is a specialist in Roman mosaics, particularly in Tunisia and was the first person to study the conservation of re-buried mosaics. Abed is working with international partners to secure the future and safety of Tunisia's important mosaics, whilst recognising the differences in resourcing that lie between the western museum world and the Mediterranean. Abed has spent her career encouraging ...
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Tunisia
) , image_map = Tunisia location (orthographic projection).svg , map_caption = Location of Tunisia in northern Africa , image_map2 = , capital = Tunis , largest_city = capital , coordinates = , official_languages = Arabic Translation by the University of Bern: "Tunisia is a free State, independent and sovereign; its religion is the Islam, its language is Arabic, and its form is the Republic." , religion = , languages_type = Spoken languages , languages = Minority Dialects : Jerba Berber (Chelha) Matmata Berber Judeo-Tunisian Arabic (UNESCO CR) , languages2_type = Foreign languages , languages2 = , ethnic_groups = * 98% Arab * 2% Other , demonym = Tunisian , government_type = Unitary presidential republic , leader_title1 = President , leader_name1 = Kais Saied , leader_ti ...
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Carthage Tabula Peutingeriana 2
Carthage was the capital city of Ancient Carthage Carthage () was a settlement in modern Tunisia that later became a city-state and then an empire. Founded by the Phoenicians in the ninth century BC, Carthage reached its height in the fourth century BC as one of the largest metropolises in t ..., on the eastern side of the Lake of Tunis in what is now Tunisia. Carthage was one of the most important trading hubs of the Ancient Mediterranean and one of the most affluent cities of the classical world. The city developed from a Canaanite Phoenician colony into the capital of a Punic people, Punic empire which dominated large parts of the Southwest Mediterranean during the first millennium BC. The legendary Queen Alyssa or Dido, originally from Tyre, Lebanon, Tyre, is regarded as the founder of the city, though her historicity has been questioned. According to accounts by Timaeus (historian), Timaeus of Taormina, Tauromenium, she purchased from a local tribe the amount of land t ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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Ariadne
Ariadne (; grc-gre, Ἀριάδνη; la, Ariadne) was a Cretan princess in Greek mythology. She was mostly associated with mazes and labyrinths because of her involvement in the myths of the Minotaur and Theseus. She is best known for having helped Theseus escape the Minotaur but being abandoned by him on the island of Naxos; subsequently, she became the wife of Dionysus. (There are many other versions of her myth.) The ancient Roman author Hyginus identified Ariadne as the Roman Libera/Proserpina at approximately the same time as Libera was officially identified with Proserpina in 205 BC, these two names becoming synonymous for the same goddess. Hyginus equated Libera/Proserpina with Ariadne as bride to Liber whose Greek equivalent was Dionysus, the husband of Ariadne. Etymology Greek lexicographers in the Hellenistic period claimed that ''Ariadne'' is derived from the ancient Cretan dialectical elements ''ari'' (ἀρι-) "most" (which is an intensive prefix) and ''adn ...
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Inscription
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primar ...
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Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ...
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Dioscuri
Castor; grc, Κάστωρ, Kástōr, beaver. and Pollux. (or Polydeukes). are twin half-brothers in Greek mythology, Greek and Roman mythology, known together as the Dioscuri.; grc, Διόσκουροι, Dióskouroi, sons of Zeus, links=no, from ''Dîos'' ('Zeus') and ''Kouroi, koûroi'' ('boys'). Their mother was Leda (mythology), Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who raped Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin the twins are also known as the Gemini (literally "twins") or Castores, as well as the Tyndaridae or Tyndarids.. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the con ...
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Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ...
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Silvanus (mythology)
Silvanus (; meaning "of the woods" in Latin) was a Roman tutelary deity of woods and uncultivated lands. As protector of the forest (''sylvestris deus''), he especially presided over plantations and delighted in trees growing wild.Tibullus II.5.27, 30. Lucan. ''Pharsalia'' III.402.Pliny the Elder. ''Naturalis historia'' XII.2. He is also described as a god watching over the fields and husbandmen, protecting in particular the boundaries of fields.Horace. '' Epodes'' II.21-22. The similarly named Etruscan deity Selvans may be a borrowing of Silvanus, or not even related in origin.Peter F. Dorcey, ''The Cult of Silvanus: A Study in Roman Folk Religion'' (Brill, 1992), pp. 10–1online noting earlier efforts to press an Etruscan etymology on Silvanus. Silvanus is described as the divinity protecting the flocks of cattle, warding off wolves, and promoting their fertility.Virgil. ''Aeneid'' VIII.600-1.Cato the Elder. ''De Re Rustica'' 83 Dolabella, a rural engineer of whom only a few p ...
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