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Thiruvanaikoil
Thiruvanaikaval Paadal Petra Sthalam (திருவனைகோவில்) or Thiruvanaikovil is a neighbourhood in the city of Tiruchirappalli in Tamil Nadu, India. It is situated on the northern banks of the Kaveri river, on the Srirangam Island. Description The island Srirangam is surrounded by the Kaveri river to the south and the Kollidam river to the north. The Kollidam is the northern distributary of the Kaveri River. The Shri Jambukeshwarar Temple is located here. The temple's presiding deity is Lord Shiva (Jambukeshwara) and the goddess is Shri Akhilandeshwari. It is revered as one of the Pancha Bhōōta Sthalam (The Five Elements). whereas Water is the presiding element in the temple. There is a freshwater spring underneath the Shiva Linga. It is believed that the jamun fruit will be ripening every day from the tree in the temple and the same will be served for the deity as the first offering (prasadam). Adi Shankara is said to have visited this shrine and has d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jambukeswarar Temple, Thiruvanaikaval
Jambukeswarar Temple, Thiruvanaikaval (also Thiruvanaikal, Jambukeswaram) is a famous Shiva temple in Tiruchirapalli (Trichy) district, in the state of Tamil Nadu, India. Though it is that Kocengannan (Kochengat Cholan), one of the Early Cholas, have built this temple. It is located in the Srirangam island, which has the famous Ranganathaswamy temple. Thiruvanaikal is one of the five major Shiva Temples of Tamil Nadu (Pancha Bhoota Stalam) representing the Mahābhūta or five great elements; this temple represents the element of water, or ''neer'' in Tamil. Tourist guide to Tamil Nadu 2007, pp. 76-77. The sanctum of Jambukeswara has an underground water stream and in spite of pumping water out, it is always filled with water. It is one of the 275 Paadal Petra Sthalams, where all the four most revered Nayanars (Saivite Saints) have sung glories of the deity in this temple. The temple has inscriptions from the Chola period. Legend Once Parvati mocked Shiva's penance for bett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pancha Bhoota Stalam
Pancha Bhoota Sthalam refers to five temples dedicated to Shiva,Ramaswamy 2007, pp. 301-302 each representing a manifestation of the five prime elements of nature: earth, water, fire, air, and ether. ''Pancha'' indicates "five," ''Bhoota'' means "elements," and ''Sthala'' means "place." The temples are located in South India, four in Tamil Nadu and one in Andhra Pradesh. The five elements are believed to be enshrined in the five ''lingams'' of the temples, with each lingam named on the element represented. All five temples are located around the 78°E and 79°E longitudes and between 10°N and 14°N latitudes. The presiding deities are revered in the 7th century Tamil Saiva canonical work, the ''Tevaram'', written by Tamil saint poets known as the nayanars and classified as ''Paadal Petra Sthalam''. The four temples in Tamil Nadu are maintained and administered by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu. Pancha Bhootam According ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neighbourhood
A neighbourhood (British English, Irish English, Australian English and Canadian English) or neighborhood (American English; see spelling differences) is a geographically localised community within a larger city, town, suburb or rural area, sometimes consisting of a single street and the buildings lining it. Neighbourhoods are often social communities with considerable face-to-face interaction among members. Researchers have not agreed on an exact definition, but the following may serve as a starting point: "Neighbourhood is generally defined spatially as a specific geographic area and functionally as a set of social networks. Neighbourhoods, then, are the spatial units in which face-to-face social interactions occur—the personal settings and situations where residents seek to realise common values, socialise youth, and maintain effective social control." Preindustrial cities In the words of the urban scholar Lewis Mumford, "Neighbourhoods, in some annoying, inchoate f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Shankara
Adi Shankara ("first Shankara," to distinguish him from other Shankaras)(8th cent. CE), also called Adi Shankaracharya ( sa, आदि शङ्कर, आदि शङ्कराचार्य, Ādi Śaṅkarācāryaḥ, lit=First Shankaracharya, ), was an Indian Vedic scholar and teacher (''acharya''), whose works present a harmonizing reading of the ''sastras'', with liberating knowledge of the self at its core, synthesizing the Advaita Vedanta teachings of his time. The title of Shankracharya, used by heads of the amnaya monasteries is derived from his name. Due to his later fame, over 300 texts are attributed to his name, including commentaries (''Bhāṣya''), introductory topical expositions (''Prakaraṇa grantha'') and poetry (''Stotra''). However most of these are likely to be by admirers or pretenders or scholars with an eponymous name.W Halbfass (1983), Studies in Kumarila and Sankara, Studien zur Indologie und Iranistik, Monographic 9, Reinbeck Works known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriti (music)
''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means Creation. Structure Conventional ''Kritis'' typically contain three parts #''Pallavi'', the equivalent of a refrain in Western music #'' Anupallavi'', the second verse, which is sometimes optional #''Charanam'', the final (and longest) verse that wraps up the song The ''charanam'' usually borrows patterns from the ''anupallavi''. The ''charanam's'' last line usually contains the composer's signature, or '' mudra'', with which the composer leaves their mark. Variations Some Kritis have a verse between the ''anupallavi'' and the ', called the '' ''. This verse consists only of notes, and has no words. Other ''krithis'', particularly some of Oottukkadu Venkata Kavi and Muthuswami Dikshitar's compositions, are intentionally composed without a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muthuswamy Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). His compositions are widely sung and played in classical concerts of Carnatic mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanchipuram
Kanchipuram ('; ) also known as ''Conjeevaram,'' is a city in the Indian state of Tamil Nadu in the Tondaimandalam region, from Chennaithe capital of Tamil Nadu. Known as the ''City of Thousand Temples'', Kanchipuram is known for its temple architectures, 1000-pillared halls, huge temple towers and silk sarees. Kanchipuram serves as one of the most important tourist destinations in India. Kanchipuram has become a centre of attraction to the foreign tourists as well. The city covers an area of and an estimated population of more than 300,000 in 2021. It is the administrative headquarters of Kanchipuram District. Kanchipuram is well-connected by road and rail. Kanchipuram is a Tamil word formed by combining two words "Kanchi" and "-puram" meaning "Brahma" and "residential place" respectively and located on the banks of the Vegavathy and Palar river. Kanchipuram has been ruled by the Pallavas, the Medieval Cholas, the Later Cholas, the Later Pandyas, the Vijayanagara Empire, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madurai
Madurai ( , also , ) is a major city in the Indian state of Tamil Nadu. It is the cultural capital of Tamil Nadu and the administrative headquarters of Madurai District. As of the 2011 census, it was the third largest Urban agglomeration in Tamil Nadu after Chennai and Coimbatore and the 44th most populated city in India. Located on the banks of River Vaigai, Madurai has been a major settlement for two millennia and has a documented history of more than 2500 years. It is often referred to as "Thoonga Nagaram", meaning "the city that never sleeps". Madurai is closely associated with the Tamil language. The third Tamil Sangam, a major congregation of Tamil scholars said to have been held in the city. The recorded history of the city goes back to the 3rd century BCE, being mentioned by Megasthenes, the Greek ambassador to the Maurya empire, and Kautilya, a minister of the Mauryan emperor Chandragupta Maurya. Signs of human settlements and Roman trade links dating back to 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arulmigu Meenakshi Sundareshwarar Temple
Arulmigu Meenakshi Sundaraswarar Temple is a historic Hindu temple located on the southern bank of the Vaigai River in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Parvati, and her consort, ''Sundareshwarar'', a form of Shiva. The temple is at the center of the ancient temple city of Madurai mentioned in the Tamil Sangam literature, with the goddess temple mentioned in 6th-century-CE texts. This temple is one of the Paadal Petra Sthalams. The Paadal Petra sthalams are 275 temples of lord Shiva that are revered in the verses of Tamil Saiva Nayanars of 6th-9th century CE. The west tower (gopuram) of the temple is the model based on which the Tamil Nadu State Emblem is designed. Overview Madurai Meenakshi Sundareswarar temple was built by Pandayan Emperor Sadayavarman Kulasekaran I (1190 CE–1205 CE). He built the main Portions of the three-storeyed Gopuram at the entrance of Sundareswarar Shrine and the central portion of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
