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Third Eye (Monsoon Album)
''Third Eye'' is a studio album by Monsoon. Track listing #"Wings of the Dawn (Prem Kavita)" (Steve Coe, Martin Smith, Jhalib) – 3:56 #"Tomorrow Never Knows" (John Lennon, Paul McCartney) – 4:01 #"Third Eye and Tikka T.V." (Coe) – 2:53 #"Eyes" (Coe, Smith) – 3:41 #"Shakti (The Meaning of Within)" (Coe) – 4:04 #"Ever So Lonely" (Coe) – 6:12 #"You Can't Take Me with You" (Coe, Smith) – 3:04 #"And I You" (Coe) – 3:28 #"Kashmir" (Coe, Smith) – 4:00 #"Watchers of the Night" (Coe, Smith) – 3:47 ''Monsoon featuring Sheila Chandra'' In 1995, the album was re-released under the above title with the following extra tracks: #"Indian Princess" – 3:20 #"Sunset over the Ganges" – 3:16 #"Ever So Lonely (Hindi Version)" – 5:55 #"Wings of the Dawn (Prem Kavita) (Hindi Version)" – 4:02 #"Ever So Lonely (Ben Chapman Remix)" – 6:24 #"Ever So Lonely (Ben Chapman Instrumental Remix)" – 6:21 Personnel *Sheila Chandra – lead vocal, backing vocals * Steve Coe – pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monsoon (band)
Monsoon was an early 1980s UK world/pop trio that consisted of singer Sheila Chandra, record producer Steve Coe, and bass guitarist Martin Smith. Their song "Ever So Lonely" was a number 12 hit single in the UK Singles Chart in 1982. Midge Ure directed the video for Monsoon's second single, "Shakti", which just missed out on the top 40 in the UK. Monsoon's third single, "Tomorrow Never Knows" (a cover of the Beatles' 1966 song), featured guest appearances from Bill Nelson, Preston Heyman, Dave Balfe (The Teardrop Explodes) and Merrick (Adam and the Ants). Due to differences with their label, Phonogram, Monsoon dissolved in 1982. Sheila Chandra started a solo career, Steve Coe continued writing and producing her albums, as well as Martin Smith, but often under the name Ganges Orchestra. Phonogram released ''Third Eye'' in 1983, after the act had split up. A compilation of Monsoon recordings including several previously unreleased tracks was released on CD in 1995 by Phono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom-tom Drum
A tom drum is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as large as . It is not to be confused with a tam-tam, a gong. Design history The drum called "Thammattama", played by the Sinhala people of Sri Lanka, is used in a number of Buddhist rituals in that country. It is commonly heard in Buddhist temples paired along with the reed instrument called horanava. This may be etymologically derived from the Tamil term "Thappattam" or "Thappu", a frame drum associated with South Indian Tamil culture. However, the tom-tom drums on the Western drum set clearly resemble the Sri Lankan version more than the frame drum. The British colonists complained loudly about the noise generated by the "tom-toms" of the natives throughout South Asia. It is likely that the term tom-toms thus comes from their experiences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rototom
The Rototom is a drum developed by Al Payson, Robert Grass, and Michael Colgrass that has no shell and is tuned by rotating. A rototom consists of a single head in a die-cast zinc or aluminum frame. Unlike most other drums, this type has a variable definite pitch. Composers are known to write for them as tuned instruments, demanding specific pitches. Rototoms are often used to extend the tom range of a standard drum kit. They were commercialized by the drumhead company Remo Inc., of North Hollywood, California. Drums and drumheads Tuning Rototoms can be tuned quickly by rotating the drumhead, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drumhead. Sizes Remo currently markets Rototoms in seven sizes — 6" (15.2 cm), 8" (20.3 cm), 10" (25.4 cm), 12" (30.5 cm), 14" (35.6 cm), 16" (40.6 cm) and 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghatam
The ghaṭam ( sa, घटं ''ghaṭaṁ'', kan, ಘಟ ''ghaṭah'', ta, கடம் ''ghatam'', te, ఘటం ''ghatam'', ml, ഘടം, ''ghatam'') is a percussion instrument used in various repertoires across India. It's a variant played in Punjab and known as ''gharha'' as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the ''madga'' and ''pani mataqa'' ("water jug"). The ghatam is one of the most ancient percussion instruments of India. It is a clay pot with narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of iron filings, the pitch of the ghatam varies according to its size. The pitch can be slightly altered by the application of plasticine clay or water. Although the ghatam is the same shape as an ordinary Indian domestic clay pot, it is made specifically to be played as an instrument. The tone of the pot must be good and the walls should ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preston Heyman
Preston Heyman is a British record producer, drummer and percussionist. He is credited on the Kate Bush album ''Never for Ever''. He played Oriental percussion instruments on the track "Blood Sucking" of Mike Oldfield's soundtrack for the film ''The Killing Fields'', released in 1984. He played drums on the single "Wishing Well" from the 1987 album ''Introducing the Hardline According to Terence Trent D'Arby ''Introducing the Hardline According to Terence Trent D'Arby'' is the debut studio album by Terence Trent D'Arby. It was released in July 1987 on Columbia Records, and debuted at number one in the UK, spending a total of nine weeks (non-consecut ...''. References {{DEFAULTSORT:Heyman, Preston Living people Musicians from Paterson, New Jersey British male drummers British session musicians Atomic Rooster members Gonzalez (band) members Tom Robinson Band members Toyah (band) members Year of birth missing (living people) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektara
Ektara ( bn, একতারা, hi, एकतारा, ur, اِک تارا, ne, एकतारे, pa, ਇਕ ਤਾਰਾ, ta, எக்டரா; literally 'one-string', also called actara, iktar, ektar, yaktaro, gopichand, gopichant, golki ne, गोल्, gopijiantra, tun tuna) is a one-stringed musical instrument used in the traditional music of South Asia, and used in modern-day music of Bangladesh, India, and Pakistan. Two-stringed versions are called dotara (two string), a name which also applies to other instruments. In origin the ''ektara'' was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger. The ''ektara'' is a drone lute consisting of a gourd resonator covered with skin, through which a bamboo neck is inserted. It is used in parts of India and Nepal today by Yogis and wandering holy men to accompany their singing and prayers. In Nepal, the instrument accompanies the singing of the Ramayana and Mahabha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
