Playing
The pot is usually placed on the lap of the performer, with the mouth facing the belly. The performer uses the fingers, thumbs, palms, and heels of the hands to strike its outer surface to produce different sounds. Different tones can be produced by hitting areas of the pot with different parts of the hands. Sometimes the ghatam is turned around so that the mouth faces the audience and the performer plays on the neck of the instrument. The ghatam can be moved to other positions while being played. Occasionally, the performer will, to the amusement of the audience, toss the instrument up in the air and catch it. The ghatam is ideal for playing rhythmic patterns in very fast tempo.Bonnie C. Wade. ''Music in India: the classical traditions.'' 2008. Pp 134-135.Etymology
The name ''ghaṭam'' is etymologically derived from the Sanskrit term ''ghaṭaka'' (pot) and the related term, ''kuṇḍa'' (pitcher). The cognate term for pot in Tamil is ''kuḍam'' (water pot). It is noteworthy that the term ''ghaṭam'' specifically carries the meaning of a percussive musical instrument. The other terms represent daily utensils without specific musical connotations.Similar instruments
The ''madga'' is a north Indian version of the south Indian ''ghaṭam'' and is made from a very special clay. The maker sometimes adds some kind of metal or graphite dust to the clay which is responsible for the blue-gray appearance and for the special sound. The ''madga'' can be played similarly to the ''ghaṭam''. Loud bass tones can be produced if one hits with the flat hand the opening at the top of the instrument. The madga can be played with mallets (sticks) and there are many sounds which can be produced with this instrument. It is thinner than a ghaṭam but very stable and not as fragile as one might think. In Gujarat and Rajasthan,See also
References
{{Authority control Carnatic music instruments Indian musical instruments Asian percussion instruments Pitched percussion instruments Plosive aerophones