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Theristai
''Theristai'' ( grc, Θερισταί, also known as ''Reapers'' or ''Harvesters''), is a lost satyr play by Attic playwright Euripides. It was initially performed at the Dionysia in Athens in 431 BCE along with the tragedies ''Medea'', '' Philoctetes'' and ''Dictys''. The tetralogy finished in 3rd place, behind tetralogies by Euphorion (Aeschylus' son), who won 1st prize, and Sophocles. The play was recorded as having been lost as early as 200 BCE by Aristophanes of Byzantium in his hypothesis A hypothesis (plural hypotheses) is a proposed explanation for a phenomenon. For a hypothesis to be a scientific hypothesis, the scientific method requires that one can test it. Scientists generally base scientific hypotheses on previous obse ... for ''Medea''. No fragments have been assigned to Theristai. It has been suggested that this play may be an alternate title for Euripides' lost play '' Syleus'', for which several fragments are extant. References {{Authority contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medea (play)
''Medea'' ( grc, Μήδεια, ''Mēdeia'') is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering his new wife as well as her own two sons, after which she escapes to Athens to start a new life. Euripides' play has been explored and interpreted by playwrights across the centuries and the world in a variety of ways, offering political, psychoanalytical, feminist, among many other original readings of Medea, Jason and the core themes of the play. ''Medea'', along with three other plays, earned Euripides third prize in the City Dionysia. Some believe that this indicates a poor reception, but "the competition that year was extraordinarily keen"; Sophocles, oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the '' Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete ('' Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philoctetes (Euripides)
''Philoctetes'' ( grc, Φιλοκτήτης) is a tragedy by the Athenian poet Euripides. It was probably first produced in 431 BCE at the Dionysia in a tetralogy that included the extant ''Medea'' and was awarded third prize. It is now lost except for a few fragments. Much of what we know of the plot is from the writings of Dio Chrysostom, who compared the Philoctetes plays of Aeschylus, Euripides and Sophocles and also paraphrased the beginning of Euripides' play. Fragments Less than 20 fragments of Euripides' ''Philoctetes'' survive, amounting to about 40 lines. We do know the broad outline of the plot from a comparison by Dio Chrysostom of Euripides' ''Philoctetes'' with Aeschylus' '' Philoctetes'' (probably 470s BCE) and Sophocles' '' Philoctetes'' (409 BCE). In addition, portions of Dio's paraphrase of the early portion of the play are extant. The extant portions of Dio's paraphrase cover the bulk of fragments number 787 through 790. A fragment of a hypothesis of the pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysia
The Dionysia (, , ; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries. Rural Dionysia The Dionysia was originally a rural festival in Eleutherae, Attica ( – ''Dionysia ta kat' agrous''), probably celebrating the cultivation of vines. It was probably a very ancient festival, perhaps not originally associated with Dionysus. This "rural Dionysia" was held during the winter, in the month of Poseideon (the month straddling the winter solstice, i.e., Dec.-Jan.). The central event was the ''pompe'' (πομπή), the procession, in which ''phalloi'' (φ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Athens
The city of Athens ( grc, Ἀθῆναι, ''Athênai'' .tʰɛ̂ː.nai̯ Modern Greek: Αθήναι, ''Athine'' or, more commonly and in singular, Αθήνα, ''Athina'' .'θi.na during the classical period of ancient Greece (480–323 BC) was the major urban centre of the notable ''polis'' (city-state) of the same name, located in Attica, Greece, leading the Delian League in the Peloponnesian War against Sparta and the Peloponnesian League. Athenian democracy was established in 508 BC under Cleisthenes following the tyranny of Isagoras. This system remained remarkably stable, and with a few brief interruptions remained in place for 180 years, until 322 BC (aftermath of Lamian War). The peak of Athenian hegemony was achieved in the 440s to 430s BC, known as the Age of Pericles. In the classical period, Athens was a centre for the arts, learning and philosophy, home of Plato's Academy and Aristotle's Lyceum, Athens was also the birthplace of Socrates, Plato, Peric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality. In classical Athens, satyrs made up the chorus in a genre of play known as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dictys
Dictys ( grc, Δίκτυς, ''Díktus'') was a name attributed to four men in Greek mythology. * Dictys, a fisherman and brother of King Polydectes of Seriphos, both being the sons of Magnes and a Naiad, or of Peristhenes and Androthoe,Scholia on Apollonius Rhodius, 4.1091 or else of Poseidon and Cerebia. He discovered Danaë and Perseus inside a chest that had been washed up on shore (or was caught in his fishing net). He treated them well and raised Perseus as his own son. After Perseus killed Medusa, rescued Andromeda, and later showed Medusa's head to Polydectes turning him and the nobles with him to stone, he made Dictys king. Dictys and his wife, Clymene, had an altar within a sacred precinct of Perseus in Athens. * Dictys, one of the sailors who tried to abduct Dionysus but was turned into a dolphin by the god. * Dictys, a centaur who attended Pirithous' wedding and battled against the Lapiths. While fleeing Pirithous, he slipped and fell off of a cliff. He was impale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphorion (playwright)
Euphorion ( grc-gre, Εὐφορίων, ''Euphoríōn'') was the son of the Greek tragedian Aeschylus, and himself an author of tragedies. In the Dionysia of 431 BCE, Euphorion won 1st prize, defeating both Sophocles (who took 2nd prize) and Euripides, who took 3rd prize with a tetralogy that includes the extant play ''Medea''. He is purported by some to have been the author of ''Prometheus Bound''—previously assumed to be the work of his father, to whom it was attributed at the Library of Alexandria,West 1990.—for several reasons, chiefly that the playwright's portrayal of Zeus is far less reverent than in other works attributed to Aeschylus,For a summary of the "Zeus Problem" and the theory of an evolving Zeus, see Conacher 1980. and that appear in the plays of the comic Aristophanes. This has led to date it as late as 415 BCE, long after Aeschylus's death. If Euphorion wrote ''Prometheus Bound'', there are as a result five ancient Greek tragedians with one or more f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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