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Theatrum Mundi
Theatrum Mundi (or the Great Theater of the World) is a metaphorical concept developed throughout Western literature and thought, apparent in theories of the world such as Plato's Allegory of the Cave, and a popular idea in the Baroque Period among certain writers. This metaphysical explanation of the world portrays the world as a theater (apparent in Shakespeare's saying that "all the world's a stage") wherein people are characters and their actions form a drama, with God as the author, specifically for some Christian thinkers. This metaphor can take various forms, some more deterministic than others, and has also been formulated in different fashions, such as the world as chess game by the Persian philosopher Omar Khayyam. In each formulation of the ''theatrum mundi'', though, the world is a sum greater than its parts, where various roles are played by different actors. History The world as a stage was expressed among the ancient Greeks, and especially gained popularity among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrum Mundi
Theatrum Mundi (or the Great Theater of the World) is a metaphorical concept developed throughout Western literature and thought, apparent in theories of the world such as Plato's Allegory of the Cave, and a popular idea in the Baroque Period among certain writers. This metaphysical explanation of the world portrays the world as a theater (apparent in Shakespeare's saying that "all the world's a stage") wherein people are characters and their actions form a drama, with God as the author, specifically for some Christian thinkers. This metaphor can take various forms, some more deterministic than others, and has also been formulated in different fashions, such as the world as chess game by the Persian philosopher Omar Khayyam. In each formulation of the ''theatrum mundi'', though, the world is a sum greater than its parts, where various roles are played by different actors. History The world as a stage was expressed among the ancient Greeks, and especially gained popularity among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham
Abraham, ; ar, , , name=, group= (originally Abram) is the common Hebrew patriarch of the Abrahamic religions, including Judaism, Christianity, and Islam. In Judaism, he is the founding father of the special relationship between the Jews and God; in Christianity, he is the spiritual progenitor of all believers, whether Jewish or non-Jewish; and in Islam, he is a link in the chain of Islamic prophets that begins with Adam (see Adam in Islam) and culminates in Muhammad. His life, told in the narrative of the Book of Genesis, revolves around the themes of posterity and land. Abraham is called by God to leave the house of his father Terah and settle in the land of Canaan, which God now promises to Abraham and his progeny. This promise is subsequently inherited by Isaac, Abraham's son by his wife Sarah, while Isaac's half-brother Ishmael is also promised that he will be the founder of a great nation. Abraham purchases a tomb (the Cave of the Patriarchs) at Hebron to be S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simulacrum
A simulacrum (plural: simulacra or simulacrums, from Latin '' simulacrum'', which means "likeness, semblance") is a representation or imitation of a person or thing. The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god. By the late 19th century, it had gathered a secondary association of inferiority: an image without the substance or qualities of the original. Literary critic Fredric Jameson offers photorealism as an example of artistic simulacrum, in which a painting is created by copying a photograph that is itself a copy of the real thing.Massumi, Brian"Realer than Real: The Simulacrum According to Deleuze and Guattari." retrieved 2 May 2007 Other art forms that play with simulacra include trompe-l'œil, pop art, Italian neorealism, and French New Wave. Philosophy Simulacra have long been of interest to philosophers. In his ''Sophist'', Plato speaks of two kinds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Cruelty
The Theatre of Cruelty (french: Théâtre de la Cruauté, also french: Théâtre cruel) is a form of theatre generally associated with Antonin Artaud. Artaud, who was briefly a member of the surrealist movement, outlined his theories in ''The Theatre and Its Double''. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Artaud's works have been highly influential on artists including Jean Genet, Jerzy Grotowski, Peter Brook, and Romeo Castellucci. History Antonin Artaud was well known as an actor, playwright, and essayist of avant-garde theatre, and briefly a member of the surrealist movement in Paris from 1924 - 1926, before his 'radical independence and his uncontrollable personality, perpetually in revolt, brought about his excommunication by André Breton.' Much of the avant-garde theatre developed in France from 1914 to 1939 can be seen as a revolt against tradition. Deeply affected by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectacle (critical Theory)
The spectacle is a central notion in the Situationist theory, developed by Guy Debord in his 1967 book ''The Society of the Spectacle''. In the general sense, the spectacle refers to "the autocratic reign of the market economy which had acceded to an irresponsible sovereignty, and the totality of new techniques of government which accompanied this reign." It also exists in a more limited sense, where ''spectacle'' means the mass media, which are "its most glaring superficial manifestation." The critique of the spectacle is a development and application of Karl Marx's concept of fetishism of commodities, reification and alienation,Guy Debord (1967''Society of the Spectacle''. (Paris, June 1967). Chapter I: Separation Perfected./ref> and the way it was reprised by György Lukács in 1923. In the society of the spectacle, commodities rule the workers and consumers, instead of being ruled by them; in this way, individuals become passive subjects who contemplate the reified spectacle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artaud
Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud (; 4 September 1896 – 4 March 1948), was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as a major figure of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican and Balinese practices. Early life Antonin Artaud was born in Marseille, to Euphrasie Nalpas and Antoine-Roi Artaud. His parents were first cousins—his grandmothers were sisters from Smyrna (modern day İzmir, Turkey). His paternal grandmother, Catherine Chilé, was raised in Marseille, where she married Marius Artaud, a Frenchman. His maternal grandmother, Mariette Chilé, grew up in Smyrna, where she married Louis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Baudrillard
Jean Baudrillard ( , , ; 27 July 1929 – 6 March 2007) was a French sociologist, philosopher and poet with interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as simulation and hyperreality. Baudrillard wrote about diverse subjects, including consumerism, gender relations, critique of economy, economics, social history, art, Western foreign policy, and popular culture. Among his best known works are ''Seduction'' (1978), ''Simulacra and Simulation'' (1981), ''America'' (1986), and '' The Gulf War Did Not Take Place'' (1991). His work is frequently associated with postmodernism and specifically post-structuralism. Baudrillard: "I have nothing to do with postmodernism."MLA Brennan, Eugene. Review of Pourquoi la guerre aujourd’hui?, by Jean Baudrillard, Jacques Derrida. French Studies: A Quarterly Review, vol. 71 no. 3, 2017, p. 449-449. Project MUSE mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationists
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through directly li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Role (sociology)
A role (also rôle or social role) is a set of connected behaviors, rights, obligations, beliefs, and norms as conceptualized by people in a social situation. It is an expected or free or continuously changing behavior and may have a given individual social status or social position. It is vital to both functionalist and interactionist understandings of society. Social role theory posits the following about social behavior: # The division of labour in society takes the form of the interaction among heterogeneous specialized positions, we call roles. # Social roles included appropriate and permitted forms of behavior and actions that recur in a group, guided by social norms, which are commonly known and hence determine the expectations for appropriate behavior in these roles, which further explains the place of a person in the society. # Roles are occupied by individuals, who are called actors. #When individuals approve of a social role (i.e., they consider the role legitimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tertullian
Tertullian (; la, Quintus Septimius Florens Tertullianus; 155 AD – 220 AD) was a prolific early Christian author from Carthage in the Roman province of Africa. He was the first Christian author to produce an extensive corpus of Latin Christian literature. He was an early Christian apologist and a polemicist against heresy, including contemporary Christian Gnosticism. Tertullian has been called "the father of Latin Christianity" and "the founder of Western theology". Tertullian originated new theological concepts and advanced the development of early Church doctrine. He is perhaps most famous for being the first writer in Latin known to use the term ''trinity'' (Latin: ''trinitas''). Tertullian was never recognized as a saint by the Eastern or Western Catholic churches. Several of his teachings on issues such as the clear subordination of the Son and Spirit to the Father, as well as his condemnation of remarriage for widows and of fleeing from persecution, contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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