The Tale Of Zatoichi Continues
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The Tale Of Zatoichi Continues
is a 1962 Japanese film directed by Kazuo Mori and starring Shintaro Katsu as Zatōichi the blind swordsman, a character created by Kan Shimozawa. ''The Tale of Zatoichi Continues'' is the second entry in the popular, long-running ''Zatoichi'' series. Plot One year after the first film, Zatōichi travels back to the town near the Joshoji Temple, to pay respects at the grave of Hirate, the samurai he killed. Three brigands attack Zatōichi while he dries his clothes, and are despatched by a one-armed swordsman. Later that day, Zatōichi is hired to massage a powerful lord who, unbeknownst to all but the lord's highest retainers, is insane. Zatōichi observes the nobleman's unstable mental condition, and the retainers decide to kill him. Zatōichi defeats the first three attackers, and retires to a restaurant. The attack having failed, the lord's men hire local yakuza (gangsters) to finish the job. Learning of this, Zatoichi remarks to himself that he would have kept quiet if they ...
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Kazuo Mori
, also known by his street name , was a Japanese film director who primarily worked in popular genres like the jidaigeki. Mori directed over 100 films in his life. Career Born in Ehime Prefecture, Mori graduated from Kyoto University before joining Nikkatsu's Uzumasa studio in 1933. A favorite of the producer Masaichi Nagata, he followed him to Daiichi Eiga and Shinkō Kinema before getting a chance to direct in 1936 with ''Adauchi hizakurige''. When Shinkō Kinema was merged with other studios to form Daiei Film, Mori became one of Daiei's core directors of genre films, making primarily samurai films with stars such as Raizō Ichikawa, Kazuo Hasegawa, and Shintaro Katsu. While not an auteur, he was a solid craftsman in the genre. After Daiei went bankrupt in the early 1970s, Mori continued directing ''jidaigeki'' on television. He directed over 130 films in his career. The National Film Center The is an independent administrative institution and one of Japan's seven nationa ...
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Saburō Date
was a Japanese actor. In 1945, he signed a contract with Daiei Film company and started his acting career. Following year, he made his film debut with ''Okagura Kyōdai'' directed by Hiroshi Inagaki. At the same time, he was given the stage name ''Saburo Date'' by Inagaki. As the Daiei studio gave up film production in 1970, he left Daiei and became a freelance actor. He appeared in nearly 200 films between 1947 and 1990. Selected filmography * ''Okagura Kyōdai'' (1946) * Story of a Beloved Wife'' (1951) * ''Avalanche'' (1952) * ''Ugetsu'' (1953) * '' Gate of Hell'' (1953) * '' Sansho the Bailiff'' (1954) * ''The Crucified Lovers'' (1954) * ''Enjō'' (1958) * ''The Loyal 47 Ronin'' (1958) * ''Tsukihime keizu'' (1958) * '' Nichiren: A Man of Many Miracles'' (1958) * ''The Tale of Zatoichi Continues'' (1962) * ''Enter Kyōshirō Nemuri the Swordman'' (1963) as Zeniya * ''Daimajin'' (1966) * ''A Certain Killer'' (1967) * '' Yokai Monsters: Along with Ghosts'' (1969) * '' Hitokiri ...
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Zatoichi Films
is a fictional character created by Japanese novelist Kan Shimozawa. He is an itinerant blind masseur and swordsman of Japan's late Edo period (1830s and 1840s). He first appeared in the 1948 essay , part of Shimozawa's ''Futokoro Techō'' series that was serialized in the magazine ''Shōsetsu to Yomimono''. This originally minor character was drastically altered and developed for the screen by Daiei Film and actor Shintaro Katsu, becoming the subject of one of Japan's longest-running film series. A total of 26 films were made between 1962 and 1989. From 1974 to 1979, a television series was produced, starring Katsu and some of the same actors that appear in the films. Produced by Katsu Productions, 100 episodes were aired before the ''Zatoichi'' television series was cancelled. The seventeenth film of the ''Zatoichi'' series was remade in the US in 1989 by TriStar Pictures as ''Blind Fury'', starring Rutger Hauer. A 2003 film was directed by Takeshi Kitano, who also starred a ...
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Samurai Films
, also commonly spelled "''chambara''", meaning "sword fighting" films,Hill (2002). denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. ''Chanbara'' is a sub-category of ''jidaigeki'', which equates to period drama. ''Jidaigeki'' may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. Chanbara also refers to a martial arts sport similar to Fencing. While earlier samurai period pieces were more dramatic rather than action-based, samurai films produced after World War II have become more action-based, with darker and more violent characters. Post-war samurai epics tended to portray psychologically or physically scarred warriors.Silver (1977), p. 37. Akira Kurosawa stylized and exaggerated death and violence in samurai epics. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their ...
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