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The Sunlight On The Garden
''The Sunlight on the Garden'' is a 24-line poem by Louis MacNeice. It was written in late 1936 and was entitled ''Song'' at its first appearance in print, in The Listener magazine, January 1937. It was first published in book form as the third poem in MacNeice's poetry collection The Earth Compels (1938). The poem explores themes of time and loss, along with anxiety about the darkening political situation in Europe following the outbreak of the Spanish Civil War. It is one of the best known and most anthologized of MacNeice's short poems. George MacBeth describes it as "one of MacNeice's saddest and most beautiful lyrics". Biographical background According to Jon Stallworthy, Louis MacNeice wrote ''The Sunlight on the Garden'' as a "love-song" for his first wife, Mary Ezra, shortly after their divorce was finalised in November 1936. Mary had left MacNeice for Charles Katzman in November 1935, and she followed Katzman to America early the next year. MacNeice was initially "dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis MacNeice
Frederick Louis MacNeice (12 September 1907 – 3 September 1963) was an Irish poet and playwright, and a member of the Auden Group, which also included W. H. Auden, Stephen Spender and Cecil Day-Lewis. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style. Never as overtly or simplistically political as some of his contemporaries, he expressed a humane opposition to totalitarianism as well as an acute awareness of his roots. Life Ireland, 1907–1917 Louis MacNeice (known as Freddie until his teens, when he adopted his middle name) was born in Belfast, the youngest son of Rev. John Frederick and Elizabeth Margaret ("Lily") MacNeice.Poetry Foundation profile Both were originally from the West of Ireland. MacNeice's fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the ''Encyclopædia Britannica'' of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular "Ode to a Nightingale", "Od ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internal Rhyme
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, denotes a three-line poem with the same internal rhyme on each line, and the same end rhyme on each line (which does not rhyme with the internal rhyme). Examples The following example is in limerick form. Each stressed syllable rhymes with another stressed syllable using one of three rhyme sets. Each rhyme set is indicated by a different highlight color. Note that the yellow rhyme set provides internal rhyme in lines 1, 2, and 5, and end rhymes in lines 3 and 4, whereas the blue set is entirely internal and the pink is exclusively end rhymes. Each time alie for a She well that her are the Of the , and it , But this will ex More than , so some gape and . Percy Dearmer (1867†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
End Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rÄ«m'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rÄ«m'' meaning "enumeration, series, numeral") and Old High German ''rÄ«m'', ultimately cognate to Old Irish ''rÃm'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimeter
In poetry, a dimeter is a metrical line of verse with two feet. The particular foot The foot ( : feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In many animals with feet, the foot is a separate organ at the terminal part of the leg made ... can vary. Consider Thomas Hood's " Bridge of Sighs:", in which the first line of a pair is of two feet, each composed of three syllables, and the subsequent line is of two feet, each of two syllables. :Take her up \\ tenderly, :Lift her \\ with care, :Fashioned so \\ slenderly, :Young and \\ so fair. Also, the first line of William Wordsworth's "We Are Seven": :A simp \\ le Child References Types of verses {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trimeter
In poetry, a trimeter (Greek for "three measure") is a metre of three metrical feet per line. Examples: : When here // the spring // we see, : Fresh green // upon // the tree. See also * Anapaest * Dactyl * Tristich * Triadic-line poetry Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". Created by William Carlos Williams, it was his "solution to the problem of modern verse" and later was also taken up by poets Charles Tomlin ... References Types of verses {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carrickfergus
Carrickfergus ( , meaning " Fergus' rock") is a large town in County Antrim, Northern Ireland. It sits on the north shore of Belfast Lough, from Belfast. The town had a population of 27,998 at the 2011 Census. It is County Antrim's oldest town and one of the oldest towns in Ireland as a whole. Carrickfergus Castle, built in the late 12th century at the behest of Anglo-Norman knight John de Courcy, was the capital of the Earldom of Ulster. After the earldom's collapse, it remained the only English outpost in Ulster for the next four centuries. Carrickfergus was the administrative centre for Carrickfergus Borough Council, before this was amalgamated into the Mid and East Antrim District Council in 2015, and forms part of the Belfast Metropolitan Area. It is also a townland of 65 acres, a civil parish and a barony. The town is the subject of the classic Irish folk song "Carrickfergus", a 19th-century translation of an Irish-language song (''Do Bhà Bean Uasal'') from Munster, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keats House
Keats House is a writer's house museum in what was once the home of the Romantic poet John Keats. It is in Keats Grove, Hampstead, toward the edge of inner north London. Maps before about 1915 show the road with one of its earlier names, John Street; the road has also been known as Albion Grove. The building was originally a pair of semi-detached houses known as "Wentworth Place". John Keats lodged in one of them with his friend Charles Brown from December 1818 to September 1820. These were perhaps Keats's most productive years. According to Brown, "Ode to a Nightingale" was written under a plum tree in the garden. While living in the house, Keats fell in love with and became engaged to Fanny Brawne, who lived with her family in the adjacent house. Keats became increasingly ill with tuberculosis and was advised to move to a warmer climate. He left London in 1820 and died, unmarried, in Italy the following year. The house is a Grade I listed building. History of the house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Listener (magazine)
''The Listener'' was a weekly magazine established by the BBC in January 1929 which ceased publication in 1991. The entire digitised archive was made available for purchase online to libraries, educational and research institutions in 2011. It was first published on 16 January 1929, under the editorship of Richard S. Lambert, and was developed as a medium of record for the reproduction of broadcast talks. It also previewed major literary and musical broadcasts, reviewed new books, and printed a selected list of the more intellectual broadcasts for the coming week. Its published aim was to be "a medium for intelligent reception of broadcast programmes by way of amplification and explanation of those features which cannot now be dealt with in the editorial columns of the ''Radio Times''". The title reflected the fact that at the time the BBC broadcast via radio only. (The BBC version of ''The Listener'' was preceded by another magazine with the same title which was the ''Journ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffrey Grigson
Geoffrey Edward Harvey Grigson (2 March 1905 – 25 November 1985) was a British poet, writer, editor, critic, exhibition curator, anthologist and naturalist. In the 1930s he was editor of the influential magazine ''New Verse'', and went on to produce 13 collections of his own poetry, as well as compiling numerous anthologies, among many published works on subjects including art, travel and the countryside. Grigson exhibited in the London International Surrealist Exhibition at New Burlington Galleries in 1936, and in 1946 co-founded the Institute of Contemporary Arts. Grigson's autobiography ''The Crest on the Silver'' was published in 1950. At various times he was involved in teaching, journalism and broadcasting. Fiercely combative, he made many literary enemies. In 1946, Grigson was one of the founders of the Institute of Contemporary Arts (ICA) in London, together with Roland Penrose, Herbert Read, Peter Watson and Peter Gregory. In 1951, Grigson curated an exhibition of d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
