The Strange Case Of Angelica
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The Strange Case Of Angelica
''The Strange Case of Angelica'' ( pt, O Estranho Caso de Angélica) is a 2010 Portuguese drama film directed by Manoel de Oliveira. It was entered into the Un Certain Regard section of the 2010 Cannes Film Festival. De Oliveira conceived the idea for the film in 1946 and initially wrote the script in 1952, updating it with modern elements. Plot In Portugal, in the years 2000, Isaac, a young Sefardic photographer rents an apartment in a modest pension of Senhora Justina, in Peso da Régua. On a rainy night, he is suddenly woken up to help a wealthy family in an extraordinary task: to take the last portrait of their daughter, Angélica, a young woman who has died soon after her own wedding. Upon his arrival to Quinta das Portas, Isaac encounters a family in mourning for the young woman. In one of the chambers, the photographer discovers Angélica and is dazzled by her beauty. In the moment when the view through the lens becomes focused, Angélica seems bringing back to life spec ...
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Manoel De Oliveira
Manoel Cândido Pinto de Oliveira (; 11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. He first began making films in 1927, when he and some friends attempted to make a film about World War I. In 1931 he completed his first film ''Douro, Faina Fluvial'', a documentary about his home city Porto made in the city symphony genre. He made his feature film debut in 1942 with ''Aniki-Bóbó'' and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. In 1971, Oliveira directed his second feature narrative film, '' Past and Present'', a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. Beginning in the late 1980s he was ...
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