The Sorcerer (novel)
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The Sorcerer (novel)
''The Sorcerer'' is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic Gilbert and Sullivan, collaboration. The plot of ''The Sorcerer'' is based on a Christmas story, ''An Elixir of Love'', that Gilbert wrote for ''The Graphic'' magazine in 1876. A young man, Alexis, is obsessed with the idea of love levelling all ranks and social distinctions. To promote his beliefs, he invites the proprietor of J. W. Wells & Co., Family Sorcerers, to brew a love potion. This causes everyone in the village to fall in love with the first person they see and results in the pairing of comically mismatched couples. In the end, Wells must sacrifice his life to break the spell. The opera opened on 17 November 1877 at the Opera Comique in London, where it ran for 178 performances. It was considered a success by the standards of that time and encouraged the collaborators to write their next opera, ''H.M.S. Pinafore''. '' ...
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La Périchole
''La Périchole'' () is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French libretto based on the 1829 one act play '' Le carrosse du Saint-Sacrement'' by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français. Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time. Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal. ''La Périchole''s title character is based on Micaela Villegas, a beloved 18th century Peruvian entertainer and the famous mistress of Manuel de Amat y Juniet, Viceroy of Peru from 1761 to 1776. The story concerns two impoverished Peruvian street-singers, too poor to afford a marriage license, and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Péric ...
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Sims Reeves
John Sims Reeves (21 October 1821 – 25 October 1900) was an English operatic, oratorio and ballad tenor vocalist during the mid-Victorian era. Reeves began his singing career in 1838 but continued his vocal studies until 1847. He soon established himself on the opera and concert stage and became known for his interpretation of ballads. He continued singing through the 1880s and later taught and wrote about singing. Musical beginnings Sims Reeves was born in Shooter's Hill, in Kent, England. His parents were John Reeves, a musician of Yorkshire origin, and his wife, Rosina. He received his earliest musical education from his father, a bass soloist in the Royal Artillery Band, and probably through the bandmaster, George McKenzie. By the age of fourteen he was appointed choirmaster of North Cray church and performed organist's duties. He seems to have studied medicine for a year but changed his mind when he gained his adult voice: it was at first a baritone, training under Th ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Letty Lind
Letitia Elizabeth Rudge (21 December 1861 – 27 August 1923), known professionally as Letty Lind, was an English actress, singer, dancer and acrobat, best known for her work in burlesque at the Gaiety Theatre, and in musical theatre at Daly's Theatre, in London. Life and career Lind was born at her parents' residence in Birmingham, England, and was christened at Saint Thomas church. Her father, Henry Rudge, was a brass founder and chandelier maker. Her mother, Elizabeth Rudge, was an actress whose career was brief and confined mostly to the Birmingham area. Lind was one of the Rudge Sisters, all of whom became well-known performers. Lind also had two brothers who were brass founders. Early career Lind first appeared on stage when she was about five years old as Eva in ''Uncle Tom's Cabin'', then toured with American entertainer and writer Howard Paul and his British wife, Mrs Howard Paul from about the age of ten. The Pauls billed her as "La Petite Letitia." Howard Paul ...
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Mrs Howard Paul
Isabella Hill (1 April 1833 – 6 June 1879), better known as Mrs Howard Paul, was an English actress, operatic singer and Actor-manager, actress-manager of the Victorian era, best remembered for creating the role of Lady Sangazure in the Gilbert and Sullivan comic opera ''The Sorcerer'' (1877). Her stage career began in 1853 in London in ballad operas, such as ''The Beggar's Opera''. In 1854 she married the American writer Henry Howard Paul, in whose comic entertainments the two performed for much of the next two decades, often on tour, both in Britain and America. She was popular for her musical impersonations of singers of the day. She also played in Victorian burlesque and other theatrical roles, among the best known of which was her Lady Macbeth at the Theatre Royal, Drury Lane in 1869. Various composers wrote songs for her to premiere. After ''The Sorcerer'', Gilbert and Sullivan cast Mrs Paul in their next opera, ''H.M.S. Pinafore'', but her vocal abilities had declined ...
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The Mountebanks
''The Mountebanks'' is a comic opera in two acts with music by Alfred Cellier and Ivan Caryll and a libretto by W. S. Gilbert. The story concerns a magic potion that causes the person to whom it is administered to become what he or she has pretended to be. It is similar to several "magic lozenge" plots that Gilbert had proposed to the composer Arthur Sullivan, but that Sullivan had rejected, earlier in their careers. To set his libretto to music, Gilbert turned to Cellier, who had previously been a musical director for Gilbert and Sullivan and had since become a successful composer. During the composition of the piece Cellier died, and the score was finished by the original production's musical director, Ivan Caryll, who became a successful composer of Edwardian Musical Comedy. The opera was first produced at the Lyric Theatre, London, on 4 January 1892, for a run of 229 performances. It also toured extensively, had a short Broadway run, in 1893, American tours and Australian ...
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Foggerty's Fairy
''Foggerty's Fairy'', subtitled "An Entirely Original Fairy Farce", is a three-act farce by W.S. Gilbert based loosely on Gilbert's short story, "The Story of a Twelfth Cake", which was published in the Christmas Number of ''The Graphic'' in 1874, and elements of other Gilbert plays. The story concerns a man who, with the help of a fairy, changes a small event in his past to try to save his engagement to the girl he loves. This leads to profound changes in his present, and he finds that matters are even worse than before. ''Foggerty's Fairy'' opened at the Criterion Theatre in London on 15 December 1881. Charles Wyndham (actor), Charles Wyndham, the manager of the Criterion, starred as the lead character, Frederick Foggerty. Despite Wyndham's star power, interest in the play's bold and original premise and reviews that were at least partly positive, the play was not a success. It closed on 6 January 1882 after about 25 performances. Disappointed, Gilbert turned back to writing c ...
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Dulcamara, Or The Little Duck And The Great Quack
''Dulcamara, or the Little Duck and the Great Quack'', is one of the earliest plays written by W.S. Gilbert, his first solo stage success. The work is a musical burlesque of Donizetti's ''L'Elisir d'Amore'', and the music was arranged by Mr. Van Hamme.Burgess, p. 307 It opened at the St James's Theatre on 29 December 1866, the last item in a long evening, following a farce and Dion Boucicault's new play ''Hunted Down''."The London Theatres", ''The London Review'', 5 January 1867, p. 18 ''Dulcamara'' ran for a successful 120 nights. The popularity of the piece encouraged further commissions for opera burlesques from Gilbert, who wrote four more between 1867 and 1869. ''Dulcamara'' and its successors all comply with the burlesque traditions of the day, with dialogue in rhyming couplets, convoluted puns throughout, and an array of attractive actresses in tights or short skirts, playing male roles, a practice Gilbert renounced as soon as he was sufficiently influential in the theatre ...
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The Times
''The Times'' is a British daily national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its current name on 1 January 1788. ''The Times'' and its sister paper ''The Sunday Times'' (founded in 1821) are published by Times Newspapers, since 1981 a subsidiary of News UK, in turn wholly owned by News Corp. ''The Times'' and ''The Sunday Times'', which do not share editorial staff, were founded independently and have only had common ownership since 1966. In general, the political position of ''The Times'' is considered to be centre-right. ''The Times'' is the first newspaper to have borne that name, lending it to numerous other papers around the world, such as ''The Times of India'', ''The New York Times'', and more recently, digital-first publications such as TheTimesBlog.com (Since 2017). In countries where these other titles are popular, the newspaper is often referred to as , or as , although the newspaper is of nationa ...
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Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ...
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