The Princesse De Broglie
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The Princesse De Broglie
''The '' (french: La Princesse de Broglie ) is an oil-on-canvas painting by the French Neoclassical artist . It was painted between 1851 and 1853, and shows , who adopted the courtesy title 'Princesse'. Born , she married , the future 28th Prime Minister of France, in 1845. was 28 at the time of the painting's completion. She was highly intelligent and widely known for her beauty, but she suffered from profound shyness and the painting captures her melancholia. contracted tuberculosis in her early 30s and died in 1860 aged 35. Although lived until 1901, he was heartbroken and did not remarry. undertook a number of preparatory pencil sketches for the commission, each of which captures her personality and taste. They show her in various poses, including standing, and in differently styled dresses. The final painting is considered one of 's finest later-period portraits of women, along with the Portraits of , and . As with many of 's portraits of women, details of the costum ...
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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ...
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Hoop Skirt
A hoop skirt or hoopskirt is a women's undergarment worn in various periods to hold the skirt extended into a fashionable shape. It originated as a modest-sized mechanism for holding long skirts away from one's legs, to stay cooler in hot climates and to keep from tripping on the skirt during various activities. Small hoops might be worn by farmers and while working in the garden. Hoops were then adopted as a fashion item, and the size and scale of the hoops grew in grandeur, especially during the mid-nineteenth century transition from the 1850s to the 1860s.Fogg, Marnie: ''Fashion: The Whole Story'', 2013, Prestel, New York, New York, As the society of consumerism evolved, the roles of men and women changed and so did their dress. As male dress became tailored, the female costume of the period made women practically immobilized due to the cumbersome amount of petticoats needed to suit the era's style. In the mid-19th century, the fashionable silhouette was a small waist with ...
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Paris During The Second Empire
During the Second French Empire, the reign of Emperor Napoleon III (1852–1870), Paris was the largest city in continental Europe and a leading center of finance, commerce, fashion, and the arts. The population of the city grew dramatically, from about one million to two million persons, partly because the city was greatly enlarged, to its present boundaries, through the annexation of eleven surrounding communes and the subsequent creation of eight new arrondissements. In 1853, Napoleon III and his prefect of the Seine, Georges-Eugène Haussmann, began a massive public works project, constructing new boulevards and parks, theaters, markets and monuments, a project that Napoleon III supported for seventeen years until his downfall in 1870, and which was continued afterward under the Third Republic. The street plan and architectural style of Napoleon III and Haussmann are still largely preserved and manifestly evident in the center of Paris. The Paris of Napoleon III Napoleon ...
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Rue De L'Université (Paris)
''Ruta graveolens'', commonly known as rue, common rue or herb-of-grace, is a species of '' Ruta'' grown as an ornamental plant and herb. It is native to the Balkan Peninsula. It is grown throughout the world in gardens, especially for its bluish leaves, and sometimes for its tolerance of hot and dry soil conditions. It is also cultivated as a culinary herb, and to a lesser extent as an insect repellent and incense. Etymology The specific epithet ''graveolens'' refers to the strong-smelling leaves.J. D. Douglas and Merrill C. Tenney Description Rue is a woody, perennial shrub. Its leaves are oblong, blue green and arranged pinnate; they release a strong aroma when they are bruised. The flowers are small with 4 to 5 dull yellow petals in clusters. They bear brown seed capsules when pollinated. Uses Traditional use In the ancient Roman world, the naturalists Pedanius Dioscorides and Pliny the Elder recommended that rue be combined with the poisonous shrub oleander t ...
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Damask
Damask (; ar, دمشق) is a reversible patterned fabric of silk, wool, linen, cotton, or synthetic fibers, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Twill damasks include a twill-woven ground or pattern.Kadolph, Sara J., ed.: ''Textiles'', 10th edition, Pearson/Prentice-Hall, 2007, , p. 251Monnas, Lisa. ''Merchants, Princes and Painters: Silk Fabrics in Italian and Northern Paintings 1300–1550''. New Haven, Yale University Press, 2008, pp. 295–299 History The production of damask was one of the five basic weaving techniques—the others being tabby, twill, lampas, and tapestry—of the Byzantine and Middle Eastern weaving centres of the early Middle Ages.Jenkins, David T., ed.''The Cambridge History of Western Textiles'' Cambridge, UK: Cambridge University Press, 2003, , p. 343. Used in daily nomadic life this form of weaving was ...
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Princesse De Broglie Head
Princesse (French 'princess') may refer to: *"Princesse", single hit for Julie Zenatti *Princesse (Nekfeu song) *La Princesse 15-metre (50-foot) mechanical spider designed and operated by French performance art company La Machine. See also *Princess (other) Princess is a title of royalty or nobility. It may also refer to: Places * Princess, Kentucky, United States, an unincorporated community * Princess, a locality in the County of Newell, Alberta, Canada People * Princess (singer) (born 1961), 19 ...
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Portrait Of Madame Ingres
''Portrait of Madame Ingres'' is a late period oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, completed in 1859. Depicting his second wife Delphine Ramel (he was widowed in 1849),Tinterow, 433 it is Ingres' final painted portrait, apart from two self-portraits. It was probably painted to accompany Ingres's self-portrait of the same year, now in the Fogg Art Museum The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research ..., Boston.Change of Art
. Harvard College, 2016. Retrieved 23 September 2017
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Portrait Of Charles Marcotte
''Portrait of Charles Marcotte'' (also known as ''Marcotte d'Argenteuil'') is an 1810 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, completed during the artists first stay in Rome. Charles Marie Jean Baptiste Marcotte (1773-1864) was a long term friend, loyal supporter and adviser to Ingres, and commissioned a number of portraits of his family and friends, as well as works such as ''Odalisque with Slave'' (1839). He was 23 years in age when the portrait was painted, and serving as inspector general for Waters and Forests in Napoleonic Rome.Rosenblum, 70 Although handsome, and possessing strong bone structure, he is portrayed as dour and serious, dressed in an imposing military uniform, and given a stern facial expression, with tightly pursed lips, which are turned down at the corners. A number of art historians have noted how his stiffness resemble Ingres' own early self-portraits, particularly that of 1804.Conisbee, 124 Marcotte stands ...
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Bayonne
Bayonne (; eu, Baiona ; oc, label= Gascon, Baiona ; es, Bayona) is a city in Southwestern France near the Spanish border. It is a commune and one of two subprefectures in the Pyrénées-Atlantiques department, in the Nouvelle-Aquitaine region. Bayonne is located at the confluence of the Nive and Adour rivers in the northern part of the cultural region of the Basque Country. It is the seat of the Communauté d'agglomération du Pays Basque which roughly encompasses the western half of Pyrénées-Atlantiques, including the coastal city of Biarritz. This area also constitutes the southern part of Gascony, where the Aquitaine Basin joins the beginning of the Pre-Pyrenees. Together with nearby Anglet, Biarritz, Saint-Jean-de-Luz, as well as several smaller communes, Bayonne forms an urban area with 273,137 inhabitants at the 2018 census; 51,411 residents lived in the commune of Bayonne proper.
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Musée Bonnat
The Musée Bonnat-Helleu is an art museum in Bayonne, Nouvelle-Aquitaine, France. The museum was created in 1901 when Bayonne-born painter Léon Bonnat gave his extensive personal collections of art – notably an exceptional drawing collection – as well as many of his paintings to the City of Bayonne. Subsequent donors enriched the collections of the Bonnat Museum with major gifts in 1936, 1989, 1997 and 2010, making its holdings one of the largest collections of art in southern France. The "Helleu" in its name refers to Paul César Helleu. The museum owns 181 works by Helleu, from a gift in 1989 and then a legacy in 2010 from Paulette Howard-Johnston, daughter of Helleu, and a legacy in 1997 from Ghislaine de Kermaingant. The Museum has been closed to the public for extensive renovation since April 2011. An architectural project intended to double the size of the museum will begin in early 2018, with the objective of opening the museum at the end of 2019. Collections The mus ...
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Graphite
Graphite () is a crystalline form of the element carbon. It consists of stacked layers of graphene. Graphite occurs naturally and is the most stable form of carbon under standard conditions. Synthetic and natural graphite are consumed on large scale (300 kton/year, in 1989) for uses in pencils, lubricants, and electrodes. Under high pressures and temperatures it converts to diamond. It is a weak conductor of heat and electricity. Types and varieties Natural graphite The principal types of natural graphite, each occurring in different types of ore deposits, are * Crystalline small flakes of graphite (or flake graphite) occurs as isolated, flat, plate-like particles with hexagonal edges if unbroken. When broken the edges can be irregular or angular; * Amorphous graphite: very fine flake graphite is sometimes called amorphous; * Lump graphite (or vein graphite) occurs in fissure veins or fractures and appears as massive platy intergrowths of fibrous or acicular crystalline ...
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