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The Pink Lady (musical)
''The Pink Lady'' is an Edwardian musical comedy composed by Ivan Caryll, which ran for a very successful 312 performances on Broadway in 1911 before becoming an ongoing favorite of regional producers in the Midwest. The story and lyrics by C.M.S. McLellan, about an antiques dealer, were adapted from a French farce, ''The Satyr'', by Georges Berr and Marcel Guiltemand The musical premiered at the New Amsterdam Theatre in New York, running for 312 performances from March 13, 1911 to December 9, 1911 and, after a brief London run at the Globe Theatre from April 11, 1912, it returned to the New Amsterdam for a further 24 performances from August 26, 1912 to September 14, 1912. The leading lady, Hazel Dawn, from Ogden, Utah, was nineteen years old when the show opened. She had studied music and voice while living with her family in Europe and played the violin in the show. The original production was directed by Herbert Gresham and choreographed by Julian Mitchell. The original run ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pink Lady By Hamilton King - 1911
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwardian Musical Comedy
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War. Between '' In Town'' in 1892 and ''The Maid of the Mountains'', premiering in 1917, this new style of musical theatre became dominant on the musical stage in Britain and the rest of the English-speaking world. The popularity of ''In Town'' and ''A Gaiety Girl'' (1893), led to an astonishing number of hits over the next three decades, the most successful of which included '' The Shop Girl'' (1894), '' The Geisha'' (1896), ''Florodora'' (1899), '' A Chinese Honeymoon'' (1901), '' The Earl and the Girl'' (1903), '' The Arcadians'' (1909), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), ''Betty'' (1914), ''Chu Chin Chow'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Caryll
Félix Marie Henri Tilkin (12 May 1861 – 29 November 1921), better known by his pen name Ivan Caryll, was a Belgian-born composer of operettas and Edwardian musical comedies in the English language, who made his career in London and later New York. He composed (or contributed to) some forty musical comedies and operettas. Caryll's career encompassed three eras of the musical theatre, and unlike some of his contemporaries, he adapted readily to each new development. After composing a few musical burlesques, his first great successes were made in light musical comedies, epitomised by the George Edwardes productions at London's Gaiety Theatre, such as ''The Shop Girl'', ''The Circus Girl'', ''The Gay Parisienne'', and ''A Runaway Girl''. He continued to write musical comedies throughout the next decade, including such hits as ''The Messenger Boy'', ''The Toreador'', ''The Girl From Kays'', ''The Earl and the Girl'', ''The Orchid'', ''The Spring Chicken'', ''The Girls of Got ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Berr
Georges Berr (30 July 1867 – 21 July 1942) in Paris, was a French actor and dramatist, a member and sociétaire of the Comédie-Française from 1886 to 1923. Under the pseudonyms Colias and Henry Bott he wrote several plays, particularly in collaboration with Louis Verneuil. He was Jean-Pierre Aumont's uncle. Plays Partial list of plays written or cowritten by Berr. * '' L'Amant de Madame Vidal'' * ''La Pomme'' by Verneuil and Berr * ' * 1900: ''Moins cinq...'' by Paul Gavault and Berr, Théâtre du Palais-Royal * 1901: ''L'Inconnue'' by Gavault and Berr, Théâtre du Palais-Royal * 1901: ''Madame Flirt'' by Gavault and Berr, Théâtre de l'Athénée * 1902: ''Les Aventures du capitaine Corcoran'' by Gavault, Berr and Adrien Vély, Théâtre du Châtelet * 1902: ''La Carotte'' by Berr, Paul Dehere and Marcel Guillemaud, Théâtre du Palais-Royal * 1904: ''La Dette'' by Gavault and Berr, Théâtre de l'Odéon * 1905: ''Les Merlereau'', 3 acts comedy, Théâtre des Bouff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Amsterdam Theatre
The New Amsterdam Theatre is a Broadway theater on 214 West 42nd Street, at the southern end of Times Square, in the Theater District of Manhattan in New York City. One of the oldest surviving Broadway venues, the New Amsterdam was built from 1902 to 1903 to designs by Herts & Tallant. The theater is operated by Disney Theatrical Productions and has 1,702 seats across three levels. Both the Beaux-Arts exterior and the Art Nouveau interior of the building are New York City landmarks, and the building is on the National Register of Historic Places. The New Amsterdam consists of an auditorium facing 41st Street and a narrow 10-story office wing facing 42nd Street. The facade on 42nd Street is made of gray limestone and was originally ornamented with sculptural detail; the rest of the facade is made of brick. The lobby from 42nd Street leads to a set of ornamental foyers, a reception room, and men's and women's lounges. The elliptical auditorium contains two balconies cantilevere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hazel Dawn
Hazel Dawn (born Henrietta Hazel Tout; March 23, 1890 – August 28, 1988) was an American stage, film and television actress, and violinist. She was born to a Mormon family in Utah, and studied music in Europe where her father was a missionary. Dawn rose to fame as a stage actress in Ivan Caryll's 1911 Broadway production of '' The Pink Lady'', which ran for over 300 performances and earned Dawn the eponymous nickname. She performed extensively on Broadway and began work in film in 1914, appearing in a total of 13 feature films. Dawn died at age 98 in New York City. Early life Dawn was born Henrietta Hazel Tout in Ogden, Utah, in 1890. She went to Wales with her family at the age of eight when her father served as a Mormon missionary there. Dawn studied violin and voice in London, Paris, and Munich. She especially was impressed by the attentiveness of teachers she studied under in Paris. Her sister, Nancy Tout, was an opera singer who sang with the Opera Comique in Paris. Career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogden, Utah
Ogden is a city in and the county seat of Weber County, Utah, United States, approximately east of the Great Salt Lake and north of Salt Lake City. The population was 87,321 in 2020, according to the US Census Bureau, making it Utah's eighth largest city. The city served as a major railway hub through much of its history,Maia Armaleo "Grand Junction: Where Two Lines Raced to Drive the Last Spike in Transcontinental Track," ''American Heritage'', June/July 2006. and still handles a great deal of freight rail traffic which makes it a convenient location for and |
Julian Mitchell (director)
Julian Mitchell (November 1852 – June 23, 1926) was an American theatre director and choreographer. Known as one of Broadway's most prolific directors, he directed more than eighty musicals between 1884 and 1926. His best remembered show may be '' The Wizard of Oz'' (1902). Julian was probably born in New York City, and was the nephew of actress Maggie Mitchell. Julian acted in her company from 1879 to 1882. His education in directing came from Charles Hale Hoyt, for whom he began as a character actor and became a director in 1884. From around the turn of the century he directed and choreographed Weber and Fields shows. In the 1902 ''Wizard of Oz'' it was his idea to summon the North Wind to destroy the poppies in ''The Wizard of Oz'' (which were not destroyed in the novel). Other productions he directed include '' Babes in Toyland'', Franz Lehár's ''Eva'', '' Oh! Oh! Delphine'', ''Ziegfeld Follies of 1912'', ''Ziegfeld Follies of 1925'', '' The Blue Kitten'' at the Selwyn The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice Dovey
Alice Dovey (August 28, 1884 – January 12, 1969)Dovey, Alice, ''Silent Film Necrology'', Eugene Michael Vazzana, McFarland Publishing, 2001, pg. 142. was an American motion picture comedian and actress who first appeared in '' The Commanding Officer'' (1915). This was a Famous Players Lasky movie which was directed by Alan Dwan. The title role in the film was played by Donald Crisp, with Dovey playing the role of his wife. Dovey was a Plattsmouth, Nebraska native who was educated in England with her sister, Ethel, under the care of Miss Lillian Terry. She debuted at the Broadway Theatre on January 25, 1909, after making many appearances in non-metropolitan venues, while acquiring performing skills. Among her first stage appearances was her depiction of Goldenrod in ''Miss Bob White'', during the 1903–1904 theatrical season. In the summer of 1904 Dovey played Turtledove in ''Woodland'', in Boston, Massachusetts. During the winter of 1905 the actress was part of a professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grossmith, Jr
George Grossmith Jr. (11 May 1874 – 6 June 1935) was an English actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in ''Haste to the Wedding'' (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert. Grossmith soon became an audience favourite playing "dude" roles. Early appearances in musicals included George Edwardes's hit ''A Gaiety Girl'' in 1893, and ''Go-Bang'' and ''The Shop Girl'' in 1894. In 1895, Grossmith left the musical stage, instead appearing in straight comedies, but after a few years he returned to performing in musicals and Victorian burlesques. Early in the new century, he had a string of successes in musicals for Edwardes, including ''The Toreador'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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