The Penrose Annual
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The Penrose Annual
''The Penrose Annual'' was a London-based review of graphic arts, printed nearly annually from 1895 to 1982. ''Penrose'' began in 1895 as ''Process Work Yearbook – Penrose's Annual.'' Lund Humphries has printed the publication since 1897 and has been responsible for its content since 1906 until selling Penrose to Northwood Publications Limited, part of the Thompson Corporation, in 1974. It was edited by William Gamble from 1895 to 1933 then Richard Bertram Fishenden from 1934 to 1957. Fishenden's friend Allan Delafons then took over as editor from the delayed 1958 volume number 52 until the 1962 volume number 56. There was no Penrose annual for 1963 and it re-appeared in 1964 with a new editor, Herbert Spencer, who continued until the 66th volume in 1973, when the title was sold to Northwood. Bryan Smith then edited two volumes before handing over to Penrose's final editor, Clive Goodacre (initially assisted by Stanley Greenwood). Goodacre edited Penrose until Northwood closed ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Graphic Arts
A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional, i.e. produced on a flat surface.Graphic art
" ''Encyclopædia Britannica''. Britannica.com. Retrieved 21 February 2016.
The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of ;"Graphic art." ''The Oxford Dictionary of Art''. 3rd ed. Ed. Ian Chilvers. Oxford: Oxford University Press, 2004. p. 309. it is sometimes understood to refer specifically to processes, such as ...
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Eye (magazine)
''Eye'' magazine is a quarterly print magazine on graphic design and visual culture. History First published in London in 1990, ''Eye'' was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990–1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1–26, Nick Bell was art director from issues 27–57, and Simon Esterson has been art director since issue 58. Frequent contributors include Phil Baines, Steven Heller, John-Patrick Hartnett, Richard Hollis, Paul Kahn, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O'Reilly, Rick Poynor, Elizabeth Resnick, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson, Steve Hare and many others. Recent issues have included photographs by Philip Sayer, Maria Spann an ...
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Monotype
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix (printing), matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, Baren_(printing_tool), baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Monotyping produces a unique print, or monotype; most of the ink ...
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Jan Tschichold
Jan Tschichold (born Johannes Tzschichhold, also known as Iwan Tschichold, or Ivan Tschichold; 2 April 1902 – 11 August 1974) was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the typeface Sabon. Life Tschichold was the son of a provincial signwriter, and he was trained in calligraphy. In 1919, he began in the class of Hermann Delitzsch a study on the Leipziger Akademie der Künste (Leipzig Academy of the Arts). Due to his extraordinary achievements, he soon became a master pupil of the rector of Walter Tiemann, a type designer with the Ge ...
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