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The Novella
''The Novella'' is a Caroline era stage play, a comedy written by Richard Brome. It was first published in the 1653 Brome collection ''Five New Plays'', issued by the booksellers Humphrey Moseley, Richard Marriot, and Thomas Dring. Date and Performance In the 1653 ''Five New Plays'' (not to be confused with the 1659 Brome collection of the same name), each of the plays has its own title page. The title page of ''The Novella'' specifies that the drama was performed by the King's Men at the Blackfriars Theatre in the year 1632. One detail in the play-offers insight into the functioning of the King's Men in the relevant period. In the play's final scene (if its stage directions are taken at face value), all the actors in the cast, eighteen men and boys, are onstage at once. Earlier in its history, the company generally did not mount such large productions: cast lists survive from two King's Men productions of John Webster's ''The Duchess of Malfi'', one c. 1614 and the other c. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Coryat
Thomas Coryat (also Coryate) (c. 15771617) was an English traveller and writer of the late Elizabethan and early Jacobean age. He is principally remembered for two volumes of writings he left regarding his travels, often on foot, through Europe and parts of Asia. He is often credited with introducing the table fork to England, with "Furcifer" (Latin: fork-bearer, rascal) becoming one of his nicknames.Michael Strachan, "Coryate, Thomas (c. 1577–1617)", in ''Literature of Travel and Exploration: an Encyclopedia'', 2003, Volume 1, pp.285–87 His description of how the Italians shielded themselves from the sun resulted in the word "umbrella" being introduced into English. Life and writings Coryat was born in Crewkerne, Somerset, and lived most of his life in the Somerset village of Odcombe. He was a son of George Coryate (died 1607). He was educated at Winchester College from 1591, and at Gloucester Hall, Oxford from 1596 to 1599. He was employed by Prince Henry, eldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphra Behn
Aphra Behn (; bapt. 14 December 1640 – 16 April 1689) was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Harbage
Alfred Bennett Harbage (July 18, 1901 – May 1976) was an influential Shakespeare scholar of the mid-20th century. Life He was born in Philadelphia and received his undergraduate degree and doctorate from the University of Pennsylvania. He lectured on Shakespeare both there and at Columbia University, Columbia before becoming a professor at Harvard University, where he taught for many years. He was the General Editor of the Pelican Books edition of the works of Shakespeare. He also wrote a number of well-received books on Shakespeare's works, among them ''Shakespeare's Audience'' (1941), ''As They Liked It'' (1947), ''Shakespeare and the Rival Traditions'' (1952), and ''Shakespeare Without Words'' (1966). Though best known for his work on Shakespeare, Harbage's literary scholarship extended to his successors too; he did important work on a range of seventeenth-century figures. In this area, his books ''Thomas Killigrew, Cavalier Dramatist 1612-1683'' (1930), ''Sir Will ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Killigrew
Thomas Killigrew (7 February 1612 – 19 March 1683) was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England. Life Killigrew was one of twelve children of Sir Robert Killigrew of Hanworth, a courtier to James I, and his wife Mary née Woodhouse; he became a page to King Charles I at about the age of thirteen. According to Samuel Pepys, the boy Killigrew used to volunteer as an extra, or "devil," at the Red Bull Theatre, so that he could see the plays for free. The young Killigrew had limited formal education; the Court and the playhouse were his schoolroom. Killigrew was present at the exorcism of the possessed nuns of Loudun. In 1635 he left a sceptical account of the proceedings. Before the English Civil War, Killigrew wrote several plays— tragicomedies like ''Claracilla'' and ''The Prisoners'', as well as his most popular play, ''The Parson's Wedding'' (1637). The latter play has been criticized for its c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moral Authority
Moral authority is authority premised on principles, or fundamental truths, which are independent of written, or positive, laws. As such, moral authority necessitates the existence of and adherence to truth. Because truth does not change, the principles of moral authority are immutable or unchangeable, although as applied to individual circumstances the dictates of moral authority for action may vary due to the exigencies of human life. These principles, which can be of metaphysical or religious nature, are considered normative for behavior, whether they are or are not also embodied in written laws, and even if the community is ignoring or violating them. Therefore, the authoritativeness or force of moral authority is applied to the conscience of each individual, who is free to act according to or against its dictates. Moral authority has thus also been defined as the "fundamental assumptions that guide our perceptions of the world". An individual or a body of people who are seen as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ducat
The ducat () coin was used as a trade coin in Europe from the later Middle Ages from the 13th to 19th centuries. Its most familiar version, the gold ducat or sequin containing around of 98.6% fine gold, originated in Venice in 1284 and gained wide international acceptance over the centuries. Similarly named silver ducatons also existed. The gold ducat circulated along with the Florentine florin and preceded the modern British pound sterling and the United States dollar. Predecessors The word ''ducat'' is from Medieval Latin ''ducalis'' = "relating to a duke (or dukedom)", and initially meant "duke's coin" or a "duchy's coin". The first issue of scyphate billon coins modelled on Byzantine ''trachea'' was made by King Roger II of Sicily as part of the Assizes of Ariano (1140). It was to be a valid issue for the whole kingdom. The first issue bears the figure of Christ and the Latin inscription ''Sit tibi, Christe, datus, quem tu regis iste ducatus'' (meaning "O Christ, let thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtesan
Courtesan, in modern usage, is a euphemism for a "kept" mistress (lover), mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the Royal court, court of a monarch or other powerful person. History In European feudalism, feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backstory
A backstory, background story, back-story, or background is a set of events invented for a plot, presented as preceding and leading up to that plot. It is a literary device of a narrative history all chronologically earlier than the narrative of primary interest. In acting, it is the history of the character before the drama begins, and is created during the actor's preparation. It is the history of characters and other elements that underlie the situation existing at the main narrative's start. Even a purely historical work selectively reveals backstory to the audience. Usage As a literary device, backstory is often employed to lend depth or believability to the main story. The usefulness of having a dramatic revelation was recognized by Aristotle, in ''Poetics''. Backstories are usually revealed, partially or in full, chronologically or otherwise, as the main narrative unfolds. However, a story creator may also create portions of a backstory or even an entire backstory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Player
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys. Children's companies In the Elizabethan and Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London since the 12th century was in the 16th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
