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The Merchant Of Venice (2004 Film)
''The Merchant of Venice'' is a 2004 romantic drama film based on Shakespeare's play of the same name. It is the first full-length sound film in English of Shakespeare's playother versions are videotaped productions which were made for television, including John Sichel's 1973 version and Jack Gold's 1980 BBC production. The title character is the merchant Antonio ( Jeremy Irons), not the Jewish moneylender Shylock (Al Pacino), who is traditionally viewed as the antagonist and more prominent character. This adaptation follows the text but omits much. Director Michael Radford believed that Shylock was Shakespeare's first great tragic hero who reaches a catastrophe due to his own flaws. The film begins with text and a montage of how the Jewish community is abused by the Christian population of Venice and brings attention to the fact that, as a convert, Shylock would have been cast out of the Jewish ghetto in Venice. A co-production between the United Kingdom, Italy, and Luxem ...
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Michael Radford
Michael James Radford (born 24 February 1946) is an English film director and screenwriter. He began his career as a documentary director and television comedy writer before transitioning into features in the early 1980s. His best-known credits include the 1984 Nineteen Eighty-Four (1984 film), film adaptation of George Orwell's ''Nineteen Eighty-Four'' starring John Hurt and Richard Burton (in his final role), the William Shakespeare, Shakespeare adaptation ''The Merchant of Venice (2004 film), The Merchant of Venice'', the true crime drama ''White Mischief (film), White Mischief'', and the 1994 Italian-language comedy drama ''Il Postino: The Postman'', for which he won the BAFTA Awards for BAFTA Award for Best Direction, Best Direction and BAFTA Award for Best Film Not in the English Language, Best Film Not in the English Language, and earned Academy Awards, Academy Award nominations for Academy Award for Best Director, Best Director and Academy Award for Best Adapted Screenpla ...
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Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ...
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Cinema Of Luxembourg
Cinema may refer to: Film * Cinematography, the art of motion-picture photography * Film or movie, a series of still images that create the illusion of a moving image ** Film industry, the technological and commercial institutions of filmmaking ** Filmmaking, the process of making a film * Movie theater (US), called a cinema elsewhere, a building in which films are shown TV * Home cinema tries to replicate the movie theater at home * Cinema or Movie mode, a picture mode characterized by warmer color temperatures Music Bands * Cinema (band), a band formed in 1982 by ex-Yes members Alan White and Chris Squire * The Cinema, an American indie pop band Albums * ''Cinema'' (Andrea Bocelli album), released 2015 * ''Cinema'' (The Cat Empire album), released 2010 * ''Cinema'' (Elaine Paige album), released 1984 * ''Cinema'' (Nazareth album), or the title song, released 1986 * ''Cinema'', a 2009 album by Brazilian band Cachorro Grande * ''Cinema'', a 1990 album by English musician ...
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Cinema Of Italy
The cinema of Italy (, ) comprises the films made within Italy or by Italian directors. Since its beginning, Italian cinema has influenced film movements worldwide. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been the most important factor in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film (the most of any country) as well as 12 Palmes d'Or (the second-most of any country), one Academy Award for Best Picture and many Golden Lions and Golden Bears. The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibitions. The first Italian director is considered to be Vittorio Calcina, a collaborator of the Lumière Brothers, who filmed Pope Leo XIII in 1896. The first films date back to 1896 and were made in the main cities of the Italian peninsula. These brief experiments immediately met the curiosity of the popular class, encouraging ope ...
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Cinema Of The United Kingdom
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, (with Emeric Pressburger) and Carol Reed produced their most critically acclaimed works. Many British actors have accrued critical success and worldwide recognition, such as Audrey Hepburn, Olivia de Havilland, Glynis Johns, Maggie Smith, Roger Moore, Michael Caine, Sean Connery, Joan Collins, Judi Dench, Julie Andrews, Daniel Day-Lewis, Gary Oldman, Emma Thompson, Hugh Grant and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the third and sixth List of highest-grossing films#Highest-grossing franchises and film series, highest-grossing film franchises (''Harry Potter (film series), Harry Potter'' and ''Production of the James Bond film ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the '' Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historica ...
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Venetian Ghetto
The Venetian Ghetto was the area of Venice in which Jews were forced to live by the government of the Venetian Republic. The English word ''ghetto'' is derived from the Jewish ghetto in Venice. The Venetian Ghetto was instituted on 29 March 1516 by decree of Doge Leonardo Loredan and the Venetian Senate. It was not the first time that Jews in Venice were compelled to live in a segregated area of the city. In 1555, Venice had 160,208 inhabitants, including 923 Jews, who were mainly merchants. In 1797 the French Army of Italy, commanded by the 28-year-old General Napoleon Bonaparte, occupied Venice, forced the Venetian Republic to dissolve itself on 12 May 1797, and ended the ghetto's separation from the city on 11 July the same year. In the 19th century, the ghetto was renamed the ''Contrada dell'unione''. Etymology The origins of the name ''ghetto'' (''ghèto'' in the Venetian language) are disputed. Among the theories are: *''ghetto'' comes from "giotto" or "geto", meani ...
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Tragic Hero
A tragic hero is the protagonist of a tragedy. In his ''Poetics'', Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. Many of the most famous instances of tragic heroes appear in Greek literature, most notably the works of Sophocles and Euripides. Aristotle's tragic hero In ''Poetics'', Aristotle suggests that the hero of a tragedy must evoke a sense of pity and fear within the audience, stating that “the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to adversity." In essence, the focus of the hero should not be the loss of his goodness. He establishes the concept that pity is an emotion that must be elicited when, through his actions, the character receives undeserved misfortune, while the emotion of fear must be felt by the audience when they contemplate that ...
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Shylock
Shylock is a fictional character in William Shakespeare's play ''The Merchant of Venice'' (c. 1600). A Venetian Jewish moneylender, Shylock is the play's principal antagonist. His defeat and conversion to Christianity form the climax of the story. Shylock's characterisation is composed of stereotypes, for instance greediness and vengefulness, although there were no practising Jews who lived in England during Shakespearean England. Jews were expelled from the country in 1290 by Edward I in the Edict of Expulsion; this was not reversed until the Cromwell Era. Name Shylock is not a Jewish name. However, some scholars believe it probably derives from the biblical name Shalah, which is (''Šélaḥ'') in Hebrew. Shalah is the grandson of Shem and the father of Eber, biblical progenitor of Hebrew peoples. All the names of Jewish characters in the play derive from minor figures listed in genealogies in the Book of Genesis. It is possible that Shakespeare originally intended ...
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Moneylender
In finance, a loan is the lending of money by one or more individuals, organizations, or other entities to other individuals, organizations, etc. The recipient (i.e., the borrower) incurs a debt and is usually liable to pay interest on that debt until it is repaid as well as to repay the principal amount borrowed. The document evidencing the debt (e.g., a promissory note) will normally specify, among other things, the principal amount of money borrowed, the interest rate the lender is charging, and the date of repayment. A loan entails the reallocation of the subject asset(s) for a period of time, between the lender and the borrower. The interest provides an incentive for the lender to engage in the loan. In a legal loan, each of these obligations and restrictions is enforced by contract, which can also place the borrower under additional restrictions known as loan covenants. Although this article focuses on monetary loans, in practice, any material object might be lent. Ac ...
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Antonio (Merchant Of Venice)
Antonio is the title character in Shakespeare's ''The Merchant of Venice''. An influential, powerful, and wealthy nobleman of Venice, he is a middle-aged man and a merchant by trade who has his financial interests tied up in overseas shipments when the play begins. He is kind, generous, and honest to Christians, and is loved and revered by all the Christians who know him, but not by the Jew Shylock, whom he himself scorns. Act 1 In sooth I know not why I am so sad. It wearies me, you say it wearies you; But how I caught it, found it, or came by it, What stuff ‘tis made of, whereof it is born, I am to learn And such a want-wit sadness makes of me That I have much ado to know myself. When we first see Antonio, commiserating with his friends Salanio and Salarino, he is pondering the unknown source of his depressive state His friends try to guess the origin and nature of his condition by questioning him. First, they inquire as to whether or not he is worried about his investm ...
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Title Character
The title character in a narrative work is one who is named or referred to in the title of the work. In a performed work such as a play or film, the performer who plays the title character is said to have the title role of the piece. The title of the work might consist solely of the title character's name – such as '' Michael Collins'' or '' Othello'' – or be a longer phrase or sentence – such as ''The Autobiography of Malcolm X'', '' Alice in Wonderland'' or ''The Adventures of Tom Sawyer''. The title character is commonly – but not necessarily – the protagonist of the story. Narrative works routinely do not have a title character, and there is some ambiguity in what qualifies as one. Examples in various media include Figaro in the opera '' The Marriage of Figaro'', Giselle in the ballet of the same name, the Doctor in the TV series '' Doctor Who'', Harry Potter in the series of novels and films, Romeo Montague and Juliet Capulet in the play '' Romeo and Juliet'' ...
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