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The Love Suicides At Sonezaki
''The Love Suicides at Sonezaki'' (曾根崎心中, ''Sonezaki Shinjū'') is a jōruri play by the Japanese playwright Chikamatsu Monzaemon. The double suicides that occurred on May 22, 1703 inspired Chikamatsu to write this play and thus ''The Love Suicides at Sonezaki'' made its debut performance on June 20, 1703. Chikamatsu added new scenes in the 1717 revival including the villain's punishment. ''The Love Suicides at Sonezaki'''s reception was popular and helped springboard Chikamatsu's future success as a playwright. In the first year alone since the play's premirere, no less than seventeen couples committed double suicide. In fact, the bakufu banned Chikamatsu's shinjū plays in 1722 because of their content's popularity. ''The Love Suicides at Sonezaki'' was Chikamatsu's first "domestic tragedy" or "domestic play" (''sewamono'') and his first love-suicide play (shinjūmono). Until this play, the common topic for jōruri was jidaimono or "history plays" while kabuki perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ohatsu And Tokube Statue At Tsuyunoten Shrine
or (1570 – September 30, 1633) was a prominently placed figure in the late Sengoku period. She was daughter of Oichi and Nagamasa Azai, and the sister of Yodo-dono and Oeyo. Alongside her sisters, she was active in the political intrigues of her day. Ohatsu's close family ties to both the Toyotomi clan and the Tokugawa clan uniquely positioned her to serve as a conduit between the rivals. She acted as a liaison until 1615 in the siege of Osaka, when the Tokugawa eliminated the Toyotomi. Life Ohatsu was the second daughter of Azai Nagamasa. Her mother, Oichi, was the youngest sister of Oda Nobunaga. Her father died during the siege of Odani in 1573 after rebelling against Nobunaga, and Ohatsu's brother Manpukumaru was killed. With her sisters and her mother, she joined the Oda clan. In 1582, after the assassination of her uncle in Honnō-ji Incident, her mother married Shibata Katsuie, a general in the service of the Oda, and in 1583, Toyotomi Hideyoshi attacked the Kitan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1703 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku Plays
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century pupp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Love Suicides At Sonezaki (1981 Film)
is a 1981 near life-size Bunraku puppet film based on Chikamatsu's sewamono ''The Love Suicides at Sonezaki''. Director Midori Kurisaki Midori (みどり, ミドリ, , , ) is the Japanese word for "green" and may refer to: Places * Midori, Gunma * Midori-ku, Chiba * Midori-ku, Nagoya * Midori-ku, Sagamihara * Midori-ku, Saitama * Midori-ku, Yokohama People Given name * Mi ... (, stage name as actress Satoko Minami) convinced Living National Treasure puppeteers Tamao Yoshida and Minosuke Yoshida to let her take their puppets outdoors for live action filming outside the traditional Bunraku theatre – the first time anyone had filmed such a performance in outdoor scenery.Cinefantastique - Volume 19 - Page 51 Frederick S Clarke - 1989 Puppeteers Tamao Yoshida (I) and Minosuke Yoshida (c) agreed to let director Midori Kurisaki (r) add cinematic Ingredients to the centuries-old art of ... This kind of film — where the puppets are taken outdoors— had never been done befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Love Suicides At Sonezaki (1978 Film)
is a 1978 Japanese historical romance film directed by Yasuzo Masumura starring Ryudo Uzaki and Meiko Kaji based on the Chikamatsu play of the same name. Plot The plot follows closely the original play. Tokubei (Ryudo Uzaki) works as a soy-sauce maker. He falls in love with indentured prostitute O-Hatsu (Meiko Kaji). After O-Hatsu's indenture is bought by a wealthy patron, they plan to commit suicide. Cast * Ryudo Uzaki - Tokubei * Meiko Kaji - O-Hatsu * Hisashi Igawa - Kyuemon * Sachiko Hidari - O-Sai * Isao Hashimoto - Kuheiji * Gen Kimura - Kichibei Production Masumura's treatment of the play is quite literal, and was considered by some (McDonald, 1994) the most faithful screen adaptation of any of Chikamatsu's plays second only to Kurisaki's puppet version two years later. Masumura's casting of Uzaki, a rock star, and Kaji, a young idol, signaled an energetic approach to the story, though the film was restrained by Masumura's standards and did not contain the element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada Buddhism, a bodhisattva (Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana Buddhism, a bodhisattva refers to anyone who has generated ''bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" (''brahmaviharas'') of loving-kindness ('' metta''), compassion (''karuṇā''), empathet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōruri (music)
is a form of traditional Japanese narrative music in which a sings to the accompaniment of a . accompanies , traditional Japanese puppet theater. As a form of storytelling, emphasizes the lyrics and narration rather than the music itself. According to Asai Ryōi, the first performer to have ever employed the during his storytelling, instead of the , was chanter Sawazumi. The story he narrated was , one of the many existing versions of the , which tells the tale of the tragic love between Minamoto no Yoshitsune was a military commander of the Minamoto clan of Japan in the late Heian and early Kamakura periods. During the Genpei War, he led a series of battles which toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Yoritomo conso ... and Jōruri-hime. Following this event, every tale sung to the accompaniment of a became emblematic of the style. See also * Japanese styles of music Japanese traditional music Japanese words and phrases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugawara No Michizane
was a scholar, poet, and politician of the Heian Period of Japan. He is regarded as an excellent poet, particularly in Kanshi poetry, and is today revered in Shinto as the god of learning, . In the poem anthology ''Hyakunin Isshu'', he is known as , and in kabuki drama he is known as . Biography He was born into a family of scholars, who bore the hereditary title of which predated the Ritsuryō System and its ranking of members of the Court. His grandfather, Sugawara no Kiyotomo, served the court, teaching history in the national school for future bureaucrats and even attained the third rank. His father, Sugawara no Koreyoshi, began a private school in his mansion and taught students who prepared for the entrance examination to the national school or who had ambitions to be officers of the court, including his own son Michizane. Michizane passed the entrance examination, and entered Daigaku, as the national academy was called at the time. After graduation he began his career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtesan
Courtesan, in modern usage, is a euphemism for a "kept" mistress (lover), mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the Royal court, court of a monarch or other powerful person. History In European feudalism, feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
