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The Lady Who Loved Insects
is the twelfth-century Japanese tale of one who defies social convention and breaches the decorum expected of a Heian court lady. It is one of ten short stories in the collection ''Tsutsumi Chūnagon Monogatari''. Story The protagonist befriends insects, names her attendants after them, and engages in poetic exchanges involving furry caterpillars, leading to laughter on the part of others. Portrayed as even more eccentric is her disregard for her physical appearance: she leaves her hair untrimmed; has unplucked eyebrows; neglects to blacken her teeth; and allows herself to be seen by men. 'Oh, how regrettable! Why does she have such a weird mind'. When an incipient love affair comes to an end along with the tale it is of little surprise to any of the observers. Interpretation Donald Keene has suggested that, while the reader may be attracted by her independence of mind, the author was probably trying to satirize those with eccentric behaviour and unconventional tastes. Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Literature
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or , a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original culture () developed and literature also established its own style, with the significant usage and development of to write Japanese literature. Following the Perry Expedition which led to the end of the policy and the forced reopening of foreign trade, Western literature has also made influences to the development of modern Japanese writers, while Japanese literature has in turn become more recognized internationally, leading to two Japanese Nobel laureates in literature, namely Yasunari Kawabata and Kenzaburō Ōe. History Nara-period literature (before 794) Before the introduction of kanji f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacca
''Sacca'' ( sa, Satya सत्य) is a Pali word meaning "real" or "true". In early Buddhist literature, ''sacca'' is often found in the context of the "Four Noble Truths",_a_crystallization_of_Buddhist_wisdom.__In_addition,_''sacca''_is_one_of_the_ten_pāramīs_or_"most_high"_a_pāramīs_or_"most_high"_a_bodhisattva">bodhisatta_must_develop_in_order_to_become_a_Buddhahood.html" "title="bodhisattva.html" "title="pāramitā.html" ;"title="Four Noble Truths: BUDDHIST PHILOSOPHY Encycl ...", a crystallization of Buddhist wisdom. In addition, ''sacca'' is one of the ten pāramitā">pāramīs or "most high" a bodhisattva">bodhisatta must develop in order to become a Buddhahood">Buddha. The profoundest truth of reality In the Pali Canon, ''sacca'' is frequently found in the term ''ariya-sacca'', meaning "noble truth" or "truth of the noble ones". More specifically, the term ''ariya-sacca'' refers to the Gautama Buddha, Buddha's "Four Noble Truths,"_elucidated_in_his_Dhammacak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period In Literature , the Korean hanja transliteration of 平安
{{disambiguation ...
The Japanese word Heian (平安, lit. "peace") may refer to: * Heian period, an era of Japanese history * Heian-kyō, the Heian-period capital of Japan that has become the present-day city of Kyoto * Heian series, a group of karate kata (forms) * Heian Shrine, a large shrine in the city of Kyoto * "Heian", a song from the 2016 Momus album ''Scobberlotchers'' See also * Ping'an (other), the Chinese pinyin transliteration of 平安 * Pyongan Pyeong-an Province (, ) was one of Eight Provinces of Korea during the Joseon Dynasty. Pyeong'an was located in the northwest of Korea. The provincial capital was Pyeongyang (now Pyongyang, North Korea). History Pyeong'an Province was formed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Japanese Literature
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monogatari
is a literary form in traditional Japanese literature – an extended prose narrative tale comparable to the epic novel. ''Monogatari'' is closely tied to aspects of the oral tradition, and almost always relates a fictional or fictionalized story, even when retelling a historical event. Many of the great works of Japanese fiction, such as the '' Genji Monogatari'' and the ''Heike Monogatari'', are in the ''monogatari'' form. History The form was prominent around the 9th to 15th centuries, reaching a peak between the 10th and 11th centuries. ''Monogatari'' was the court literature during the Heian era and also persisted in the form of archaic fiction until the sixteenth century. According to the '' Fūyō Wakashū'' (1271), at least 198 ''monogatari'' existed by the 13th century and that only 24 exist today. Genres The genre is sub-divided into multiple categories depending on their contents: ''Denki-monogatari'' Stories dealing with fantastical events. ''Uta-monogatari'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entomological Literature
Entomology () is the scientific study of insects, a branch of zoology. In the past the term "insect" was less specific, and historically the definition of entomology would also include the study of animals in other arthropod groups, such as arachnids, myriapods, and crustaceans. This wider meaning may still be encountered in informal use. Like several of the other fields that are categorized within zoology, entomology is a taxon-based category; any form of scientific study in which there is a focus on insect-related inquiries is, by definition, entomology. Entomology therefore overlaps with a cross-section of topics as diverse as molecular genetics, behavior, neuroscience, biomechanics, biochemistry, systematics, physiology, developmental biology, ecology, morphology, and paleontology. Over 1.3 million insect species have been described, more than two-thirds of all known species. Some insect species date back to around 400 million years ago. They have many kinds of intera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Aesthetics
Japanese aesthetics comprise a set of ancient ideals that include '' wabi'' (transient and stark beauty), '' sabi'' (the beauty of natural patina and aging), and '' yūgen'' (profound grace and subtlety). These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. Japanese aesthetics now encompass a variety of ideals; some of these are traditional while others are modern and sometimes influenced by other cultures. Shinto and Buddhism Shinto is considered to be at the fountain-head of Japanese culture. With its emphasis on the wholeness of nature and character in ethics, and its celebration of the landscape, it sets the tone for Japanese aesthetics. Until the thirteenth century, Shinto remained the main influence on Japanese aesthetics. In the Buddhist tradition, all things are cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Short Stories
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies ( Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japan ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nausicaä Of The Valley Of The Wind (manga)
is a Japanese manga series written and illustrated by Hayao Miyazaki. It tells the story of Nausicaä, a princess of a small kingdom on a post-apocalyptic Earth with a toxic ecosystem, who becomes involved in a war between kingdoms while an environmental disaster threatens humankind. Prior to creating ''Nausicaä'', Miyazaki had worked as an animator for Toei Animation, Nippon Animation and Tokyo Movie Shinsha (TMS), the latter for whom he had directed his feature film debut, '' Lupin III: The Castle of Cagliostro'' (1979). After working on an aborted adaptation of Richard Corben's ''Rowlf'' for TMS and the publishing firm Tokuma Shoten, he agreed to create a manga series for Tokuma's monthly magazine ''Animage'', initially on the condition that it would not be adapted into a film. The development of ''Nausicaä'' was influenced by the Japanese Heian period tale ''The Lady who Loved Insects'', a similarly-named character from Homer's ''Odyssey'' and the Minamata Bay mercury ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha, 芸者 ({{IPAc-en, ˈ, ɡ, eɪ, ʃ, ə; {{IPA-ja, ɡeːɕa, lang), also known as {{nihongo, , 芸子, geiko (in Kyoto and Kanazawa) or {{nihongo, , 芸妓, geigi, are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and {{transliteration, ja, oshiroi make-up. Geisha entertain at parties known as {{transliteration, ja, ozashiki, often for the entertainment of wealthy clientele, as well as performing on stage and at festivals. Modern geisha are not prostitutes. This misconception originated due to the conflation of Japanese courtesans ({{transliteration, ja, oiran), {{transliteration, ja, oiran reenactors, the extant {{transliteration, ja, tayū, and prostitutes, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pillow Book
is a book of observations and musings recorded by Sei Shōnagon during her time as court lady to Empress Consort Teishi during the 990s and early 1000s in Heian-period Japan. The book was completed in the year 1002. The work is a collection of essays, anecdotes, poems, and descriptive passages that have little connection to one another except for the fact that they are ideas and whims of Shōnagon's spurred by moments in her daily life. In it she included lists of all kinds, personal thoughts, interesting events in court, poetry, and some opinions on her contemporaries. While it is mostly a personal work, Shōnagon's writing and poetic skill makes it interesting as a work of literature, and it is valuable as a historical document. Shōnagon meant her writing in ''The Pillow Book'' for her eyes only, but part of it was accidentally revealed to the Court during her life: "she inadvertently left it er writingon a cushion she put out for a visiting guest, who eagerly carried it off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
