The Homestead, Edgbaston
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The Homestead, Edgbaston
The Homestead, 25 Woodbourne Road, Edgbaston, Birmingham, England is a house built in 1897. It was designed by Charles Bateman, and built by ''James Smith & Son''. The architectural style is Arts and Crafts and the house is a Grade I listed building. The garden wall and gate piers facing Woodbourne Road have a separate Grade I listing. The Homestead remains a private residence. History Over a period of some three hundred years, the city of Birmingham expanded from a West Midlands town with few natural advantages into England's second city and "one of the greatest manufacturing centres in the world". The later 19th century saw major growth of the city's suburbs, including that of Edgbaston, to the south-west of the city centre. The area largely belonged to the Gough-Calthorpe family which presided over sensitive development aimed at the city's affluent middle and upper classes. The city's architects developed a distinctive regional variant of the Arts and Crafts architectural styl ...
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Edgbaston
Edgbaston () is an affluent suburban area of central Birmingham, England, historically in Warwickshire, and curved around the southwest of the city centre. In the 19th century, the area was under the control of the Gough-Calthorpe family and the Gillott family who refused to allow factories or warehouses to be built in Edgbaston, thus making it attractive for the wealthier residents of the city. It then came to be known as "where the trees begin". One of these private houses is grade one listed and open to the public. The majority of Edgbaston that falls under the B15 postcode finds itself being part of the Calthorpe Estate. The estate is an active conservation area, and it is here that the areas most prized properties are situated. The exclusivity of Edgbaston is down to its array of multi-million listed Georgian and Victorian villas, making it one of the most expensive postcodes outside of London. Edgbaston boasts facilities such as Edgbaston Cricket Ground, a Test mat ...
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Edwin Lutyens
Sir Edwin Landseer Lutyens ( ; 29 March 1869 – 1 January 1944) was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth (or of any other) century". Lutyens played an instrumental role in designing and building New Delhi, which would later on serve as the seat of the Government of India. In recognition of his contribution, New Delhi is also known as "Lutyens' Delhi". In collaboration with Sir Herbert Baker, he was also the main architect of several monuments in New Delhi such as the India Gate; he also designed Viceroy's House, which is now k ...
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Pevsner Architectural Guides
The Pevsner Architectural Guides are a series of guide books to the architecture of Great Britain and Ireland. Begun in the 1940s by the art historian Sir Nikolaus Pevsner, the 46 volumes of the original Buildings of England series were published between 1951 and 1974. The series was then extended to Scotland, Wales and Ireland in the late 1970s. Most of the English volumes have had subsequent revised and expanded editions, chiefly by other authors. The final Scottish volume, ''Lanarkshire and Renfrewshire'', was published in autumn 2016. This completed the series' coverage of Great Britain, in the 65th anniversary year of its inception. The Irish series remains incomplete. Origin and research methods After moving to the United Kingdom from his native Germany as a refugee in the 1930s, Nikolaus Pevsner found that the study of architectural history had little status in academic circles, and that the amount of information available, especially to travellers wanting to inform themselv ...
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Historic England
Historic England (officially the Historic Buildings and Monuments Commission for England) is an executive non-departmental public body of the British Government sponsored by the Department for Digital, Culture, Media and Sport. It is tasked with protecting the historic environment of England by preserving and listing historic buildings, scheduling ancient monuments, registering historic Parks and Gardens and by advising central and local government. The body was officially created by the National Heritage Act 1983, and operated from April 1984 to April 2015 under the name of English Heritage. In 2015, following the changes to English Heritage's structure that moved the protection of the National Heritage Collection into the voluntary sector in the English Heritage Trust, the body that remained was rebranded as Historic England. The body also inherited the Historic England Archive from the old English Heritage, and projects linked to the archive such as Britain from Above, w ...
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Bay Window
A bay window is a window space projecting outward from the main walls of a building and forming a bay in a room. Types Bay window is a generic term for all protruding window constructions, regardless of whether they are curved or angular, or run over one or multiple storey A storey (British English) or story (American English) is any level part of a building with a floor that could be used by people (for living, work, storage, recreation, etc.). Plurals for the word are ''storeys'' (UK) and ''stories'' (US). T ...s. In plan, the most frequently used shapes are isosceles trapezoid (which may be referred to as a ''canted (architecture), canted bay window'') and rectangle. But other polygonal shapes with more than two corners are also common as are curved shapes. If a bay window is curved it may alternatively be called ''bow window.'' Bay windows in a triangular shape with just one corner exist but are relatively rare. A bay window supported by a corbel, Bracket (archite ...
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Leadlight
Leadlights, leaded lights or leaded windows are decorative windows made of small sections of glass supported in lead cames. The technique of creating windows using glass and lead came to be known as came glasswork. The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular architecture and defined by its simplicity. Since the traditional technique of setting glass into lead cames is the same in both cases, the division between 'leadlights' and 'stained glass' became less distinct during the late 20th century. The terms are now often incorrectly used interchangeably for any window employing this technique, while the term 'stained glass' is often applied to any windows, sculptures or works of art u ...
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Mullion
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ...
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Harling (wall Finish)
Harling is a rough-cast wall finish consisting of lime and aggregate, known for its rough texture. Many castles and other buildings in Scotland and Ulster have walls finished with harling. It is also used on contemporary buildings, where it protects against the wet Scottish and Ulster climates and eliminates the need for paint. Technique Harling as a process covers stonework using a plastering process involving a slurry of small pebbles or fine chips of stone. After a wall is complete and has been pointed and allowed to cure then a base of lime render is applied to the bare stone. While this render is still wet a specially shaped trowel is used to throw the pebbles onto the lime surface, which are then lightly pressed into it. Harl, being mostly lime render, cures chemically rather than simply drying. After this setting process, the harl is sometimes lime washed in a colour using traditional techniques. It is not recommendable to replace more than around 20% of the lime ...
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Timber Framing
Timber framing (german: Holzfachwerk) and "post-and-beam" construction are traditional methods of building with heavy timbers, creating structures using squared-off and carefully fitted and joined timbers with joints secured by large wooden pegs. If the structural frame of load-bearing timber is left exposed on the exterior of the building it may be referred to as half-timbered, and in many cases the infill between timbers will be used for decorative effect. The country most known for this kind of architecture is Germany, where timber-framed houses are spread all over the country. The method comes from working directly from logs and trees rather than pre-cut dimensional lumber. Hewing this with broadaxes, adzes, and draw knives and using hand-powered braces and augers (brace and bit) and other woodworking tools, artisans or framers could gradually assemble a building. Since this building method has been used for thousands of years in many parts of the world, many styles ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Hip Roof
A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope (although a tented roof by definition is a hipped roof with steeply pitched slopes rising to a peak). Thus, a hipped roof has no gables or other vertical sides to the roof. A square hip roof is shaped like a pyramid. Hip roofs on houses may have two triangular sides and two trapezoidal ones. A hip roof on a rectangular plan has four faces. They are almost always at the same pitch or slope, which makes them symmetrical about the centerlines. Hip roofs often have a consistent level fascia, meaning that a gutter can be fitted all around. Hip roofs often have dormer slanted sides. Construction Hip roofs are more difficult to construct than a gabled roof, requiring more complex systems of rafters or trusses. Hip roofs can be constructed on a wide variety of plan shapes. Each ridge is central over the rectangle of the building below it. The t ...
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Richard Barry Parker
Richard Barry Parker (18 November 1867 – 21 February 1947) was an English architect and urban planner associated with the Arts and Crafts Movement. He was primarily known for his architectural partnership with Raymond Unwin. Biography Parker was born in Chesterfield in 1867, the son of bank manager Robert Parker. He trained at T.C. Simmonds Atelier of Art in Derby and the studio of George Faulkner Armitage in Altrincham. In 1891 he joined his father in Buxton and designed three large houses for him there. In 1896 Parker went into partnership with Raymond Unwin, who was Parker's half cousin as well as his brother-in-law, having married his sister Ethel in 1893. One of their earliest commissions was to design and build a large family home on farming land in Clayton Staffordshire, for a local manufacturer of pottery, Charles Frederick Goodfellow. Finished in 1899 the house gave them the opportunity to incorporate many internal and external features including an open, gall ...
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