The Foundations (album)
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The Foundations (album)
The Foundations were a British soul band. The group's background was: West Indian, White British and Sri Lankan. Their 1967 debut single "Baby Now That I've Found You" reached number one in the UK and Canada, and number eleven in the US, while their 1968 single "Build Me Up Buttercup" reached number two in the UK and number three on the US ''Billboard'' Hot 100. The group was the first multi-racial group to have a number one hit in the UK in the 1960s. The Foundations were one of the few British acts to successfully imitate what became known as the Motown Sound. The Foundations signed to Pye, at the time one of only four big UK record companies (the others being EMI, which included the HMV, Columbia and Parlophone labels, Decca, and Philips, which also owned Fontana). Origins The Foundations attracted much interest and intrigue due to the size and structure of the group. Not only was there a diverse ethnic mix in the group, but there was also diversity in ages and music ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a German–British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier ...
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Edmundo Ros
Edmundo Ros OBE, FRAM (7 December 1910 – 21 October 2011), born Edmund William Ross, was a Trinidadian-Venezuelan musician, vocalist, arranger and bandleader who made his career in Britain. He directed a highly popular Latin American orchestra, had an extensive recording career and owned one of London's leading nightclubs. Early life Edmund William Ross was born in Port of Spain, Trinidad. His mother, Luisa Urquart, was a Venezuelan teacher, thought to be descended from indigenous Caribs, and his father, William Hope-Ross, was a mulatto of Scottish descent. He was the eldest of four children, having two sisters, Ruby and Eleanor, followed by a half-brother, Hugo. His parents separated after Hugo was born, and after various false steps Edmund was enrolled in a military academy. There he became interested in music and learned to play the euphonium and percussion. When his mother became involved with a man he loathed and had a son by him, the 17-year-old left for Caracas, Venezuel ...
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Tommy Steele
Sir Thomas Hicks (born 17 December 1936), known professionally as Tommy Steele, is an English entertainer, regarded as Britain's first teen idol and rock and roll star. After being discovered at the 2i's Coffee Bar in Soho, London, Steele recorded a string of hit singles including "Rock with the Caveman" (1956) and the chart-topper "Singing the Blues" (1957). Steele's rise to fame was dramatised in ''The Tommy Steele Story'' (1957), the soundtrack of which was the first British album to reach number one on the UK Albums Chart. With collaborators Lionel Bart and Mike Pratt, Steele received the 1958 Ivor Novello Award for Most Outstanding Song of the Year for "A Handful of Songs". He starred in further musical films including '' The Duke Wore Jeans'' (1958) and ''Tommy the Toreador'' (1959), the latter spawning the hit "Little White Bull". Steele shifted away from rock and roll in the 1960s, becoming an all-round entertainer. He originated the part of Kipps in ''Half a Sixpence' ...
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Ronnie Scott
Ronnie may refer to: *Ronnie (name), a unisex pet name and given name * "Ronnie" (Four Seasons song), a song by Bob Gaudio and Bob Crewe *"Ronnie," a song from the Metallica album '' Load'' *Ronnie Brunswijkstadion, an association football stadium located in Moengo, Suriname See also * Ronny (given name) * Veronica (other) * Ronald (other) Ronald is a masculine given name. Ronald may also refer to: * Ronald, Minnesota, an unincorporated community in the United States * Ronald, Washington, an unincorporated community in the United States See also * Ronald Township, Michigan, ... * Ron (other) * {{disambiguation ...
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Tubby Hayes
Edward Brian "Tubby" Hayes (30 January 1935 – 8 June 1973) was an English jazz multi-instrumentalist, best known for his tenor saxophone playing in groups with fellow sax player Ronnie Scott and with trumpeter Jimmy Deuchar. Early life Hayes was born in St Pancras, London, England, and brought up in London. His father was a BBC studio violinist who gave his son violin lessons from an early age. By the age of ten, Hayes was playing the piano, and started on the tenor sax at 11. Dizzy Gillespie was an early influence: I always used to listen to swing music in the early 'Forties and, in fact, I was just a kid at the time. I did not really intend becoming a tenor player, though I always liked tenor. I think maybe Dizzy influenced me more than Parker because he was sort of more accessible, he caught your attention more. As far as my influences over the years are concerned, Getz was it at one stage in the proceedings, and later Rollins, Coltrane, Hank Mobley and, to a lesser d ...
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Rock-and-roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Britannica'', published online 17 June 2008 and also in p ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Eric Allandale
Eric Allandale (born Eric Allandale Dubuisson 4 March 1936 – 23 August 2001) was a trombonist, songwriter, and bandleader. Early life A native of Dominica, West Indies, he moved to the U.K. in 1954 to complete his education. He joined the Hammersmith Borough Brass Band as a trumpeter while working as its council surveyor. He later switched to trombone and formed an amateur band playing jazz. Beginning 1958 he performed at the Cellar Club in Soho, then joined bands led by Teddy Layton and Sonny Morris. During the 1960s, he was a member of the Terry Lightfoot and Alex Welsh bands and played with Edmundo Ros. He played trombone and sang in the blues band Dillingers with saxophonist Don Mackrill and bassist Ronnie Shapiro, the brother of Helen Shapiro. Allandale appears to have been involved with a group called Romeo Z. A promotional release of "Come Back Baby Come Back" backed with "Since My Baby Said Goodbye" was released by CBSon 31 March 1967. He co-wrote both songs. Durin ...
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Mike Elliott (saxophonist)
Mike Elliott is a saxophonist who was born in Jamaica on 6 August 1929. He played on ska recordings in the early 1960s and on pop and soul music hits in the late 1960s. He is best known as a co-founding member of the British band The Foundations, and played on their hit singles "Baby, Now That I've Found You" and "Build Me Up Buttercup". Biography Early 1960s Elliott was a member of Rico's Combo who were a house / studio band led by Jamaican trombonist Rico Rodriguez. Besides Rodriguez on Trombone and Elliott on saxophone, the band included another saxophonist Lovett Brown and Jackie Edwards on piano etc. They played on early 1960s Jamaican Ska recordings issued on the Planetone label such as "Hitch & Scramble" (recorded in 1962). He had also recorded a handful of records under his own name, two of them on the Planetone label in 1963. These two Planetone singles were shared with other artists. His recording "This Love of Mine" appeared on the flip side of Terry Moon's "Moon M ...
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Jamaicans
Jamaicans are the citizens of Jamaica and their descendants in the Jamaican diaspora. The vast majority of Jamaicans are of Sub-Saharan African descent, with minorities of Europeans, East Indians, Chinese, Middle Eastern, and others of mixed ancestry. The bulk of the Jamaican diaspora resides in other Anglophone countries, namely Canada, the United States and the United Kingdom. Jamaican populations are also prominent in other Caribbean countries, territories and Commonwealth realms, where in the Cayman Islands, Jamaican born residents make up 24.8% of the population. Outside of Anglophone countries, the largest Jamaican diaspora community lives in Costa Rica, where Jamaicans make up a significant percentage of the population. History Census According to the official Jamaica Population Census of 1970, ethnic origins categories in Jamaica include: Black (Mixed); Chinese; East Indian; White; and 'Other' (e.g.: Syrian or Lebanese). Jamaicans of African descent made up 92% of ...
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Horn Section
A horn section is a group of musicians playing horns. In an orchestra or concert band, it refers to the musicians who play the "French" horn, and in a British-style brass band it is the tenor horn players. In many popular music genres, the term is applied loosely to any group of woodwind or brass instruments, or a combination of woodwinds and brass. Symphonic In a symphony orchestra, the horn section is the group of symphonic musicians who play the French horn (or German horn or Vienna horn). These musicians are typically seated to the back of the ensemble and may be on either side at the director's discretion. Placing them to the left with their bells toward the audience increases the prominence of the section, whereas on the right, the sound reflects off the back of the stage. Most of the time, players are seated right to left from the director's view based on seating, with the principal horn (first horn) being seated on the right and fourth horn seated on the left. The sec ...
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