The Duel After The Masquerade
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The Duel After The Masquerade
''The Duel After the Masquerade'' is a painting by the French artist Jean-Léon Gérôme, of which multiple copies exist. The original, ''Suite d'un bal masqué'', first shown in 1857, is in the Musée Condé in Chantilly, France. History Gérôme exhibited ''Suite d'un bal masqué'' at the Paris Salon of 1857, then in London the same year with the English merchant Gambart. The painting became famous almost overnight with critics of the Salon speculating about Gerome's sources for the incident depicted in the painting. (The theme seems to have been in fashion; Thomas Couture dealt with the same subject in 1857 with '' Le Duel après le bal masqué'', now in the Wallace Collection). The painting was acquired in 1858 by the duc d'Aumale. Gérôme borrowed the painting to present it at the Universal Exhibition of 1867, and received the Grand Prix de Peinture. The original is part of the collection of the Musée Condé in Chantilly, France. In 1859, William Thompson Walte ...
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Jean-Léon Gérôme
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy in 1843. He visited Florence, Rome, the Vatican and Pompeii. On his return to Paris in 1844, like many students of Delaroche, he joined the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigio ...
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Baltimore
Baltimore ( , locally: or ) is the most populous city in the U.S. state of Maryland, fourth most populous city in the Mid-Atlantic, and the 30th most populous city in the United States with a population of 585,708 in 2020. Baltimore was designated an independent city by the Constitution of Maryland in 1851, and today is the most populous independent city in the United States. As of 2021, the population of the Baltimore metropolitan area was estimated to be 2,838,327, making it the 20th largest metropolitan area in the country. Baltimore is located about north northeast of Washington, D.C., making it a principal city in the Washington–Baltimore combined statistical area (CSA), the third-largest CSA in the nation, with a 2021 estimated population of 9,946,526. Prior to European colonization, the Baltimore region was used as hunting grounds by the Susquehannock Native Americans, who were primarily settled further northwest than where the city was later built. Colonist ...
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Google Art Project
Google Arts & Culture (formerly Google Art Project) is an online platform of high-resolution images and videos of artworks and cultural artifacts from partner cultural organizations throughout the world. It utilizes high-resolution image technology that enables the viewer to tour partner organization collections and galleries and explore the artworks' physical and contextual information. The platform includes advanced search capabilities and educational tools. A part of the images are used within Wikimedia and Wikipedia. Collections in Wikimedia The following list of collections is based on c:Google Art Project works by collection, the Wikimedia category Google Art Project works by collection. The "Visit" link redirects to the museum's official page on the Google Arts & Culture platform. See alscollections in Google Arts & Culture The "Assigned works" link redirects to the images of the works shown in this collection available in Wikimedia. Painters in Wikimedia The following ...
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Pathos
Pathos (, ; plural: ''pathea'' or ''pathê''; , for "suffering" or "experience") appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. Pathos is a term used most often in rhetoric (in which it is considered one of the three modes of persuasion, alongside ethos and logos), as well as in literature, film and other narrative art. Methods Emotional appeal can be accomplished in many ways, such as the following: * by a metaphor or storytelling, commonly known as a hook; * by passion in the delivery of the speech or writing, as determined by the audience; * by personal anecdote. appealing to an ideal can also be handled in various ways, such as the following: * by understanding the reason for their position * avoiding attacks against a person or audience's personally * use the attributes of the ideal to reinforce the message Pathos tends to use "loaded" words that will get some sort of reaction. Examples could include "victim," in a n ...
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Jerusalem (painting)
''Jerusalem'' () is an 1867 painting by the French artist Jean-Léon Gérôme. It is also known as ''Golgotha, Consumatum Est'' and ''The Crucifixion'' (''La Crucifixion''). The foreground depicts the ground of Golgotha with the shadows of three crucified men: Jesus and the two thieves. Further back in the picture is a crowd of people moving away from the scene. In the background is the city of Jerusalem under a cloudy sky. It was characteristic of Gérôme to depict not a violent event itself, but the aftermath of such violence; see ''The Death of Caesar'', '' The Execution of Marshal Ney'', and '' The Duel After the Masquerade''. The painting marked Gérôme's return to history painting after a period of exploring orientalism. Like much Christian art of the era, the depiction was influenced by Ernest Renan's ''Life of Jesus''. The painting was presented at the 1868 Salon. Since 1990 it is located at the Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a ...
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The Execution Of Marshal Ney
''The Execution of Marshal Ney'' () is an 1868 painting by the French artist Jean-Léon Gérôme. It depicts the French Marshal Michel Ney immediately after his execution on 7 December 1815, with the firing squad seen marching away from the site. On the wall behind Ney's corpse are two inscriptions: one that says "vive l'empereur" ("long live the emperor") and is crossed out, and one that says "vive" right before the bullet holes from the execution. According to Gérôme this was a comment on Ney's multiple shifts of allegiance between Napoleon and the House of Bourbon.. The painting has been owned by the Sheffield Galleries and Museums Trust since 1931, and is now in the collection of the Graves Art Gallery in Sheffield, England. Historical background Michel Ney was a marshal in Napoleon’s army, a heroic figure called "the bravest of the brave" by Napoleon.Chandler 1999, p. 314. When Napoleon abdicated in 1814, Ney pledged his allegiance to the Bourbon monarchy, but when ...
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The Death Of Caesar (Gérôme)
''The Death of Caesar'' () is an 1867 painting by the French artist Jean-Léon Gérôme. It depicts the moment after the assassination of Julius Caesar, when the jubilant conspirators are walking away from Caesar's dead body at the Theatre of Pompey, on the Ides of March (March 15), 44 BC. The painting is kept at the Walters Art Museum in Baltimore, Maryland.Characteristically, Gérôme has depicted not the incident itself, but its immediate aftermath. The illusion of reality that Gérôme imparted to his paintings with his smooth, polished technique led one critic to comment, "If photography had existed in Caesar's day, one could believe that the picture was painted from a photograph taken on the spot at the very moment of the catastrophe." Gérôme's depiction of the aftermath of violence can also be seen in ''The Execution of Marshal Ney'', ''The Duel After the Masquerade'', and ''Jerusalem''. Exhibitions The Walters indicates that the work has been included in the following ...
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War Bonnet
A modern-day dog soldier wearing a feathered headdress during a pow wow at the Indian Summer festival in Henry Maier Festival Park, Milwaukee, Wisconsin. 2008. War bonnets (also called warbonnets or headdresses) are featherwork, feathered headgear traditionally worn by male leaders of the American Plains Indians Nations who have earned a place of great respect in their tribe. Originally they were sometimes worn into battle, but they are now primarily used for ceremonial occasions. In the Native American and First Nations communities that traditionally have these items of regalia, they are seen as items of great spiritual and political importance, only to be worn by those who have earned the right and honour through formal recognition by their people.'' Life of George Bent: Written From His Letters'', by George E. Hyde, edited by Savoie Lottinville, University of Oklahoma Press (1968), hardcover, 390 pages; trade paperback, 280 pages (March 1983), pp 214, 216, 239, 307. , .''The Ba ...
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Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque dialect, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian language, Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischi ...
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Native Americans In Popular Culture
The portrayal of Indigenous people of the Americas in popular culture has oscillated between the fascination with the noble savage who lives in harmony with nature, and the stereotype of the uncivilized Red Indian of the traditional Western genre. The common depiction of Indigenous Americans and their relationship with European colonists has changed over time. Today indigenous Americans are fully modern peoples who retain much of their cultural beliefs and traditional practices. History In 1851, Charles Dickens wrote a scathingly sarcastic review in his weekly magazine, ''Household Words'', of painter George Catlin's show of American Indians when it visited England. In his essay, entitled ''The Noble Savage'', Dickens expressed repugnance for Indians and their way of life, recommending that they ought to be "civilized out of existence". (Dickens' essay refers to Dryden's use of the term, not to Rousseau.) Dickens' scorn for those unnamed individuals, who, like Catlin, he alleg ...
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Domino Costume
Dominoes is a family of tile-based games played with gaming pieces, commonly known as dominoes. Each domino is a rectangular tile, usually with a line dividing its face into two square ''ends''. Each end is marked with a number of spots (also called '' pips'' or ''dots'') or is blank. The backs of the tiles in a set are indistinguishable, either blank or having some common design. The gaming pieces make up a domino set, sometimes called a ''deck'' or ''pack''. The traditional European domino set consists of 28 tiles, also known as pieces, bones, rocks, stones, men, cards or just dominoes, featuring all combinations of spot counts between zero and six. A domino set is a generic gaming device, similar to playing cards or dice, in that a variety of games can be played with a set. Another form of entertainment using domino pieces is the practice of domino toppling. The earliest mention of dominoes is from Song dynasty China found in the text ''Former Events in Wulin'' by Zhou Mi ...
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Doge Of Venice
The Doge of Venice ( ; vec, Doxe de Venexia ; it, Doge di Venezia ; all derived from Latin ', "military leader"), sometimes translated as Duke (compare the Italian '), was the chief magistrate and leader of the Republic of Venice between 726 and 1797. Doges of Venice were elected for life by the Venetian nobility. The ''doge'' was neither a duke in the modern sense, nor the equivalent of a nobility, hereditary duke. The title "doge" was the title of the senior-most elected official of Republic of Venice, Venice and Republic of Genoa, Genoa; both cities were republics and elected doges. A doge was referred to variously by the titles "My Lord the Doge" ('), "Most Serene Prince" ('), and "Serene Highness, His Serenity" ('). History of the title Byzantine era The office of doge goes back to 697. The first historical Venetian doge, Orso Ipato, Ursus, led a revolt against the Byzantine Empire in 726, but was soon recognised as the () and (a honorific title derived from the Greek w ...
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