The Cock And The Jewel
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The Cock And The Jewel
''The Cock and the Jewel'' is a fable attributed to Aesop and is numbered 503 in the Perry Index. As a Trope (literature), trope in literature, the fable is reminiscent of stories used in Zen such as the kōan. It presents, in effect, a riddle on relative value (philosophy), relative values and is capable of different interpretations, depending on the point of view from which it is regarded. The Fable In its most cogent, unelaborated form, the fable is very short. A cockerel seeking food finds instead a precious gemstone, recognises the worth it has for others, but rejects it as being of no practical use to himself. The rejection is generally shown in the form of a Public speaking, direct address by the cockerel to the gemstone, as in this modern English translation: ''"Ho!" said he, "a fine thing you are, no doubt, and, had your owner found you, great would his joy have been. But for me, give me a single grain of corn before all the jewels in the world."'' Literary tradition '' ...
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Rooster03
The chicken (''Gallus gallus domesticus'') is a domestication, domesticated junglefowl species, with attributes of wild species such as the grey junglefowl, grey and the Ceylon junglefowl that are originally from Southeastern Asia. Rooster or cock is a term for an adult male bird, and a younger male may be called a cockerel. A male that has been castrated is a capon. An adult female bird is called a hen and a sexually immature female is called a pullet. Humans now keep chickens primarily as a source of food (consuming both their Chicken as food, meat and egg as food, eggs) and as pets. Traditionally they were also bred for cockfighting, which is still practiced in some places. Chickens are one of the most common and widespread domestic animals, with a total population of 23.7 billion , up from more than 19 billion in 2011. There are more chickens in the world than any other bird. There are numerous cultural references to chickens – in myth, folklore and religion, and in la ...
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Jacinth
Jacinth (, ) or hyacinth () is a yellow-red to red-brown variety of zircon used as a gemstone. In Exodus 28:19, one of the precious stones set into the ''hoshen'' (the breastplate worn by the High Priest of Israel) is called, in Hebrew, '' leshem'', which is often translated into English as "jacinth". The true identity of this stone has been a source of confusion since at least the first century; the modern identification of ''leshem'' with jacinth seems to have been popularised by Martin Luther, who may in turn have been following a fourth-century tradition. In Revelation 21:20, one of the foundation stones of the New Jerusalem is hyacinth (Greek: ''hyakinthos''). However, ''Strong's Concordance'' and ''Thayer's Greek Lexicon'' describe this as a stone of the colour of the hyacinth plant, i.e. dark blue. The stone intended may be the sapphire Sapphire is a precious gemstone, a variety of the mineral corundum, consisting of aluminium oxide () with trace amounts of elemen ...
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Casting Pearls Before Swine
Casting is a manufacturing process in which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solidified part is also known as a ''casting'', which is ejected or broken out of the mold to complete the process. Casting materials are usually metals or various ''time setting'' materials that cure after mixing two or more components together; examples are epoxy, concrete, plaster and clay. Casting is most often used for making complex shapes that would be otherwise difficult or uneconomical to make by other methods. Heavy equipment like machine tool beds, ships' propellers, etc. can be cast easily in the required size, rather than fabricating by joining several small pieces. Casting is a 7,000-year-old process. The oldest surviving casting is a copper frog from 3200 BC. History Throughout history, metal casting has been used to make tools, weapons, and religious objects. Metal casting history and de ...
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Simile
A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors create an implicit comparison (i.e. saying something "''is''" something else). This distinction is evident in the etymology of the words: simile derives from the Latin word ''similis'' ("similar, like"), while metaphor derives from the Greek word ''metapherein'' ("to transfer"). Like in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle. Author and lexicographer Frank J. Wilstach compiled a dictionary of similes in 1916, with a second edition in 1924. Uses In literature * "O My like a red, red rose." "A Red, Red Rose," by Robert Burns. * John Milton, ''Paradise Lost'', a Homeric simile:::As when a prowling Wolf, ::Whom hunger drives to seek new haun ...
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Materialism
Materialism is a form of philosophical monism which holds matter to be the fundamental substance in nature, and all things, including mental states and consciousness, are results of material interactions. According to philosophical materialism, mind and consciousness are by-products or epiphenomena of material processes (such as the biochemistry of the human brain and nervous system), without which they cannot exist. This concept directly contrasts with idealism, where mind and consciousness are first-order realities to which matter is dependent while material interactions are secondary. Materialism is closely related to physicalism—the view that all that exists is ultimately physical. Philosophical physicalism has evolved from materialism with the theories of the physical sciences to incorporate more sophisticated notions of physicality than mere ordinary matter (e.g. spacetime, physical energies and forces, and dark matter). Thus, the term ''physicalism'' is preferred ...
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Poetic Closure
Poetic closure is the sense of conclusion given at the end of a poem. Barbara Herrnstein Smith Barbara Herrnstein Smith (born 1932) is an American literary critic and theorist, best known for her work ''Contingencies of Value: Alternative Perspectives for Critical Theory''. She is currently the Braxton Craven Professor of Comparative Lit ...'s detailed study—'' Poetic Closure: A Study of How Poems End''—explores various techniques for achieving closure. One of the most common techniques is setting up a regular pattern and then breaking it to mark the end of a poem. Another technique is to refer to subject matter that in itself provides a sense of closure: death is the clearest example of this. Further reading * Barbara Herrnstein Smith: ''Poetic Closure: A Study of How Poems End'', University of Chicago Press 1968. * D.H. Roberts, F.M. Dunn, D. P. Fowler: ''Classical Closure: Reading the End in Greek and Latin Literature''. Princeton 1997. * Vincent, John Emil. ''Queer L ...
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The Taill Of The Cok And The Jasp
"The Taill of the Cok and the Jasp" is a Middle Scots version of Aesop's Aesop's Fables, Fable ''The Cock and the Jewel'' by the 15th-century Scotland, Scottish poet Robert Henryson. It is the first in Henryson's collection known as the ''Morall Fabillis of Esope the Phrygian''. ''The Cok and the Jasp'' is framed by a Morall Fabillis of Esope the Phrygian#Prolog and Fabill 1, prologue and a ''moralitas'', and as the first poem in the collection it operates on a number of levels, and in all its parts, to introduce the larger cycle. Sources Although the Aesopian tale of ''The Cock and the Jewel'', which Henryson re-tells, is typically simple, it is one of the most ambiguous in the fable canon. It presents what is, in effect, a riddle on relative values with almost the force of a kōan. One modern translation of the fable, in its most cogent form, runs thus: The standard medieval interpretation of the fable, however (which Henryson follows) came down firmly against the cockerel o ...
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The Morall Fabillis Of Esope The Phrygian
''The Morall Fabillis of Esope the Phrygian'' is a work of Northern Renaissance literature composed in Middle Scots by the fifteenth century Scottish makar, Robert Henryson. It is a cycle of thirteen connected narrative poems based on fables from the European tradition. The drama of the cycle exploits a set of complex moral dilemmas through the figure of animals representing a full range of human psychology. As the work progresses, the stories and situations become increasingly dark. The overall structure of the ''Morall Fabillis'' is symmetrical, with seven stories modelled on fables from Aesop (from the elegiac Romulus manuscripts, medieval Europe's standard fable text, written in Latin), interspersed by six others in two groups of three drawn from the more profane beast epic tradition. All the expansions are rich, wry and highly developed. The central poem of the cycle takes the form of a dream vision in which the narrator meets Aesop in person. Aesop tells the fable ''The ...
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Robert Henryson
Robert Henryson (Middle Scots: Robert Henrysoun) was a poet who flourished in Scotland in the period c. 1460–1500. Counted among the Scots ''makars'', he lived in the royal burgh of Dunfermline and is a distinctive voice in the Northern Renaissance at a time when the culture was on a cusp between medieval and renaissance sensibilities. Little is known of his life, but evidence suggests that he was a teacher who had training in law and the humanities, that he had a connection with Dunfermline Abbey and that he may also have been associated for a period with Glasgow University. His poetry was composed in Middle Scots at a time when this was the state language. His writing consists mainly of narrative works. His surviving body of work amounts to almost 5000 lines. Works Henryson's surviving canon consists of three long poems and around twelve miscellaneous short works in various genres. The longest poem is his '' Morall Fabillis,'' a tight, intricately structured set of thi ...
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Germanic Peoples
The Germanic peoples were historical groups of people that once occupied Central Europe and Scandinavia during antiquity and into the early Middle Ages. Since the 19th century, they have traditionally been defined by the use of ancient and early medieval Germanic languages and are thus equated at least approximately with Germanic-speaking peoples, although different academic disciplines have their own definitions of what makes someone or something "Germanic". The Romans named the area belonging to North-Central Europe in which Germanic peoples lived ''Germania'', stretching East to West between the Vistula and Rhine rivers and north to south from Southern Scandinavia to the upper Danube. In discussions of the Roman period, the Germanic peoples are sometimes referred to as ''Germani'' or ancient Germans, although many scholars consider the second term problematic since it suggests identity with present-day Germans. The very concept of "Germanic peoples" has become the subject of ...
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Wenceslaus Hollar
Wenceslaus Hollar (23 July 1607 – 25 March 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is known to German speakers as ; and to Czech speakers as . He is particularly noted for his engravings and etchings. He was born in Prague, died in London, and was buried at St Margaret's Church, Westminster. Early life After his family was ruined by the Sack of Prague in the Thirty Years' War, the young Hollar, who had been destined for the legal profession, decided to become an artist. The earliest of his works that have come down to us are dated 1625 and 1626; they are small plates, and one of them is a copy of a "Virgin and Child" by Dürer, whose influence upon Hollar's work was always great. In 1627 he was in Frankfurt where he was apprenticed to the renowned engraver Matthäus Merian. In 1630 he lived in Strasbourg, Mainz and Koblenz, where Hollar portrayed the towns, castles, and landscapes of the ...
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John Ogilby
John Ogilby (also ''Ogelby'', ''Oglivie''; November 1600 – 4 September 1676) was a Scottish translator, impresario and cartographer. Best known for publishing the first British road atlas, he was also a successful translator, noted for publishing his work in handsome illustrated editions. He also established Ireland's first theatre on Dublin's Werburgh Street. Life Ogilby was born in or near Killemeare (Kirriemuir), Scotland in November 1600. When his father was made a prisoner within the jurisdiction of the King's Bench, presumably for bankruptcy or debt, young John supported the family and used some of the money he earned to buy two lottery tickets, which won him a minor prize. This he used to apprentice himself to a dancing master and to obtain his father's release. By further good management of his finances, he was able to buy himself an early completion of his apprenticeship and set up a dancing school of his own. However, a fall while dancing in a masque lamed him fo ...
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