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The Alan Bown Set
The Alan Bown Set later known as The Alan Bown! or just Alan Bown, were a British band of the 1960s and 1970s whose music evolved from jazz and blues through soul and rhythm and blues and ended up as psychedelia and progressive rock. The band achieved limited chart success and is best known for the role it played in developing the careers of numerous musicians including Mel Collins, John Helliwell, Robert Palmer, Jess Roden and Dougie Thomson. Formation Alan Bown (born Alan James Bown, 21 July 1942, Slough, Berkshire died 16 December 2014, Slough), a trumpet player, joined The Embers in 1963, when he left the RAF. This group played both American rhythm and blues and jazz, and were a very successful live act, playing at venues like The Star-Club, Hamburg at the same time as The Beatles. Bown left the group to join The John Barry Seven, who were backing Brenda Lee, and toured and recorded with the band until it broke up in 1965; Barry having made Bown the leader of the touring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slough
Slough () is a town and unparished area in the unitary authority of the same name in Berkshire, England, bordering west London. It lies in the Thames Valley, west of central London and north-east of Reading, at the intersection of the M4, M40 and M25 motorways. It is part of the historic county of Buckinghamshire. In 2020, the built-up area subdivision had an estimated population of 164,793. In 2011, the district had a population of 140,713. Slough's population is one of the most ethnically diverse in the United Kingdom, attracting people from across the country and the world for labour since the 1920s, which has helped shape it into a major trading centre. In 2017, unemployment stood at 1.4%, one-third the UK average of 4.5%. Slough has the highest concentration of UK HQs of global companies outside London. Slough Trading Estate is the largest industrial estate in single private ownership in Europe, with over 17,000 jobs in 400 businesses. Blackberry, McAfee, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy James And The Vagabonds
Michael "Jimmy" James (born 13 September 1940) is a British-Jamaican soul singer, known for songs like "Come to Me Softly", " Now Is the Time" and "I'll Go Where Your Music Takes Me". Based in Britain, he has performed as the lead singer of Jimmy James and the Vagabonds since the mid-1960s. Career James grew up and began performing in Kingston, Jamaica, where he recorded as a solo artist with producers Coxsone Dodd, Clancy Eccles, and Lyndon Pottinger. His most successful release was an early version of "Come to Me Softly", which found local success and persuaded James to give up a job with the Inland Revenue for a music career. The Vagabonds were originally formed in 1960. James teamed up with them under Canadian band manager Roger Smith and in April 1964, they relocated to the UK. ''Ska-Time'' ( Decca Records) was recorded as Jamaica's Own Vagabonds within two weeks of their arrival, and is one of the first examples of Jamaican ska music to be recorded in the UK. It was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquee Club
The Marquee Club was a music venue first located at 165 Oxford Street in London, when it opened in 1958 with a range of jazz and skiffle acts. Its most famous period was from 1964 to 1988 at 90 Wardour Street in Soho, and it finally closed when at 105 Charing Cross Road in 1996, although the name has been revived unsuccessfully three times in the 21st century. It was a small and relatively cheap club, located in the heart of the music industry in London's West End, and used to launch the careers of generations of rock acts. It was a key venue for early performances by bands who were to achieve worldwide fame in the 1960s and remained a venue for young bands in the following decades. It was the location of the first-ever live performance by the Rolling Stones on 12 July 1962. Origins The club was established by Harold Pendleton, an accountant whose love of jazz had led him to become secretary of the National Jazz Federation. Originally it was located in the Marquee Ballroom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Jazz And Blues Festival
The National Jazz and Blues Festival was the precursor to the Reading Rock Festival and was the brainchild of Harold Pendleton, the founder of the prestigious Marquee Club in Soho. History Initially called The National Jazz Festival, it was a showcase for British and US jazz and was held at Richmond Athletic Ground in the sedate London suburb of Richmond. The first festival took place on 26-27 August 1961, and the headline acts included Johnny Dankworth and Chris Barber. Inspiration for the event came from the Newport Jazz Festival, held in the US since 1954. Retrieved 10 February 2020 In 1964 the festival changed its n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ready Steady Go!
''Ready Steady Go!'' (or ''RSG!'') was a British rock/pop music television programme broadcast every Friday evening from 9 August 1963 until 23 December 1966. It was conceived by Elkan Allan, head of Rediffusion TV. Allan wanted a light entertainment programme different from the low-brow style of light entertainment transmitted by ATV. The programme was produced without scenery or costumes and with a minimum of choreography and make-up. Allan recruited a fellow journalist, Francis Hitching, as producer. Hitching became a major figure in light entertainment in the 1960s. Robert Fleming was the first director, followed by the documentary director Rollo Gamble, then Michael Lindsay-Hogg, Daphne Shadwell and Peter Croft. The programme was produced by Associated-Rediffusion, the weekday ITV contractor for London, called Rediffusion-London after 1964. The live show was eventually networked nationally. The show gained its highest ratings on 20 March 1964 when it featured the Bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pye Records
Pye Records was a British record label. Its best known artists were Lonnie Donegan (1956–1969), Petula Clark (1957–1971), the Searchers (1963–1967), the Kinks (1964–1971), Sandie Shaw (1964–1971), Status Quo (1968–1971) and Brotherhood of Man (1975–1979). The label changed its name to PRT Records (distributing as Precision Records & Tapes) in 1980, before being briefly reactivated as Pye Records in 2006. History The Pye Company originally manufactured televisions and radios. Its main plant was situated off what used to be Haig Road, in Cambridge, and it entered the record business when it bought Nixa Records in 1953. In 1955, the company acquired Polygon Records, a label that had been established by Leslie Clark and Alan A. Freeman to control distribution of the recordings of the former's daughter, Petula Clark. Pye merged it with Nixa Records to form Pye Nixa Records. Pye International In 1958, Pye International Records was established. The company licensed rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Hatch
Anthony Peter Hatch (born 30 June 1939) is an English composer for musical theatre and television. He is also a songwriter, pianist, arranger and producer. Early life and early career Hatch was born in Pinner, Middlesex. Encouraged by his musical abilities, his mother – also a pianist – enrolled him in the London Choir School in Wansunt Road, Bexley, Kent when he was 10. Instead of continuing at the Royal Academy of Music, he left school in 1955 and found a job with Robert Mellin Music in London's Tin Pan Alley. Not long after working as a tea boy, he was writing songs (under the name Mark Anthony) and entered the recording industry when he joined The Rank Organisation's new subsidiary Top Rank Records; there he worked for future Decca Records A&R man Dick Rowe. While he served his National Service, he became involved with the Band of the Coldstream Guards. On his return in 1959, Hatch began producing Top Rank artists such as Bert Weedon, the then unknown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cliff Bennett And The Rebel Rousers
Cliff Bennett and the Rebel Rousers are a 1960s British rhythm and blues, soul and beat group who had two Top 10 hits with " One Way Love" (No. 9 UK, 1964) and "Got to Get You into My Life" (No. 6 UK, 1966). Well-known members include Bennett himself (vocals, born Clifford Bennett, 4 June 1940, Slough, Berkshire, England) Chas Hodges (keyboards, bass, Mick Burt (drums), Nicky Hopkins (piano) and Moss Groves (tenor saxophone). Rhythm and blues boom Bennett formed the band in 1957. They recorded several singles with record producer Joe Meek that were released by Parlophone. Bennett continued recording for Parlophone, issuing cover versions of "You've Really Got a Hold on Me" and " Got My Mojo Working". Brian Epstein became their manager in September 1964. Their seventh release, " One Way Love" (written by Bert Berns and Jerry Ragovoy under their pseudonyms Bert Russell and Norman Meade) b/w "Slow Down", reached No. 9 in the UK Singles Chart. Their next, "I'll Take You Home" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgie Fame And The Blue Flames
Georgie Fame and the Blue Flames were a British rhythm and blues group during the 1960s whose repertoire spanned jazz, soul music, soul, ska, and calypso music, calypso. They were originally the backing band for rock and roll singer Billy Fury. At the end of 1961, their piano player Georgie Fame took over as lead vocalist and they went on to enjoy great success without Fury. They were influenced by Jon Hendricks, Mose Allison and blues musicians such as Willie Mabon. The group found other influences in ska, which could be heard in Jamaican cafes in and around Ladbroke Grove, England, and frequented by the group's Jamaican born trumpeter Eddie Thornton. During the group's three-year residency at The Flamingo Club, Fame heard the latest jazz and blues from America, and it was Booker T. & the M.G.'s recording "Green Onions" which inspired him to take up playing Hammond organ with the band. History Formation Georgie Fame (then known as Clive Powell) and Colin Green had worked t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brenda Lee
Brenda Mae Tarpley (born December 11, 1944), known professionally as Brenda Lee, is an American singer. Performing rockabilly, pop and country music, she had 47 US chart hits during the 1960s and is ranked fourth in that decade, surpassed only by Elvis Presley, the Beatles and Ray Charles. She is known for her 1960 hit " I'm Sorry" and 1958's "Rockin' Around the Christmas Tree", which has become a Christmas standard. At 4 ft 9 inches tall (approximately 145 cm), she received the nickname "Little Miss Dynamite" in 1957, after recording the song "Dynamite" when she was 12, and was one of the earliest pop stars to have a major contemporary international following. In 1969, Lee returned to the charts with her recording "Johnny One Time" penned by A. L. "Doodle" Owens and Dallas Frazier. The song reached #3 on ''Billboard''s Adult Contemporary Chart and #41 on the ''Billboard'' Hot 100. The song also earned Lee her second Grammy nomination for Best Pop Female Vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
