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Testament And Death Of Moses
The ''Testament and Death of Moses'' is a fresco attributed to the Italian Renaissance painters Luca Signorelli and Bartolomeo della Gatta, executed in around 1482 and located in the Sistine Chapel, Rome. History On 27 October 1480 a group of Florentine painters left for Rome, where he had been called as part of the reconciliation project between Lorenzo de' Medici, the ''de facto'' ruler of Florence, and Pope Sixtus IV. The Florentines started to work in the Sistine Chapel as early as the Spring of 1481, along with Pietro Perugino, who was already there. Neither Bartolomeo della Gatta nor Luca Signorelli (who was thirty at the time) appear in the official contracts signed between the Papal court and the painters, but they were most likely among the assistants of Perugino, who was the general superintendent of the works. Signorelli is mentioned in the Sistine Chapel after his master left in 1482, as the author of the ''Disputation over Moses' Body'' on the entrance wall (repaint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Signorelli
Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–1503) in Orvieto Cathedral are considered his masterpiece. In his early 40s he returned to live in Cortona, after working in Florence, Siena and Rome (1478–84, painting a now lost section of the Sistine Chapel). With an established reputation, he remained based in Cortona for the rest of his life, but often travelled to the cities of the region to fulfill commissions. He was probably trained by Piero della Francesca in Florence, as his cousin Giorgio Vasari wrote, and his Quattrocento style became rather out of date in the new century. Cortona will host a major exhibition in 2023 to celebrate the 500th anniversary of his death. Biography He was born Luca d'Egidio di Ventura in Cortona, Tuscany (some sources call him Luca da Corto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Nebo (Jordan)
Mount Nebo ( ar, جَبَل نِيبُو, Jabal Nībū; he, , Har Nəḇō) is an elevated ridge located in Jordan, approximately above sea level. Part of the Abarim mountain range, Mount Nebo is mentioned in the Bible as the place where Moses was granted a view of the Promised Land before his death. The view from the summit provides a panorama of the West Bank across the Jordan River valley. The city of Jericho is usually visible from the summit, as is Jerusalem on a very clear day. The biblical town of Nebo, now known as Khirbet al-Mukhayyat, is located 3.5 km away. Religious significance According to the Bible (Deuteronomy), Moses ascended Mount Nebo, in the land of Moab (today in Jordan), and from there he saw the Land of Canaan (the Promised Land), which God had said he would not enter; Moses then died there. The Bible () says Moses' burial place was unknown. A monument atop Mount Nebo commemorates Moses' death after seeing Canaan, across the Jordan valley. A purported ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Moses
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistine Chapel Wall Frescoes
The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, the chapel has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The fame of the Sistine Chapel lies mainly in the frescoes that decorate the interior, most particularly the Sistine Chapel ceiling and '' The Last Judgment'', both by Michelangelo. During the reign of Sixtus IV, a team of Renaissance painters that included Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Rosselli, created a series of frescos depicting the ''Life of Moses'' and the ''Life of Christ'', offset by papal portraits above and ''trompe-l'œil'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Luca Signorelli
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1480s Paintings
148 may refer to: *148 (number), a natural number *AD 148, a year in the 2nd century AD * 148 BC, a year in the 2nd century BC * 148 (album), an album by C418 Daniel Rosenfeld (born 9 May 1989), better known by his stage/online name C418 (pronounced "see four eighteen"), is a German musician, producer and sound engineer, best known as the composer and sound designer for the sandbox video game ''Minec ... * 148 (Meiktila) Battery Royal Artillery * 148 (New Jersey bus) See also * List of highways numbered 148 * {{Number disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua
Joshua () or Yehoshua ( ''Yəhōšuaʿ'', Tiberian: ''Yŏhōšuaʿ,'' lit. 'Yahweh is salvation') ''Yēšūaʿ''; syr, ܝܫܘܥ ܒܪ ܢܘܢ ''Yəšūʿ bar Nōn''; el, Ἰησοῦς, ar , يُوشَعُ ٱبْنُ نُونٍ '' Yūšaʿ ibn Nūn''; la, Iosue functioned as Moses' assistant in the books of Exodus and Numbers, and later succeeded Moses as leader of the Israelite tribes in the Hebrew Bible's Book of Joshua. His name was Hoshea ( ''Hōšēaʿ'', lit. 'Save') the son of Nun, of the tribe of Ephraim, but Moses called him "Yehoshua" (translated as "Joshua" in English),''Bible'' the name by which he is commonly known in English. According to the Bible, he was born in Egypt prior to the Exodus. The Hebrew Bible identifies Joshua as one of the twelve spies of Israel sent by Moses to explore the land of Canaan. In Numbers 13:1, and after the death of Moses, he led the Israelite tribes in the conquest of Canaan, and allocated lands to the tribes. According to bib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manna
Manna ( he, מָן, mān, ; ar, اَلْمَنُّ; sometimes or archaically spelled mana) is, according to the Bible, an edible substance which God provided for the Israelites during their travels in the desert during the 40-year period following the Exodus and prior to the conquest of Canaan. It is also mentioned in the Quran three times. Description In the Hebrew Bible In the Hebrew Bible, manna is described twice: once in Exodus 16:1–36 with the full narrative surrounding it, and once again in Numbers 11:1–9 as a part of a separate narrative. In the description in the Book of Exodus, manna is described as being "a fine, flake-like thing" like the frost on the ground. It is described in the Book of Numbers as arriving with the dew during the night. Exodus adds that it had to be collected before it was melted by the heat of the sun, and that it was like a coriander seed in size but white in color. Numbers describes it as having the appearance of bdellium, However, comme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve Tables
The Laws of the Twelve Tables was the legislation that stood at the foundation of Roman law. Formally promulgated in 449 BC, the Tables consolidated earlier traditions into an enduring set of laws.Crawford, M.H. 'Twelve Tables' in Simon Hornblower, Antony Spawforth, and Esther Eidinow (eds.) ''Oxford Classical Dictionary'' (4th ed.) In the Forum, "The Twelve Tables" stated the rights and duties of the Roman citizen. Their formulation was the result of considerable agitation by the plebeian class, who had hitherto been excluded from the higher benefits of the Republic. The law had previously been unwritten and exclusively interpreted by upper-class priests, the pontifices. Something of the regard with which later Romans came to view the Twelve Tables is captured in the remark of Cicero (106–43 BC) that the "Twelve Tables...seems to me, assuredly to surpass the libraries of all the philosophers, both in weight of authority, and in plenitude of utility". Cicero scarcely exagg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ark Of The Covenant
The Ark of the Covenant,; Ge'ez: also known as the Ark of the Testimony or the Ark of God, is an alleged artifact believed to be the most sacred relic of the Israelites, which is described as a wooden chest, covered in pure gold, with an elaborately designed lid called the mercy seat. According to the Book of Exodus, the Ark contained the two stone tablets of the Ten Commandments. According to the New Testament Book of Hebrews, it also contained Aaron's rod and a pot of manna. The biblical account relates that approximately one year after the Israelites' exodus from Egypt, the Ark was created according to the pattern given to Moses by God when the Israelites were encamped at the foot of Mount Sinai. Thereafter, the gold-plated acacia chest was carried by its staves by the Levites approximately 2,000 cubits (approximately ) in advance of the people when on the march. God spoke with Moses "from between the two cherubim" on the Ark's cover. Biblical account Construction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descent From Mount Sinai (Sistine Chapel)
The ''Descent from Mount Sinai'' is a fresco by the Italian Renaissance painter Cosimo Rosselli and his assistants, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the prophet Moses in the process of receiving and introducing the Ten Commandments. History On 27 October 1480, several Florentine painters left for Rome, where they had been called as part of the reconciliation project between Lorenzo de' Medici, the ''de facto'' ruler of Florence, and Pope Sixtus IV. The Florentines started to work in the Sistine Chapel as early as spring 1481, along with Pietro Perugino, who was already there. Rosselli brought with him his son-in-law, Piero di Cosimo, who perhaps collaborated on this painting and at least one of the others assigned by his master. The theme of the decoration was a parallel between the stories of Moses and those of Christ, as a sign of continuity between the Old Testament and the New Testament, as well as a continuity between the divine l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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