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Tchaikovsky Violin Concerto
The Violin Concerto in D major D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Ch ..., Opus number, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878 in music, 1878, it is one of the best-known violin concertos. History The piece was written in Clarens, Switzerland, Clarens, a Switzerland, Swiss resort on the shores of Lake Geneva, where Tchaikovsky had gone to recover from the depression brought on by his disastrous marriage to Antonina Miliukova. He was working on his Piano Sonata in G major (Tchaikovsky), Piano Sonata in G major but finding it heavy going. Presently he was joined there by his composition pupil, the violinist Iosif Kotek, who had been in Berlin for violin studies with Joseph Joachim. The two played works for violin and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Sibelius
Jean Sibelius ( ; ; born Johan Julius Christian Sibelius; 8 December 186520 September 1957) was a Finnish composer of the late Romantic and 20th-century classical music, early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a national identity during its Independence of Finland, struggle for independence from Russia. The core of his oeuvre is his Discography of Sibelius symphony cycles, set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are ''Finlandia'', the ''Karelia Suite'', ''Valse triste (Sibelius), Valse triste'', the Violin Concerto (Sibelius), Violin Concerto, the choral symphony ''Kullervo (Sibelius), Kullervo'', and ''The Swan of Tuonela'' (from the ''Lemminkäinen Suite''). His other works include pieces inspired by nature, Nordic mythology, and the Finni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Halíř
Karel Halíř (1 February 1859 – 21 December 1909) was a Czech violinist who lived mainly in Germany. "Karel" is also given as Karol, Karl or Carl; "Halíř" is also given as Halir or Haliř. Life Karel Halíř was born in Hohenelbe, Bohemia (now Vrchlabí, Czech Republic), and studied with Antonín Bennewitz at the Prague Conservatory(1867–73) and with Joseph Joachim in Berlin (1874–76). For the next four years (1876-1879) he was concertmaster of the Benjamin Bilse Kapelle in Berlin. After short periods as concertmaster of the orchestras at Königsberg (1879) and Mannheim (1881), he spent ten years at Weimar (1884–94). He first attracted widespread notice in Germany as a soloist with his playing of Bach's Double Concerto with Joseph Joachim at the Bach Festival at Eisenach in 1884. In 1894 Halíř took over as concert master of the Berlin opera orchestra, the Königliche Kapelle, and joined the faculty of the Berlin Königliche Hochschule für Musik. At that time he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Hanslick
Eduard Hanslick (11 September 18256 August 1904) was an Austrian music critic, aesthetician and historian. Among the leading critics of his time, he was the chief music critic of the ''Neue Freie Presse'' from 1864 until the end of his life. He was a conservative critic and championed absolute music over programmatic music for much of his career. As such, he sided with and promoted the faction of Robert Schumann and Johannes Brahms in the so-called "War of the Romantics", often deriding the works of composers such as Franz Liszt and Richard Wagner. His best known work, the 1854 treatise ''Vom Musikalisch-Schönen'' (''On the Musically Beautiful''), was a landmark in the aesthetics of music and outlines much of his artistic and philosophical beliefs on music. Biography Hanslick was born in Prague (then in the Austrian Empire), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupils, the daughter of a J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Richter (conductor)
Johann Baptist Isidor Richter, or János Richter (4 April 1843 – 5 December 1916) was an Austrian– Hungarian orchestral and operatic conductor. Biography Richter was born in Raab ( Hungarian: Győr), Kingdom of Hungary, Austrian Empire. His father was a local composer, conductor and ''regens chori'' Anton Richter. His mother was opera-singer Jozefa Csazenszky. He studied at the Vienna Conservatory. He had a particular interest in the horn, and developed his conducting career at several different opera houses in the Austro-Hungarian Empire. He became associated with Richard Wagner in the 1860s, and played the solo trumpet part in the 1870 private premiere of the ''Siegfried Idyll''. In 1876, he was chosen to conduct the first complete performance of Wagner's ''Der Ring des Nibelungen'' at the Bayreuth Festspielhaus. In 1877, he assisted the ailing composer as conductor of a major series of Wagner concerts in London, and from then onwards he became a familiar feature of En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Brodsky
Adolph Davidovich Brodsky (russian: Адольф Давидович Бродский, ''Adolf Davidovič Brodskij''; – 22 January 1929) was a Russian violinist. He enjoyed a long and illustrious career as a performer and teacher, starting early in Vienna, going on to Moscow, Leipzig, and New York City and finally Manchester. During its course he met and worked with composers such as Tchaikovsky and Elgar. Biography He was born into an assimilated Jewish family in Taganrog on the Sea of Azov. His grandfather and father were also violinists. He started music lessons at the age of five, a year after he first played his first violin, which he had bought at a fair. For four years he was taught music in his home town. Aged nine, he gave his first concert in Odessa, where a wealthy person heard him and was so impressed that they provided Brodsky with the funds to study in Vienna. In 1860, he immediately started his studies at the Vienna Conservatory with Joseph Hellmesberger, Sr. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Courier
The ''Musical Courier'' was a weekly 19th- and 20th-century American music trade magazine that began publication in 1880. The publication included editorials, obituaries, announcements, scholarly articles and investigatory writing about musical instruments and music in general. These included "construction practices, descriptions, tools, exhibitions and collections, new technologies, and laws and legal actions" relating to the music industry. There were articles on "companies and manufacturers of instruments, . . . entries on patents, trade marks, and designs for new or improved instruments", as well as reporting on "African-American music and culture, women's rights, John Philip Sousa, Antonín Dvořák and the influence of the rise of Nazi Germany on music in Europe." In 1897, Marc A. Blumenberg, the publisher, "separated the musical and industrial departments" of the magazine and began publishing the ''Musical Courier Extra'' "strictly as a trade edition." In the 1890s, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sérénade Mélancolique
The ''Sérénade mélancolique'' in B-flat minor for violin and orchestra, Op. 26 (Russian: ''Меланхолическая серенада''), was written by Pyotr Ilyich Tchaikovsky in February 1875. It was his first work for violin and orchestra, and was written immediately after completing the Piano Concerto No. 1 (Tchaikovsky), Piano Concerto No. 1 in B-flat minor. Background The Hungarian violinist Leopold Auer had been professor of violin at the Saint Petersburg Conservatory, Imperial Conservatory in St Petersburg since 1868. Tchaikovsky was a professor at the Moscow Conservatory from 1866, and would have known Auer at least by reputation. He had certainly seen him perform in public, having noted "the great expressivity, the thoughtful finesse and poetry of the interpretation" in an 1874 review of Auer's playing. They met no later than January 1875, when both attended a reception at the home of Nikolai Rubinstein. Tchaikovsky apparently resolved to write a piece for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Auer
Leopold von Auer ( hu, Auer Lipót; June 7, 1845July 15, 1930) was a Hungarian violinist, academic, conductor, composer, and instructor. Many of his students went on to become prominent concert performers and teachers. Early life and career Auer was born in Veszprém, Hungary, 7 June 1845,Fifield, Christopher, in Oxford Companion to Music, Alison Latham, ed., Oxford University Press, 2003 p. 70 to a poor Jewish household of painters. He first studied violin with a local concertmaster. He later wrote that the violin was a "logical instrument" for any (musically inclined) Hungarian boy to take up because it "didn't cost much." At the age of 8 Auer continued his violin studies with Dávid Ridley Kohne, who also came from Veszprém, at the Budapest Conservatory.Schwarz, p. 414 Kohne was concertmaster of the orchestra of the National Opera. A performance by Auer as soloist in the Mendelssohn violin concerto attracted the interest of some wealthy music lovers, who gave hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valse-Scherzo (Tchaikovsky)
Iosif Kotek and Pyotr Ilyich Tchaikovsky ">Pyotr_Ilyich_Tchaikovsky.html" ;"title="Iosif Kotek and Pyotr Ilyich Tchaikovsky">Iosif Kotek and Pyotr Ilyich Tchaikovsky The ''Valse-Scherzo in C major'', Op. 34, TH 58, is a work for violin and orchestra by Pyotr Ilyich Tchaikovsky, written in 1877. It is not to be confused with two similarly named works by Tchaikovsky, both for solo piano: one written in 1870 as Op. 7, and one from 1889 without opus number. History The origins of the ''Valse-Scherzo'' are somewhat mysterious. It seems to have been written in January-February 1877; this has been surmised from a letter of 3 February 1877 from Iosif Kotek to Tchaikovsky, which is the first documentary evidence of its existence. Kotek was a violinist and former composition student of Tchaikovsky at the Moscow Conservatory, graduating in 1876. Around this time they almost certainly became lovers. The work was dedicated to Kotek on its publication in 1878. In the meantime, Kotek ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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