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Täuberln-Walzer
Täuberln-Walzer (''Little Doves Waltz''), opus number, opus 1, is a waltz composed by Johann Strauss I. The work is very simple in form, containing seven melodies without an introduction or coda (music), coda to the collection as a whole. It debuted during the carnival of 1826, when Strauss introduced his band to the public of Vienna at the Schwan, in the Roßau suburb of Vienna. Although it is Strauss' first numbered composition, it was not his first work: he had written several other dances under the name of his friend Josef Lanner when the latter was unable to compose due to an illness. References

Compositions by Johann Strauss I 1826 compositions {{classical-composition-stub ...
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Johann Strauss I
Johann Baptist Strauss I (; also Johann Strauss Sr., the Elder, the Father; 14 March 1804 – 25 September 1849) was an Austrian composer of the Romantic music, Romantic Period. He was famous for his light music, namely waltzes, polkas, and galops, which he popularized alongside Joseph Lanner, thereby setting the foundations for his sons—Johann Strauss II, Johann, Josef Strauss, Josef and Eduard Strauss, Eduard—to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz). Life and work Johann Strauss was born in Leopoldstadt (now in Vienna). Strauss's parents, Franz Borgias Strauss (10 October 1764 – 5 April 1816) and Barbara Dollmann (3 December 1770 – 28 August 1811), were innkeepers (). He was born a Roman Catholic. Strauss’ mother died of 'creeping fever' when he was seven and five years later his father drowned, possibly as a result of suicide, in the Danube river. Strauss' guardian, the tail ...
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Johann Strauss Sr Tauberln-Walzer, Op 1, No 2 Opening
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name ''Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym *Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for wa ...
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Johann Strauss Sr Tauberln-Walzer, Op 1, No 8
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name ''Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym *Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for wa ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ...
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Roßau
Alsergrund (; Central Bavarian: ''Oisagrund'') is the ninth district of Vienna, Austria (german: 9. Bezirk, Alsergrund). It is located just north of the first, central district, Innere Stadt. Alsergrund was incorporated in 1862, with seven suburbs. As a central district, the area is densely populated. According to the census of 2001, there were 37,816 inhabitants over 2.99 square km (1.15 sq. mi). Many departments of the University of Vienna (main university), TU Wien and the University of Natural Resources and Life Sciences (BOKU) are located in Alsergrund. Until 2013 the University of Economics and Business (Wirtschaftsuniversität Wien) was also located in the 9th district, but eventually moved to the 2nd district. There are also many large hospitals, including the biggest in Vienna, the AKH (''Allgemeines Krankenhaus'', German for ''General Hospital''). Alsergrund is associated with many notable names of Viennese art and science. It is the birthplace of Romantic composer Fran ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Josef Lanner
Joseph Franz Karl Lanner (12 April 1801 – 14 April 1843) was an Austrian dance music composer and dance orchestra conductor. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake. He was just as famous as his friend and musical rival Johann Strauss I, who was better known outside of Austria in their day because of his concert tours abroad, in particular, to France and England. Lanner had a lesser-known son, August Lanner, who was just as musically gifted and prodigious as his father, but whose budding career was cut short by his early death at age 20. His daughter Katharina became a well known international ballet dancer, settling in London where she became an influential choreographer and teacher. Biography Lanner was born in St. Ulrich in Vienna (today the district of Neubau). Largely self-t ...
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Compositions By Johann Strauss I
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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