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Tsurugi (sword)
A or is a Japanese sword. The word is used in the West to refer to a specific type of Japanese straight, double-edged sword used in antiquity (as opposed to curved, single-edged swords such as the katana). In Japanese the term ''tsurugi'' or ''ken'' ( :ja:剣) is used as a term for all sorts of international long, double-edged swords. History The term ''tsurugi'' (剣) designates a straight, double-edged, bladed weapon from Japan. It is a sword, which means that this weapon has two edges, one on each side of its blade, unlike the ''tachi'', ''katana'', ''wakizashi'' or '' odachi'', which have only one cutting edge, on one of the two sides of the blade. The oldest bronze sword excavated in Japan is a Chinese style dagger from around 800 BC in the Yayoi period (1000 BC – 300 AD). A large number of bronze ''tsurugi'' made around 200 B.C. in the Yayoi period were excavated from several sites, and it is thought that ''tsurugi'' were mass-produced in Japan in this period. Bronze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kofun Period
The is an era in the history of Japan from about 300 to 538 AD (the date of the introduction of Buddhism), following the Yayoi period. The Kofun and the subsequent Asuka periods are sometimes collectively called the Yamato period. This period is the earliest era of recorded history in Japan, but studies depend heavily on archaeology since the chronology of historical sources tends to be distorted. The word '' kofun'' is Japanese for the type of burial mound dating from this era. It was a period of cultural import. Continuing from the Yayoi period, the Kofun period is characterized by influence from China and the Korean Peninsula; archaeologists consider it a shared culture across the southern Korean Peninsula, Kyūshū and Honshū. On the other hand, the most prosperous keyhole-shaped burial mounds in Japan during this period were approximately 5,000 in Japan from the middle of the 3rd century in the Yayoi period to the 7th century in the Asuka period, and many of them had huge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manshu-in
, also known as the Manshuin Monzeki, is a Tendai temple located near the Shugakuin Imperial Villa at Sakyō-ku, Ichijo-ji, Takenouchi-cho, in northeast Kyoto, Japan. The temple was founded by Dengyō Daishi in the 8th century. It was then located near Mount Hiei and known as Tobibo, but renamed Manshuin in 1108 or 1109. In the early Edo period the temple moved to its current site. Today the temple is notable both for its buildings and a fine garden – the gardens of the Manshu-in '' shoin'' are a nationally designated Place of Scenic Beauty. The entry building contains a Tiger Room with images said to have been painted by Kanō Eitoku 狩野 永徳 (1543–1590), Bamboo Room with Edo wood-block prints, and Peacock Room with pictures by Ganku 岸駒 (1749/56–1839). The main temple hall (Great Shoin) dates from the early Edo period, and is now listed as an Important Cultural Property. It contains a Waterfall Room with slides by Kanō Tan'yū 狩野探幽 (1602–16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyushu National Museum
The opened on October 16, 2005 in Dazaifu near Fukuoka—the first new national museum in Japan in over 100 years, and the first to elevate the focus on history over art.Japan National Tourist Organization Museum "focuses on history."/ref> The distinct modern impression created by the architectural facade is mirrored in the Museum's use of technological innovations which are put to good in making the museum's collections accessible to the public. For example, the museum's extremely high resolution video system, with the latest image processing and color management software, serves both in documenting the objects in the museum's collection and also in expanding access beyond the limits of a large, but finite exhibition space. The striking wood and glass building in the hills, it hosts important collections of Japanese artifacts, particularly ceramics, related to the history of Kyūshū. It hosts temporary exhibitions on the third floor, while the permanent collections are on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasaka Shrine
Kanpei-taisha , once called , is a Shinto shrine in the Gion District of Kyoto, Japan. Situated at the east end of Shijō-dōri (Fourth Avenue), the shrine includes several buildings, including gates, a main hall and a stage. The Yasaka shrine is dedicated to Susanoo as its chief kami, with his consort Kushinadahime on the east, and eight offspring deities (yahashira no mikogami) on the west. The yahashira no mikogami include Yashimajinumi no kami, Itakeru no kami, Ōyatsuhime no kami, Tsumatsuhime no kami, Ōtoshi no kami, Ukanomitama no kami, Ōyatsuhiko no kami, and Suseribime no mikoto. History Initial construction on the Shrine began in 656. The Shrine became the object of Imperial patronage during the early Heian period. In 965, Emperor Murakami ordered that Imperial messengers be sent to report important events to the guardian ''kami'' of Japan. These ''heihaku'' were initially presented to 16 shrines; and in 991, Emperor Ichijō added three more shrines to Murakami's list. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kami
are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the spirits of venerated dead people. Many ''kami'' are considered the ancient ancestors of entire clans (some ancestors became ''kami'' upon their death if they were able to embody the values and virtues of ''kami'' in life). Traditionally, great leaders like the Emperor could be or became ''kami''. In Shinto, ''kami'' are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. ''Kami'' are believed to be "hidden" from this world, and inhabit a complementary existence that mirrors our own: . To be in harmony with the awe-inspiring aspects of nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanoo
__FORCETOC__ Susanoo (; historical orthography: , ) is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the ( CE) and the (720 CE). One of the gazetteer reports () commissioned by the imperial court during the same per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajra
The Vajra () is a legendary and ritual weapon, symbolising the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). The vajra is a type of club with a ribbed spherical head. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points with which to stab. The vajra is the weapon of Indra, the Vedic king of the devas and heaven. It is used symbolically by the dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spirit and spiritual power. According to Hinduism, the vajra is considered one of the most powerful weapons in the universe. The use of the vajra as a symbolic and ritual tool spread from Hinduism to other religions in India and other parts of Asia. Etymology According to Asko Parpola, the Sanskrit () and Avestan both refer to a weapon of the Godhead, and are possibly from the Proto-Indo-European root ''*weg'-'' which means "to be(come) powerful". It is related to Proto- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acala
or Achala ( sa, अचल, "The Immovable", ), also known as (, "Immovable Lord") or (, "Noble Immovable Lord"), is a wrathful deity and ''dharmapala'' (protector of the Dharma) prominent in Vajrayana Buddhism and East Asian Buddhism., Jp. rel. dict., pp. 242–246 Originally a minor deity described as a messenger or acolyte of the buddha Vairocana, Acala later rose to prominence as an object of veneration in his own right as a remover of obstacles and destroyer of evil, eventually becoming seen as the wrathful manifestation of either Vairocana, the buddha Akṣobhya, or the bodhisattva Mañjuśrī. In later texts, he is also called (, "Violent Wrathful One", ) or (, "Violent One of Great Wrath", ), the names by which he is more commonly known in countries like Nepal and Tibet. In East Asian esoteric Buddhism, Acala is classed among the Wisdom Kings () and is preeminent among the five Wisdom Kings of the Womb Realm. Accordingly, he occupies an important hierarchical positio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto National Museum
The is one of the major art museums in Japan. Located in Kyoto's Higashiyama ward, the museum focuses on pre-modern Japanese and Asian art. History The Kyoto National Museum, then the Imperial Museum of Kyoto, was proposed, along with the Imperial Museum of Tokyo (Tokyo National Museum) and the Imperial Museum of Nara (Nara National Museum), in 1889, and construction on the museum finished in October 1895. The museum was opened in 1897. The museum went through a series of name changes, in 1900 changing its name to the Imperial Household Museum of Kyoto, and once more in 1924 to the Imperial Gift Museum of Kyoto. The current name, the Kyoto National Museum, was decided upon in 1952. Timeline The growth and development of today's museum has been an evolving process: history * 1897—Museum is established as the "Imperial Museum of Kyoto."IAI National Museum. (2005)Institutional overview, p. 15. * 1900—Museum is renamed the "Imperial Household Museum of Kyoto." * 1924—Museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kongō-ji
is a Buddhist temple in Kawachinagano, Osaka, Japan. It is the head temple of the Shingon Omuro sect. and also known under its mountain-name as . It is the 7th temple on the and is notable for the large number of designated cultural properties.Osaka-fu no rekishi sampo henshu iinkai (publisher): ''Amanosan Kongo-ji''. In: Osaka-fu no rekishi sampo (ge). Yamakawa Shuppan, 2007. . p. 209 The precincts of the temple were designated a National Historic Site of Japan in 1934 with the area under protection expanded in 2011. History According to temple legend, one of the 84,000 stupas built by the Indian Emperor Ashoka was on this land. The temple was founded during the Tenpyō era (729–749) through imperial request of Emperor Shōmu by the priest Gyōki. During the early Heian period, Kōbō-Daishi (Kūkai), the founder of Shingon Buddhism is said to have studied here. Over 400 years of its existence the temple fell into ruins. However at the end of the Heian period, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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