Trío Los Panchos
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Trío Los Panchos
Originally, Trio Los Panchos were a ''trío romántico'' formed in New York City in 1944 by Alfredo Gil, Chucho Navarro, and the Puerto Ricans, Puerto Rican Hernando Avilés. The trio became one of the leading exporters of the bolero and the romantic ballad in Latin America. The group sold hundreds of millions of records since its creation in the mid 1940s, some of their best known songs being their interpretations of classic folk songs such as "Bésame Mucho, Besame Mucho", "Sabor a Mí", "Sin Ti", "Solamente Una Vez", "Contigo", "Quizás, Quizás, Quizás, Quizas, Quizas, Quizas", "Contigo Aprendi", "Green Eyes (Aquellos Ojos Verdes), Aquellos Ojos Verdes", "What a Diff'rence a Day Made, Cuando vuelva a tu lado", "Yellow Days, Se te olvida", "El reloj, El Reloj", "Noche de ronda, Noche de Ronda", "Rayito de Luna". Los Panchos are regarded as one of the top musical trios of all time and one of the most influential Latin American artists of all time. They sold out concerts arou ...
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New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city.
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Julito Rodríguez
Julito Rodríguez Reyes (October 5, 1925 - July 27, 2013) was a Puerto Rican bolero singer, guitarist & composer. Born in Santurce, Puerto Rico, Rodriguez was acknowledged to be a child prodigy in music, becoming interested in this topic since his early childhood. His father encouraged him to study the violin and soon, he joined the ''Banda Hatuey'' as a substitute. After moving across the island to Ponce, a town located in the south coast, he organized the "Orquesta Hatuey de Ponce". Julito Rodriguez got his first guitar as a present from his mother. He returned to San Juan in 1946, to study at the Universidad de Puerto Rico, there he joined the ROTC band directed by Rafael Alers. By 1947, Rodriguez had found a new musical passion in the "trio" music. His first "trio" was named "Los Romanceros". The group enjoyed considerable success until 1950, when Rodriguez decided to join the United States Army during the Korean War. Rafael Hernández helped Rodriguez decide to join ...
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El Reloj
"El reloj" () is a song of the bolero genre, with music and lyrics by Mexican composer and singer Roberto Cantoral, then a member of the Los Tres Caballeros trio. History Cantoral composed the song in 1956, in Washington D.C., in front of the Potomac River, at the end of a Los Tres Caballeros tour of the United States. During the tour he had had an affair with one of the girls participating in the show, who was to return to New York the next morning. This love episode, and the presence of a lounge clock during their last meeting, were the events that inspired Cantoral, who would soon turn the relatively trivial episode into the story of a deep love. Los Tres Caballeros premiered the song in 1957 and it was an immediate success. The following year it was recorded by trio Los Panchos in 1958. Since then, it has been interpreted by countless artists, in several languages. Lines from the song feature in a scene from the biographical film ''Selena'' in which Abraham Quintanilla te ...
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Yellow Days
"La mentira (Se te olvida)", known in English as "Yellow Days", is a bolero written by Álvaro Carrillo around 1965. Alan Bernstein wrote the song's lyrics in English. It has become a Latin and jazz standard, having been featured as the theme song of films and ''telenovelas'', as well as being covered by artists such as Frank Sinatra, who sang it to an arrangement by Billy May. It appeared on the '' Francis A. & Edward K.'' (Sinatra and Duke Ellington) album on Reprise. It has also been covered by Jerry Vale, the Sandpipers, Anita Bryant, Johnny Mann, Lenny Dee, Johnny Mathis John Royce Mathis (born September 30, 1935) is an American singer. Starting his 69-year career with singles of standard (music), standard music, Mathis is one of the best-selling recording artists of the 20th century and became highly popular as ..., and Jonah Jones. References 1965 songs 1960s jazz standards Boleros {{1960s-jazz-composition-stub ...
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What A Diff'rence A Day Made
"What a Diff'rence a Day Made", also recorded as "What a Difference a Day Makes", is a popular music, popular song originally written in Spanish language, Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side") and first recorded by Orquesta Pedro Vía that same year. A popular version in Spanish was later recorded by trio Los Panchos with Eydie Gormé in 1964. The song is also known in English as "What a Diff'rence a Day Makes", as popularized by Dinah Washington in 1959. English adaptation The English language, English lyrics were written by Stanley Adams (singer), Stanley Adams, and was played by Harry Roy & his Orchestra. It was published in late 1934. The most successful early recording, in 1934, was by the Dorsey Brothers, with vocals by Bob Crosby, although it was first recorded by Cleveland crooner Jimmy Ague. Dinah Washington version Dinah Washington won a Grammy Award in 1959 for Best Rhythm ...
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Green Eyes (Aquellos Ojos Verdes)
"Green Eyes" is a popular song, originally written in Spanish under the title "Aquellos Ojos Verdes" ("Those Green Eyes") by Adolfo Utrera and Nilo Menéndez in 1929. The English translation was made by Eddie Rivera and Eddie Woods in 1931. Spanish version The song, a bolero, was written in 1929 and recorded in Cuba the same year. It was the only major hit, both originally in Cuba and then again in the Latin community in New York for Cuban pianist Nilo Menéndez. The lyrics were supplied by Cuban tenor Adolfo Utrera. English version The English version of the song was written in 1931 but did not become a major hit till ten years later when recorded by the Jimmy Dorsey orchestra. The recording was made on March 19, 1941 with vocals by Helen O'Connell and Bob Eberly and released by Decca Records as catalog number 3698. The flip side was " Maria Elena." The record first reached the ''Billboard'' charts on May 9, 1941 and lasted 21 weeks on the chart, peaking at #1. Since "Maria E ...
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Quizás, Quizás, Quizás
"", sometimes known simply as "" (; "Perhaps"), is a popular song by Cuban songwriter Osvaldo Farrés. Farrés wrote the music and original Spanish lyrics for the song which became a hit for Bobby Capó in 1947. English version The English lyrics for "Perhaps, Perhaps, Perhaps" were translated by Joe Davis from the original Spanish version. The English version was first recorded by Desi Arnaz in 1948 (RCA). French version The French lyrics, ''Qui sait, qui sait'', are by , with a slightly different meaning. The story is about a man wondering if the flirting of his girlfriend while dancing with an unknown man will have impact on their relationship: "Who knows?". It has been first recorded by Luis Mariano in 1948, on a single for His Master's Voice. Turkish version Turkish rock band Athena released a version in 1998 titled "Senden, Benden, Bizden", which translates to "About You, About Me, About Us". It contains some lyrics from the original song, for example "If you really lov ...
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Solamente Una Vez
"You Belong to My Heart" is the name of an English-language version of the Mexican Bolero song "Solamente una vez" ("Only Once" in English). This song was composed by Mexican songwriter Agustín Lara and originally performed by singer Ana María González and tenor José Mojica in the 1941 film ''Melodías de América''. After that, the original Spanish-language version was very popular in Mexico and Cuba as well as being recorded by many of the greatest Bolero interpreters such as Los Panchos in 1951. Covers of ''Solamente una vez'' "Solamente una vez" has been performed by many artists including Anacani, Natalie Cole, Sara Montiel, Daniel Rodríguez, Quartetto Gelato, Arielle Dombasle, Benny Moré, Ignacio Piñeiro, Pedro Vargas, Julio Iglesias, Roberto Carlos, Andrea Bocelli, Chucho Valdés, Plácido Domingo, Nat King Cole, Marty Robbins, Lucho Gatica, Guadalupe Pineda, Roland Shaw & His Orchestra, Luis Miguel, and Cliff Richard and the Shadows. ''The Three Caballeros'' "So ...
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Sabor A Mí
The Croatian Parliament () or the Sabor is the unicameral legislature of Croatia. Under the terms of the Croatian Constitution, the Sabor represents the people and is vested with legislative power. The Sabor is composed of 151 members elected to a four-year term on the basis of direct, universal and equal suffrage by secret ballot. Seats are allocated according to the Croatian Parliament electoral districts: 140 members of the parliament are elected in multi-seat constituencies. An additional three seats are reserved for the diaspora and Croats in Bosnia and Herzegovina, while national minorities have eight places reserved in parliament. The Sabor is presided over by a Speaker, who is assisted by at least one deputy speaker (usually four or five deputies). The Sabor's powers are defined by the Constitution and they include: defining economic, legal and political relations in Croatia, preservation and use of its heritage and entering into alliances. The Sabor has the right to d ...
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Bésame Mucho
"Bésame Mucho" (; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. One of the most important songs in the history of Latin music, it became one the most popular pop standards of the 20th century as well as a jazz standard. "Bésame Mucho" was recognized in 1999 as the most recorded and covered Spanish-language song of all time. Famous versions were sung by Trio Los Panchos and female vocalist Gigliola Cinquetti in 1968, and by Dalida in 1976. English lyrics to it were written by Sunny Skylar. The song appeared in the film '' Follow the Boys'' (May 5, 1944) when it was played by Charlie Spivak and his Orchestra and in '' Cowboy and the Senorita'' (May 13, 1944) with vocal by Dale Evans. It was also sung by Chris Isaak in the 2003 movie '' Mona Lisa Smile''. It inspired the cult Indian song, Yeh Samaa Samaa Hai Pyar Ka, sung by Lata Mangeshkar in the film Jab Jab Phool Khile. Inspiration According to Velázquez, she wrote this ...
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Latin America
Latin America is the cultural region of the Americas where Romance languages are predominantly spoken, primarily Spanish language, Spanish and Portuguese language, Portuguese. Latin America is defined according to cultural identity, not geography, and as such it includes countries in both North and South America. Most countries south of the United States tend to be included: Mexico and the countries of Central America, South America and the Caribbean. Commonly, it refers to Hispanic America plus Brazil. Related terms are the narrower Hispanic America, which exclusively refers to Spanish-speaking nations, and the broader Ibero-America, which includes all Iberic countries in the Americas and occasionally European countries like Spain, Portugal and Andorra. Despite being in the same geographical region, English- and Dutch language, Dutch-speaking countries and territories are excluded (Suriname, Guyana, the Falkland Islands, Jamaica, Trinidad and Tobago, Belize, etc.), and French- ...
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Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', ...
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