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Troupe Of The Comédie-Française In 1755
Composition of the troupe of the Comédie-Française in 1755 The theatrical year began 17 April 1755 (the day before Palm Palm most commonly refers to: * Palm of the hand, the central region of the front of the hand * Palm plants, of family Arecaceae **List of Arecaceae genera * Several other plants known as "palm" Palm or Palms may also refer to: Music * Palm (ba ...) and ended 10 April 1755. Sources * '' Almanach historique et chronologique de tous les spectacles'', Paris 1756. {{DEFAULTSORT:Troupe of the Comedie-Francaise in 1755 1755 1755 in France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troupe Of The Comédie-Française In 1680
Composition of the troupe of the Comédie-Française in 1680 As of 24 August 1680, La Grange (actor), La Grange set in his register: :« ''Jonction de la Troupe Royalle cy-devant à l'Hôtel de Bourgogne (theatre), hostel de bourgogne avec Guénégaud Theatre, la nostre suivant les ordres du Roy'' ». The new troupe consisted of 27 people, that is 15 actors and 12 actresses. The first performance took place on 25 August with ''Phèdre'' by Jean Racine, Racine and ''Les Carosses d'Orléans'' by Jean de La Chapelle, La Chapelle. Sources Bert Edward Young and Grace Philputt Young, ''Le registre de La Grange (1659-1685)'', Paris, E. Droz, 1947, vol. I, . {{DEFAULTSORT:Troupe of the Comedie-Francaise in 1680 Troupe of the Comédie-Française, 1680 1680 in France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Bellecour
Rose Perrine le Roy de la Corbinaye (December 10, 1730August 5, 1799) was a French actress, best known under the name of Madame Bellecour. Biography Le Roy was born at Lamballe as the daughter of an artillery officer. Under the stage name of “an itinerant comic actor” Beaumenard, le Roy made her first Paris appearance in 1743 as Gogo in Charles Simon Favart's ''Le Coq du village''. After a year at the Opéra-Comique, she played in several companies, including that of Marshal Saxe, who is said to have been not insensible to her charms. In 1749, she made her debut at the Comédie-Française as Dorine in ''Tartuffe'', and her success was immediate. Le Roy retired in 1756, but after an absence of five years, during which she married Jean Claude Gilles Colson ("Bellecour"), she reappeared as Madame Bellecour, and continued her successes in soubrette parts in the plays of Molière and Jean-François Regnard. She retired finally at the age of sixty, but troubled times had put an en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Spectacles De Paris
''Les Spectacles de Paris'' was a French theatrical almanac which appeared in Paris (from the Duchesne press) from 1751 to 1797 without break. It followed the ''Almanach des théâtres'', printed by Ballard, in 1744 and 1745. Over its 46-year life, it changed its name several times : * 1751 : ''Calendrier historique des théâtres de l'Opéra, et des Comédies Françoise et Italienne et des Foires'' * 1752 : ''Almanach historique et chronologique de tous les spectacles'' * 1753 : ''Calendrier historique des théâtres de l'Opéra, et des Comédies Françoise et Italienne et des Foires'' * 1754 : ''Les Spectacles de Paris, ou suite du Calendrier historique et chronologique des théâtres'' * 1763 : ''Les Spectacles de Paris, ou Calendrier historique & chronologique des théâtres'' * 1791 : ''Almanach général de tous les spectacles de Paris et des provinces'' * 1792 : ''Les Spectacles de Paris, et de toute la France, ou Calendrier historique & chronologique des théâtres''. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Dauvigny
Louis-Aimé d'Auvigny (about 1738, in Paris – after 1795, in Tulchyn,Julian Ursyn Niemcewicz, ''Pamiętniki czasów moich'', Warszawa, Państwowy Instytut Wydawniczy, 1957, v. I, p. 55. Poland, now Ukraine) was an 18th-century French dancer, ballet master, choreographer and dance teacher. Family D'auvigny was probably the son of a writer and historian Aymé-Jean Chabaille d'Auvigny de Morinval, step brother of dancer and dance teacher Nicolas-François-Hyacinthe Dubus, known by his stage name Hyacinthe, and of the comic actors Gabriel-Éléonor-Hervé Dubus, whose stage name was Soli (Sauly), and Pierre-Louis Dubus whose stage name was Préville. His mother was their sister Louise-Élisabeth Dubus (marriage 1737). In Stuttgart he married dancer Marie Claudine Toscani (1746-1768) on 6 March 1764, the daughter of Italian comedians: Giovanni Battista Toscani and Isabella Gafforia.Eberhard Schauer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Répétiteur
A (from the French verb meaning 'to repeat, to go over, to learn, to rehearse') is an accompanist, tutor or coach of ballet dancers or opera singers. A feminine form, , also appears but is comparatively rare. Opera In opera, a is the person responsible for coaching singers and playing the piano for music and production rehearsals.Oxford English Dictionary Oxford University Press, accessed 27 July 2010 When coaching solo singers or choir members, the ' will take on a number of the roles of a : advising singers on how to improve their pitch and pronunciation, and correcting note or phrasing errors. are skilled musicians who hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Anne De Camargo
Marie Anne de Cupis de Camargo (15 April 1710 in Brussels – 28 April 1770 in Paris), sometimes known simply as La Camargo, was a French dancer. The first woman to execute the '' entrechat quatre'', Camargo was also allegedly responsible for two innovations in ballet as she was one of the first dancers to wear slippers instead of heeled shoes, and, while there is no evidence that she was the first woman to wear the short calf-length ballet skirt, the now standardized ballet tights she did help to popularize these. She is said to have been as strong as the male dancers. Early life Camargo was born on 15 April 1710, and baptised the same day, in Brussels, the daughter of Ferdinand Joseph de Cupis and Marie-Anne de Smet. She had two younger brothers, Jean-Baptiste who later became a composer and violinist, François Cupis de Renoussard a composer and cellist, and a sister, Madeleine. Her father, who was of Spanish ancestry, earned a meagre living as violinist and dancing-mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Préville (actor)
Préville (17Michaud 1863pp. 325–326 or 19'' L'Intermédiaire des chercheurs et curieux'' 1897p. 407 September 1721 – 18 December 1799) was a French comic actor. Biography Born Pierre-Louis Dubus to an impoverished family in Paris, he was originally intended for the clergy. While playing with a mediocre troop of actors in provincial France, Préville's budding talents were spotted in the town of Rouen by Jean Monnet, who engaged him to perform with the Opéra-Comique in Paris in 1743.Forman 2010, p. 204. Later Préville returned to the provinces and was the manager of the Grand Théâtre in Lyon. He joined the Comédie Francaise in Paris in 1753, where he debuted on 20 September in the role of Crispin in Jean-François Regnard's ''Le Légataire universel'' (''The Sole Legatee''). He took on roles previously played by and revealed himself to be the best comedian in the company since He appeared with the actress with great success in several plays by Pierre de MarivauxHa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Claude Gilles Colson
Bellecour (16 January 172519 November 1778) was a French actor, whose real name was Jean Claude Gilles Colson. Life Colson was as the son of a portrait-painter. He initially studied fine art, then began acting under the name of Bellecour. After playing in the provinces he was called to the Comédie-Française, but his debut, on 21 December 1750, as Achilles in '' Iphigénie'' was not a great success. He soon turned to comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ... roles, and acted primarily in comedies over the next thirty years. He wrote a successful play, ''Fausses apparences'' (1761), and was useful to the Comédie-Française in editing and adapting the plays of others. His wife, Rose Perrine le Roy de la Corbinaye, was a famous actress. See also * Troupe of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoire-Melone Geayant
Victoire-Melone Geayant, stage name Mademoiselle Guéant (fl. 1749–1758), was a French stage actress.Émile Campardon, Les Comédiens du roi de la troupe française pendant les deux derniers siècles, Paris, H. Champion, 1879 She was engaged at the Comédie-Française in 1749. She became a Sociétaires of the Comédie-Française The sociétaires of the Comédie-Française are chosen from among the ''pensionnaires'' who have been in the company a year or more. They are decided upon in the course of a general assembly of the company's administrative committee, made up of 6 e ... in 1754. She retired in 1758. She played romantic heroines and enjoyed a short but successful career before her premature death from smallpox. References External links Mademoiselle Guéant Comédie-Française 18th-century births 1758 deaths 18th-century French actresses French stage actresses {{France-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lekain
Lekain was the stage name of Henri Louis Cain (31 March 1728 – 8 February 1778), a French actor. Early career He was born in Paris, the son of a silversmith. He was educated at the Collège Mazarin, and joined an amateur company of players against which the Comédie-Française obtained an injunction. Voltaire supported him for a time and enabled him to act in his private theatre and also before the duchess of Maine. Comédie-Française He made his debut at the Comédie-Française on 14 September 1750 in the role of Titus in Voltaire's ''Brutus'' and performed Seïde in Voltaire's '' Mahomet'' on 30 September. Owing to the hostility of the actors it was only after a struggle of seventeen months that, by the command of King Louis XV he was accepted at the Comédie-Française (see Troupe of the Comédie-Française in 1752). He had performed the leading role of Orosmane at court in Voltaire's ''Zaïre'', causing Louis XV to declare: "He made me weep, and I never weep." Lekain was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
