Trois Poèmes De Mallarmé
''Trois poèmes de Mallarmé'' is a sequence of three art songs by Maurice Ravel, based on poems by Stéphane Mallarmé for soprano, two flutes, two clarinets, piano, and string quartet. Composed in 1913, it was premiered on 14 January 1914, performed by Rose Féart and conducted by D.-E. Inghelbrecht, at the inaugural concert of the société musicale indépendante of the 1913–1914 season in the Salle Érard in Paris. The work bears the reference M. 64, in the catalogue of works of the composer established by musicologist Marcel Marnat. History Maurice Ravel had a predilection for the poetry of Mallarmé. In an interview with the New York Times in the late 1920s, he said: In 1913, the first complete edition of Mallarmé's poems was published. Ravel set three of his poems the same year, in different cities that refer to main places in his life with family and friends: ''Placet futile'' was completed in Paris, ''Surgi'' in Saint-Jean-de-Luz, where his parents lived, and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital media, digital subscribers. It also is a producer of popular podcasts such as ''The Daily (podcast), The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones (publisher), George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won List of Pulitzer Prizes awarded to The New York Times, 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked List of newspapers by circulation, 18th in the world by circulation and List of newspapers in the United States, 3rd in the U.S. The paper is owned by the New York Times Company, which is Public company, publicly traded. It has been governed by the Sulzberger family since 189 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierrot Lunaire
''Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire"'' ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire), commonly known simply as ''Pierrot lunaire'', Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated into German by Otto Erich Hartleben. The work is written for reciter (voice-type unspecified in the score, but traditionally performed by a soprano) who delivers the poems in the ''Sprechstimme'' style accompanied by a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the ''Gurre-Lieder'', which was a fashionable musical style popular at the end of the nineteenth century. Though the music is atonal, it does not employ Schoenberg's twelve-tone technique, which he did not use until 1921. ''Pier ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maurice Delage
Maurice Charles Delage (13 November 1879 – 19 or 21 September 1961) was a French composer and pianist. Biography Delage was born and died in Paris. He first worked as a clerk for a maritime agency in Paris, and later as a fishmonger in Boulogne. He also served for a time in the French army, before embarking on a music career in his twenties. A student of Maurice Ravel, Ravel, who proclaimed him one of the supreme French composers of his day, and member of Les Apaches, he was influenced by travels to India and Japan in 1912, when he accompanied his father on a business trip. Ravel's "La vallée des cloches" from ''Miroirs'' was dedicated to Delage. Delage's best known piece is ''Quatre poèmes hindous'' (1912–1913).Georges Jean-Aubry (1917''An Introduction to French Music'' p.67, Cecil Palmer & Hayward, London His ''Ragamalika'' (1912–1922), based on the classical music of India, is significant in that it calls for prepared piano; the score specifies that a piece of Cardb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Quatre Poèmes Hindous
The ''Quatre poèmes hindous'' ("Four Hindu poems") are a cycle of ''mélodies'' by the French composer Maurice Delage for soprano and chamber ensemble of two flutes, oboe, two clarinets, harp, and string quartet. Delage composed it in 1912 while he was visiting India. It is considered his first masterwork, and it remains the best known and most recorded of his works. Structure Titles and dedications # Madras – "Une belle ..." (stanza 22 by Bhartṛhari), dedicated to Maurice Ravel # Lahore – "Un sapin isolé ..." (poem by Heine , No. 33.) # Bénarès – ''Naissance de Bouddha'' (anonymous), dédié à # Jeypur – "Si vo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Le Petit Elfe Ferme-l'œil
''Le Petit Elfe Ferme-l'œil'' (Op. 73) is an orchestral suite by Florent Schmitt adapted from his music for the homonymous ballet ("divertissement chorégraphique") after a tale by Hans Christian Andersen. on litteratureaudio.com The concert suite developed from a piano four hands suite written in 1912 entitled ''une semaine de Petit Elfe ferme-l'œil'' was premiered on 1 December 1923 at the under the dire ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roland-Manuel
Alexis Roland-Manuel (22 March 18911 November 1966) was a French people, French composer and critic, remembered mainly for his criticism. Biography He was born Roland Alexis Manuel Lévy in Paris, to a family of Belgians, Belgian and Jewish origins. He studied composition under Vincent d'Indy and Albert Roussel. As a young man he befriended composer Erik Satie, who helped him to make numerous influential connections. In 1911, Satie introduced Roland-Manuel to Maurice Ravel, whose pupil, friend and biographer he soon became. In 1947, he was appointed Professor of Aesthetics at the Conservatoire de Paris, where he remained until his retirement in 1961, making many contributions to musical theory and criticism, even assisting Igor Stravinsky by ghost-writing the theoretical work "The Poetics of Music". In addition to theoretical works, he wrote and composed various works for stage, especially comic operas, and screen, developing a partnership with director Jean Grémillon, for five ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mercure De France
The was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published from 1672 to 1724 (with an interruption in 1674–1677) under the title (sometimes spelled ; 1672–1674) and (1677–1724). The title was changed to in 1724. The gazette was briefly suppressed (under Napoleon) from 1811 to 1815 and ceased publication in 1825. The name was revived in 1890 for both a literary review and (in 1894) a publishing house initially linked with the symbolist movement. Since 1995 has been part of the Éditions Gallimard publishing group. should not be confused with another literary magazine, the (1823–1830). The original ''Mercure galant'' and ''Mercure de France'' The ''Mercure galant'' was founded by the writer Jean Donneau de Visé in 1672. The name refers to the god Mercury, the messenger of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prélude à L'après-midi D'un Faune
''Prélude à l'après-midi d'un faune'' ( L. 86), known in English as ''Prelude to the Afternoon of a Faun'', is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère. The composition was inspired by the poem '' L'après-midi d'un faune'' by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music, as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that "the flute of the faun brought new breath to the art of music." Debussy's work later provided the basis for the ballet '' Afternoon of a Faun'' choreographed by Vaslav Nijinsky and a later version by Jerome Robbins. Background About his composition Debussy wrote:The music of this prelude ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fayard
Fayard (complete name: ''Librairie Arthème Fayard'') is a French Paris-based publishing house established in 1857. Fayard is controlled by Hachette Livre. In 1999, Éditions Pauvert became part of Fayard. Claude Durand was director of Fayard from 1980 until his retirement in 2009. He was replaced by Olivier Nora, previously head of Éditions Grasset & Fasquelle another division of the Hachette group. On 6 November 2013, Nora was replaced by Sophie de Closets, who officially took over at the beginning of 2014. In December 2009, Hachette Littérature (publisher of the ''Pluriel'' pocket collection) was absorbed by Fayard. Isabelle Seguin, the director of Hachette Littérature, became literary director of Fayard. Imprints Fayard has three imprints: * Editions Mille et Une Nuits * Editions Mazarine * Pauvert Works published Works published by Editions Fayard include: *''Dictionnaire de la France médiévale'' by French historian Jean Favier * ''Les Égarés'' by French writer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henri Mondor
Henri Mondor (20 May 1885, Saint-Cernin, Cantal – 6 April 1962) was a French physician, surgeon, professor of clinical surgery, writer and historian of French literature and medicine. Mondor was a professor of clinical surgery in Paris and became a member of the French Académie Nationale de Médecine in 1945, The Académie française in 1946 and the Académie des sciences in 1961. He is known for his studies of rectal cancer and urgent diagnosis. Also, Mondor's disease, a thrombophlebitis Thrombophlebitis is a phlebitis (inflammation of a vein) related to a thrombus (blood clot). When it occurs repeatedly in different locations, it is known as thrombophlebitis migrans ( migratory thrombophlebitis). Signs and symptoms The following ... of the superficial veins of the breast and anterior chest wall, is named in his honour. References {{DEFAULTSORT:Mondor, Henri 1885 births 1962 deaths People from Cantal French medical writers 20th-century French physicians French ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |