Triptych, May–June 1973
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Triptych, May–June 1973
''Triptych, May–June 1973'' is a triptych completed in 1973 by the Irish-born artist Francis Bacon (artist), Francis Bacon (1909–1992). The oil-on-canvas was painted in memory of Bacon's lover George Dyer (burglar), George Dyer, who committed suicide on the eve of the artist's retrospective at Paris's Grand Palais on 24 October 1971. The triptych is a portrait of the moments before Dyer's death from an overdose of pills in their hotel room.Tóibín, Colm. "Such a Grip and Twist". ''The Dublin Review'', 2000. Bacon was haunted and preoccupied by Dyer's loss for the remaining years of his lifeRussell 1971, p. 151 and painted many works based on both the actual suicide and the events of its aftermath. He admitted to friends that he never fully recovered, describing the 1973 triptych as an exorcism of his feelings of loss and guilt. The work is stylistically more static and monumental than Bacon's earlier triptychs of Greek figures and friends' heads. It has been described as one ...
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Triptych May-June, 1973
A triptych ( ) is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. Etymology The word ''triptych'' was formed in English by compounding the prefix ''tri-'' with the word ''diptych''. ''Diptych'' is Loanword, borrowed from the Latin , which itself is derived from the Late Greek () . is the neuter plural of () . In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from t ...
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Erinyes
The Erinyes ( ; , ), also known as the Eumenides (, the "Gracious ones"), are chthonic goddesses of vengeance in ancient Greek religion and mythology. A formulaic oath in the ''Iliad'' invokes them as "the Erinyes, that under earth take vengeance on men, whosoever hath sworn a false oath". Walter Burkert suggests that they are "an embodiment of the act of self-cursing contained in the oath". Their Roman counterparts are the Furies, also known as the Dirae. The Roman writer Maurus Servius Honoratus ( AD) wrote that they are called "Eumenides" in hell, "Furiae" on Earth, and "Dirae" in heaven. Erinyes are akin to some other Greek deities, called Poenai. According to Hesiod's '' Theogony'', when the Titan Cronus castrated his father, Uranus, and threw his genitalia into the sea, the Erinyes (along with the Giants and the Meliae) emerged from the drops of blood which fell on the Earth ( Gaia), while Aphrodite was born from the crests of sea foam. Apollodorus also re ...
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Leopold Bloom
Leopold Paula Bloom is the fictional protagonist and hero of James Joyce's 1922 novel '' Ulysses''. His peregrinations and encounters in Dublin on 16 June 1904 mirror, on a more mundane and intimate scale, those of Ulysses/Odysseus in Homer's epic poem the ''Odyssey''. Factual antecedents Joyce first started planning a piece in 1906 that he described as "deal ngwith Mr. Hunter" to be included as the final story in ''Dubliners'', which he later retitled "Ulysses" in a letter to his brother that year. The protagonist of the piece was apparently to be based on a Dubliner named Alfred H. Hunter, who, according to Joyce's biographer, Richard Ellmann, was rumored around town to have been from a Jewish background and to have an unfaithful, promiscuous wife. The same source that related this reputation to Ellmann also suggested that on the night of 20 June 1904, an intoxicated Joyce approached a young woman standing alone in St. Stephen's Green and spoke to her just before her escort ...
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Lucius Accius
Lucius Accius (; 170 – c. 86 BC), or Lucius Attius, was a Roman tragic poet and literary scholar. Accius was born in 170 BC at Pisaurum, a town founded in the Ager Gallicus in 184 BC. He was the son of a freedman and a freedwoman, probably from Rome. The year of his death is unknown, but he must have lived to a great age, since Cicero (born 106 BC, hence 64 years younger) writes of having conversed with him on literary matters. Literary works Accius was a prolific writer and enjoyed a very high reputation. The titles and considerable fragments (about 700 lines) of some fifty plays have been preserved. Judging from the titles and fragments, scholars have surmised that most, if not all, of these poems were tragic in nature, although Pliny the Younger ranks him among the erotic poets. His career as a poet can be traced over the course of 36 years from B.C. 140, to B.C. 104. Most of his poetical works were imitations or free translations of the Greek, especially Aeschylus. The ...
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Golgotha
Calvary ( or ) or Golgotha () was a site immediately outside Jerusalem's walls where, according to Christianity's four canonical gospels, Jesus was crucified. Since at least the early medieval period, it has been a destination for pilgrimage. The exact location of Calvary has been traditionally associated with a place now enclosed within one of the southern chapels of the multidenominational Church of the Holy Sepulchre, a site said to have been recognized by the Roman empress Helena, mother of Constantine the Great, during her visit to the Holy Land in 325. Other locations have been suggested: in the 19th century, Protestant scholars proposed a different location near the Garden Tomb on Green Hill (now "Skull Hill") about north of the traditional site and historian Joan Taylor has more recently proposed a location about to its south-southeast. Biblical references and names The English names Calvary and Golgotha derive from the Vulgate Latin , and (all meaning ...
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Triptych - August 1972
A triptych ( ) is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. Etymology The word ''triptych'' was formed in English by compounding the prefix ''tri-'' with the word ''diptych''. ''Diptych'' is Loanword, borrowed from the Latin , which itself is derived from the Late Greek () . is the neuter plural of () . In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from t ...
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Tate Gallery
Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Culture, Media and Sport. The name "Tate" is used also as the operating name for the corporate body, which was established by the Museums and Galleries Act 1992 as "The Board of Trustees of the Tate Gallery". The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the current-day ...
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Triptych–August 1972
''Triptych–August 1972'' is a large oil-on-canvas triptych by the United Kingdom, British artist Francis Bacon (painter), Francis Bacon (1909–1992). It was painted in memory of Bacon's lover George Dyer who committed suicide on 24 October 1971, the eve of the artist's retrospective at Paris's Grand Palais, then the highest honour Bacon had received. The work is the second of three "The Black Triptychs, Black Triptychs" completed in the following years as a memorial to his lover. The dates of the last two triptychs are included in their titles, indicating that Bacon intended them as almost diary entries into a very bleak period in his life. As such the paintings are records of how Bacon was coping with the loss of Dyer at that particular time. They are haunted and permeated by the inevitable feelings of guilt experienced by anybody who has lost a close friend to suicide.Sylvester, 144 Context Bacon never really recovered from Dyer's suicide, and never again had such a clo ...
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The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. Since 2018, it has also published the online, open-access contemporary art platform, ''Burlington Contemporary''. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical resea ...
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Melencolia I
''Melencolia I'' is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. Its central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane, a claw hammer, and a saw. Other objects relate to alchemy, geometry or numerology. Behind the figure is a structure with an embedded magic square, and a ladder leading beyond the frame. The sky contains a rainbow, a comet or planet, and a bat-like creature bearing the text that has become the print's title. Dürer's engraving is one of the most well-known extant old master prints, but, despite a vast art-historical literature, it has resisted any definitive interpretation. Dürer may have associated melancholia with creative activity; the woman may ...
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Albrecht Dürer
Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prints, printmaker, and history of geometry#Renaissance, theorist of the German Renaissance. Born in Free Imperial City of Nuremberg, Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality List of woodcuts by Dürer, woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Holy Roman Emperor, Emperor Maximilian I, Holy Roman Emperor, Maximilian I. Dürer's vast body of work includes List of engravings by Dürer, engravings, his preferred technique in his later prints, Altarpiece, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are stylist ...
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Three Studies For Figures At The Base Of A Crucifixion
''Three Studies for Figures at the Base of a Crucifixion'' is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides—or Furies—of Aeschylus's ''Oresteia'', and depict three writhing anthropomorphic creatures set against a flat burnt orange background. It was executed in oil paint and pastel on Sundeala fibre board and completed within two weeks. The triptych summarises themes explored in Bacon's previous work, including his examination of Picasso's biomorphs and his interpretations of the Crucifixion and the Greek Furies. Bacon did not realise his original intention to paint a large crucifixion scene and place the figures at the foot of the cross. The ''Three Studies'' are generally considered Bacon's first mature piece; Bragg, Melvyn. "Francis Bacon". ''South Bank Show''. BBC documentary film, first aired 9 June 1985. he regarded his works before the triptych as irrelevant, and throughout his life tried to suppre ...
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