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Trio Plus One
''Oscar Peterson Trio + One'' is a 1964 album by Oscar Peterson, featuring Clark Terry. Track listing #"Brotherhood of Man" ( Frank Loesser) – 3:32 #" Jim" (Caesar Petrillo, Milton Samuels, Nelson Shawn) – 3:01 #"Blues for Smedley" ( Oscar Peterson) – 6:56 #"Roundalay" (Peterson) – 3:55 #"Mumbles" (Clark Terry) – 2:01 #" Mack the Knife" (Bertolt Brecht, Kurt Weill) – 5:16 #" They Didn't Believe Me" ( Jerome Kern, Herbert Reynolds) – 4:21 #"Squeaky's Blues" (Peterson) – 3:28 #"I Want a Little Girl" (Murray Mencher, Billy Moll) – 5:10 #"Incoherent Blues" (Terry) – 2:42 *on tracks 2 and 7 Terry plays flugelhorn *on tracks 5 and 10 Terry sings or mumbles CD re-issue The album was re-issued on CD, in a gatefold sleeve, with an additional sleeve-notes booklet, in 1998 by PolyGram. In 2012 it was re-issued by Verve ( Universal Music Group). Personnel *Clark Terry – trumpet, flugelhorn The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing". Biography Early years Peterson was born in Montreal, Quebec, to immigrants from the West Indies (Saint Kitts and Nevis and the British Virgin Islands); His mother, Kathleen, was a domestic worker and his father, Daniel, worked as a porter for Canadian Pacific Railway and was an amateur musician who taught himself to play the organ, trumpet and piano. Peterson grew up in the neighbourh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesar Petrillo
James Caesar Petrillo (March 16, 1892 – October 23, 1984) was the leader of the American Federation of Musicians, a trade union of professional musicians in the United States and Canada. Biography Petrillo was born in Chicago, Illinois, United States. Though, in his youth, Petrillo played the trumpet, he finally made a career out of organizing musicians into the union starting in 1919. Petrillo became president of the Chicago Local 10 of the musician's union in 1922, and was president of the American Federation of Musicians from 1940 to 1958. He was ousted from his role as president when segregation became unpopular. It was becoming a more popular idea that the Local 10 (white musicians union) and Local 208 (black musicians union) would merge. He opposed this, which contributed to his dethroning. The round-faced, bespectacled Petrillo dominated the union with absolute authority. His most significant actions were banning all commercial recordings by union members from 1942–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Thigpen
Edmund Leonard Thigpen (December 28, 1930 – January 13, 2010) was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959. Biography Born in Chicago, Illinois, United States, Thigpen was raised in Los Angeles, California, and attended Thomas Jefferson High School, where Art Farmer, Dexter Gordon and Chico Hamilton also attended. After majoring in sociology at Los Angeles City College, Thigpen returned to East St. Louis for one year to pursue music while living with his father who had been playing with Andy Kirk's Clouds of Joy. His father, Ben Thigpen, was a drummer who played with Andy Kirk for sixteen years during the 1930s and 1940s. Thigpen first worked professionally in New York City with the Cootie Williams orchestra from 1951 to 1952 at the Savoy Ballroom. During this time he played with musicians such as Dinah Washington, Gil Mellé, Oscar Pettiford, Eddie V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal Music Group
Universal Music Group N.V. (often abbreviated as UMG and referred to as just Universal Music) is a Dutch– American multinational music corporation under Dutch law. UMG's corporate headquarters are located in Hilversum, Netherlands and its operational headquarters are located in Santa Monica, California. The biggest music company in the world, it is one of the " Big Three" record labels, along with Sony Music and Warner Music Group. Tencent acquired ten percent of Universal Music Group in March 2020 for €3 billion and acquired an additional ten percent stake in January 2021. Pershing Square Holdings later acquired ten percent of UMG prior to its IPO on the Euronext Amsterdam stock exchange. The company went public on September 21, 2021, at a valuation of €46 billion. In 2019, ''Fast Company'' named Universal Music Group the most innovative music company and listed UMG among the Top 50 most innovative companies in the world and "amid the music industry's digital tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PolyGram
PolyGram N.V. was a multinational entertainment company and major music record label formerly based in the Netherlands. It was founded in 1962 as the Grammophon-Philips Group by Dutch corporation Philips and German corporation Siemens, to be a holding for their record companies, and was renamed "PolyGram" in 1972. The name was chosen to reflect the Siemens interest Polydor Records and the Philips interest Phonogram Records. The company traced its origins through Deutsche Grammophon back to the inventor of the flat disc gramophone, Emil Berliner. Later on, PolyGram expanded into the largest global entertainment company, creating film and television divisions. In May 1998, it was sold to the alcoholic distiller Seagram which owned film, television and music company Universal Studios. PolyGram was thereby folded into Universal Music Group, and PolyGram Filmed Entertainment was folded into Universal Pictures, which had been both Seagram successors of MCA Inc. When the newly forme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Reynolds (lyricist)
Michael Elder Rourke (14 July 186726 August 1933), who assumed the pen name Herbert Reynolds in 1913, was an Irish-American lyricist. Reynolds wrote the lyrics to Jerome Kern's first big hit, "They Didn't Believe Me", interpolated into the 1914 American version of '' The Girl from Utah'', produced by Charles Frohman. The show had a successful run of 140 performances at the Knickerbocker Theatre, opening on August 14, 1914. Frohman had hired the young Kern to write five new songs for the score together with Reynolds to strengthen what he felt was a weak first act. Julia Sanderson and Donald Brian starred in the production. He shared the lyric writing with P. G. Wodehouse in ''Miss Springtime'' (1916), with additional music by Kern. Reynolds went on to collaborate with Kern and several other lyricists on the Broadway musical ''Very Good Eddie'' with a book by Guy Bolton and Philip Bartholomae, and again in ''Rock-a-Bye Baby "Rock-a-bye baby in the tree top" (sometimes "Hus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Didn't Believe Me
"They Didn't Believe Me" is a song with music by Jerome Kern and lyrics by Herbert Reynolds. First introduced in the 1914 musical '' The Girl from Utah'' it was one of five numbers added to the show by Kern and Reynolds for its Broadway debut at the Knickerbocker Theatre on August 14, 1914. The show had originated in Britain, but impresario Charles Frohman had felt it needed additional material to enliven its U.S. run. It became Kern's first major song success. The song, with four beats to a bar, departed from the customary waltz-rhythms of European influence and fitted the new American passion for modern dances such as the fox-trot. Kern was also able to use elements of American styles, such as ragtime, as well as syncopation, in his lively dance tunes. The song is also remarkable in its use of 'everyday' language in a love song. Theatre historian John Kenrick writes that, until this point, the majority of love songs had relied on flowery vocabulary to express romantic senti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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