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Tra Quante Regione
''Tra quante regione'' (''"Amongst all the regions"'') is a ballata by the late medieval and early renaissance composer Hugo de Lantins. As with another vocal composition by Guillaume Dufay entitled Vasilissa ergo gaude, Lantins' ballata celebrated the marriage of the Italian princess Cleofa Malatesta with the Byzantine Despot of the Morea Theodore II Palaiologos. The marriage took place on 21 January 1421 or sometime in 1422 in Mystra. The actual date and place of the first performance remain disputedIain Fenlon Iain Alexander Fenlon (born 26 October 1949 in Prestbury, Cheshire) is a British musicologist who specializes in music from 1450–1650; particularly Renaissance and early Baroque music from Italy. Fenlon was born to Albert Fenlon and Joan Fen ..., ''Studies in Medieval and Early Modern Music'', Cambridge University Press, 1997, p. 106, footnote 29 References {{reflist Renaissance music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballata
The ''ballata'' (plural: ''ballate'') is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musicapenim AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical ' forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to dance, and the form certainly began as dance music. The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian '' ars nova''. Ballate are sung at the end of each day of Boccacci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo De Lantins
Hugo de Lantins ( fl. 1420–1430) was a Franco-Flemish composer of the late Medieval era and early Renaissance. He was active in Italy, especially Venice, and wrote both sacred and secular music; he may have been a relative of Arnold de Lantins, another composer active at the same time in the same area. Little is known about his life, except that he was probably in Venice during the 1420s, for he wrote ceremonial music for the Doge Francesco Foscari; his music appears in several collections from that city. Evidently he wrote music for the wedding of Cleofe Malatesta and Theodore Palaiologos, Prince of Sparta, in 1421, since precise topical details occur in the text to the music. He almost certainly was known to Dufay, since both composers wrote music for some of the same events, and Dufay mentioned him in the text to one of the compositions he wrote during his stay in Rimini with the Malatesta family (1420–1424). Hugo's music is more forward looking than that of Arnold, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained priest. As his fame began to spread, he settled in Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasilissa Ergo Gaude
''Vasilissa ergo gaude'' ("''Therefore rejoice, princess''") is an isorhythmic motet by the Renaissance composer Guillaume Dufay. In terms of its subject matter, it is sometimes grouped together with ''Lamentatio sanctae matris ecclesiae Constantinopolitanae'', '' Apostolus gloriosus'' and '' Balsamus et munda cera'' which are generically called Dufay's ''Byzantine motets''. Its composition was occasioned by the marriage on 21 January 1421 of Cleofa Malatesta, daughter of Malatesta di Pandolfo, to Theodore II Palaiologos, son of the Byzantine emperor Manuel II and Despot of the Morea. It has been surmised that the actual motet was composed in 1420 and is perhaps the earliest example of this choral form if not the earliest work attributed to Dufay. In earlier scholarship it was assumed that the motet's first performance had taken place on May 19, 1419, during the festivities prior to the marriage The tenor line is taken from Psalm 45:11 (44:11 in the traditional Catholic numberin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleofa Malatesta
Cleofa Malatesta da Pesaro (also Cleofe, Cleopa or Cleopha) (''floruit'' 1420 – died 1433) was an Italian noblewoman and the wife of Theodore II Palaiologos, Despot of the Morea, brother of Constantine XI, the last Byzantine emperor. She was a daughter of Malatesta dei Sonetti, Count of Pesaro, and Elisabetta da Varano. She married Theodore Palaiologos in Mystras on January 21, 1421, or sometime in 1422 in an arranged marriage that was part of an initiative of her uncle, Pope Martin V, to join Western (Roman Catholic) with Orthodox nobility, who in this way hoped to gain political alliances against the Ottoman Turks. Marriage On the 20th of August 1420, Cleofa left Italy embarking from Fano near Pesaro for Constantinople. She was accompanied by another young bride, Sophia of Montferrat, who was to marry John VIII Palaiologos, Theodore's brother. For the occasion of Cleofa's marriage, a celebratory motet has been preserved written by the famous Renaissance composer Guillaume Dufay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Despot (court Title)
Despot or ''despotes'' ( grc-gre, δεσπότης, despótēs, lord, master) was a senior Byzantine court title that was bestowed on the sons or sons-in-law of reigning emperors, and initially denoted the heir-apparent of the Byzantine emperor. From Byzantium it spread throughout the late medieval Balkans and was also granted in the states under Byzantine cultural influence, such as the Latin Empire, the Second Bulgarian Empire, the Serbian Empire and its successor states (Bulgarian and sr, деспот, despót), and the Empire of Trebizond. With the political fragmentation of the period, the term gave rise to several principalities termed "despotates" which were ruled either as independent states or as appanages by princes bearing the title of despot; most notably the Despotate of Epirus, the Despotate of the Morea, the Despotate of Dobruja and the Serbian Despotate. In modern usage, the word has taken a different meaning: "despotism" is a form of government in which a single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Despotate Of Morea
The Despotate of the Morea ( el, Δεσποτᾶτον τοῦ Μορέως) or Despotate of Mystras ( el, Δεσποτᾶτον τοῦ Μυστρᾶ) was a province of the Byzantine Empire which existed between the mid-14th and mid-15th centuries. Its territory varied in size during its existence but eventually grew to include almost all the southern Greek peninsula now known as the Peloponnese, which was known as the Morea during the medieval and early modern periods. The territory was usually ruled by one or more sons of the current Byzantine emperor, who were given the title of ''despotes'' (in this context it should not be confused with despotism). Its capital was the fortified city of Mystras, near ancient Sparta, which became an important centre of the Palaiologan Renaissance. History The Despotate of the Morea was created out of territory seized from the Frankish Principality of Achaea. This had been organized from former Byzantine territory after the Fourth Crusade (12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore II Palaiologos
Theodore II Palaiologos or Palaeologus (Greek: Θεόδωρος Β΄ Παλαιολόγος, ''Theodōros II Palaiologos'') (c. 1396 – 21 June 1448) was Despot in the Morea from 1407 to 1443 and in Selymbria from then until his death. Life Theodore II Palaiologos was a son of the Byzantine Emperor Manuel II Palaiologos and his wife Helena Dragaš. His maternal grandfather was the Serb prince Constantine Dragaš. His brothers included emperors John VIII Palaiologos and Constantine XI Palaiologos, as well as Demetrios Palaiologos and Thomas Palaiologos, despots in the Despotate of Morea, and Andronikos Palaiologos, despot in Thessalonica. When Theodore was a little over ten years old, his father proclaimed him a despot (''despotēs'') and appointed him to govern Morea after the death of his uncle Theodore I Palaiologos in 1407. The nobleman Nicholas Eudaimonoioannes was appointed as his tutor and regent until he came of age. The first period of his rule was a time of war agains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iain Fenlon
Iain Alexander Fenlon (born 26 October 1949 in Prestbury, Cheshire) is a British musicologist who specializes in music from 1450–1650; particularly Renaissance and early Baroque music from Italy. Fenlon was born to Albert Fenlon and Joan Fenlon (née Rainey). Academic career He has contributed articles to several music publications and is the author of the books ''Music and Culture in Late Renaissance Italy'' (Oxford University Press, 2000), ''The Ceremonial City: History, Memory and Myth in Renaissance Venice'' (Yale University Press, 2007). and ''Piazza San Marco'' (Harvard University Press, 2009). His writings often explore the relationship between the evolution and development of music and changes within society. He is currently a fellow and Emeritus Professor of Historical Musicology at King's College of the University of Cambridge, England and serves as the editor of the journal ''Early Music History''. Fenlon is also Honorary Keeper of the Music at the Fitzwilliam Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
