The ''ballata'' (plural: ''ballate'') is an Italian
poetic
Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in ...
and
musical form
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, suc ...
in use from the late 13th to the 15th century. It has the musicapenim
AbbaA, with the first and last
stanzas having the same texts. It is thus most similar to the
French
French (french: français(e), link=no) may refer to:
* Something of, from, or related to France
** French language, which originated in France, and its various dialects and accents
** French people, a nation and ethnic group identified with Franc ...
musical '
forme fixe
The ''formes fixes'' (; singular: ''forme fixe'', "fixed form") are the three 14th- and 15th-century French poetic forms: the '' ballade'', '' rondeau'', and ''virelai''. Each was also a musical form, generally a '' chanson'', and all consisted o ...
'
virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three '' formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the la ...
(and not the
ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc.
Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to
dance, and the form certainly began as dance music.
The ballata was one of the most prominent secular musical forms during the
trecento
The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history.
Period Art
Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giotto ...
, the period often known as the Italian ''
ars nova''. Ballate are sung at the end of each day of
Boccaccio
Giovanni Boccaccio (, , ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was some ...
's ''
Decameron
''The Decameron'' (; it, label=Italian, Decameron or ''Decamerone'' ), subtitled ''Prince Galehaut'' (Old it, Prencipe Galeotto, links=no ) and sometimes nicknamed ''l'Umana commedia'' ("the Human comedy", as it was Boccaccio that dubbed Dan ...
'' (only one musical setting of these poems, by
Lorenzo da Firenze, survives). Early ballate, such as those found in the
Rossi Codex are monophonic. Later, ballate are found for two or three voices. The most notable composer of ballate is
Francesco Landini, who composed in the second half of the 14th century. Other composers of ballata include
Andrea da Firenze, a contemporary of
Francesco Landini, as well as
Bartolino da Padova
Bartolino da Padova (also "Magister Frater Bartolinus de Padua") (fl. c. 1365 – c. 1405) was an Italian composer of the late 14th century. He is a representative of the stylistic period known as the ''Trecento'', sometimes known as the "Italian ...
,
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, particula ...
,
Prepositus BrixiensisStanley Boorman
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* ''Stanley'' (1956 TV series) ...
''Studies in the Performance of Late Medieval Music'' p.225 and
Zacara da Teramo. In the 15th century both
Arnold de Lantins
Arnold de Lantins (fl. 1420s – before 2 July 1432) was a Netherlandish composer of the late medieval and early Renaissance eras. He is one of a few composers who shows aspects of both medieval and Renaissance style, and was a contemporary o ...
and
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and rep ...
wrote ballate; they were among the last to do so.
See also
* ''
Ballo''
References
Medieval music genres
Italian music history
Western medieval lyric forms
{{Poetry-stub