Hugo de Lantins ( fl. 1420–1430) was a

Franco-Flemish The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition or ...

composer of the late

Medieval In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the Post-classical, post-classical period of World history (field), global history. It began with t ...

era and early

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...

. He was active in

Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...

, especially

Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...

, and wrote both sacred and secular music; he may have been a relative of

Arnold de Lantins Arnold de Lantins ( fl. 1420s – before 2 July 1432) was a Netherlandish composer of the late medieval and early Renaissance eras. He is one of a few composers who shows aspects of both medieval and Renaissance style, and was a contemporary o ...

, another composer active at the same time in the same area. Little is known about his life, except that he was probably in

during the 1420s, for he wrote ceremonial music for the

Doge A doge ( , ; plural dogi or doges) was an elected lord and head of state in several Italian city-states, notably Venice and Genoa, during the medieval and renaissance periods. Such states are referred to as " crowned republics". Etymology The ...

Francesco Foscari Francesco Foscari (19 June 1373 – 1 November 1457) was the 65th Doge of the Republic of Venice from 1423 to 1457. His reign, the longest of all Doges in Venetian history, lasted 34 years, 6 months and 8 days, and coincided with the inception o ...

; his music appears in several collections from that city. Evidently he wrote music for the wedding of Cleofe Malatesta and Theodore Palaiologos, Prince of

Sparta Sparta ( Doric Greek: Σπάρτα, ''Spártā''; Attic Greek: Σπάρτη, ''Spártē'') was a prominent city-state in Laconia, in ancient Greece. In antiquity, the city-state was known as Lacedaemon (, ), while the name Sparta referre ...

, in 1421, since precise topical details occur in the text to the music. He almost certainly was known to Dufay, since both composers wrote music for some of the same events, and Dufay mentioned him in the text to one of the compositions he wrote during his stay in

Rimini Rimini ( , ; rgn, Rémin; la, Ariminum) is a city in the Emilia-Romagna region of northern Italy and capital city of the Province of Rimini. It sprawls along the Adriatic Sea, on the coast between the rivers Marecchia (the ancient ''Ariminu ...

with the Malatesta family (1420–1424). Hugo's music is more forward looking than that of Arnold, making use of

imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "development of traditions, and ultimately our culture. ...

, which was to become the prevailing musical device for the next hundred years and more; indeed, imitation is more prevalent in the music of Lantins than in the music of any other composer of the early 15th century. Most of Hugo's music is for three voices, though occasionally he added a fourth. Several sections of masses have survived, but none complete, as well as five

motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...

s, one of which is

isorhythm Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a ''talea'', in at least one voice part throughout a composition. ''Taleae'' are typically applied to one or more melodic patterns o ...

ic. In the secular music category he wrote many '' rondeaux,'' all in French, as well as some ''

ballate The ''ballata'' (plural: ''ballate'') is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musicapenim AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the Fre ...

'' in

Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...

(almost certainly for the royal wedding of the

Malatesta Malatesta may refer to: People Given name * Malatesta (I) da Verucchio (1212–1312), founder of the powerful Italian Malatesta family and a famous condottiero * Malatesta IV Baglioni (1491–1531), Italian condottiero and lord of Perugia, Bettona, ...

family).

Media

References and further reading

* Pièces polyphoniques profanes de provenance liégeoise (XVe siècle), ed. C. van den Borren. Bruxelles, 1950 (edn. of all secular compositions) * * *

Gustave Reese Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) ...

, ''Music in the Renaissance''. New York, W.W. Norton & Co., 1954. {{DEFAULTSORT:Lantins, Hugo de Year of birth unknown Year of death unknown Burgundian school composers Flemish composers 15th-century Franco-Flemish composers Medieval male composers French classical composers French male classical composers