Totes Meer (Dead Sea) 1940-1 Paul Nash
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Totes Meer (Dead Sea) 1940-1 Paul Nash
''Totes Meer'' (German for "Dead Sea") is a 1941 oil-on-canvas painting by Paul Nash. It depicts a moonlit landscape populated by a graveyard of crashed aircraft of the German Luftwaffe. The broken shards of metal from the wings and fuselages resemble a seascape of jagged ice, possibly inspired by Caspar David Friedrich's ''The Sea of Ice''. It measures and has been in the collection of the Tate Gallery since 1946. Background Nash was an official war artist in the First and Second World Wars. In 1940, he was asked to work for the Air Ministry, and Nash started work on ''Totes Meer'' that year. Some representatives of the Air Ministry disliked his style of art, and his full-time position was terminated before the end of the year. ''Totes Meer'' was completed in 1941, and offered to the War Artists' Advisory Committee in 1941. Nash was paid £150 for the painting. Description The work was based on sketches and photographs made at the Metal and Produce Recovery Unit at ...
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Totes Meer (Dead Sea) 1940-1 Paul Nash
''Totes Meer'' (German for "Dead Sea") is a 1941 oil-on-canvas painting by Paul Nash. It depicts a moonlit landscape populated by a graveyard of crashed aircraft of the German Luftwaffe. The broken shards of metal from the wings and fuselages resemble a seascape of jagged ice, possibly inspired by Caspar David Friedrich's ''The Sea of Ice''. It measures and has been in the collection of the Tate Gallery since 1946. Background Nash was an official war artist in the First and Second World Wars. In 1940, he was asked to work for the Air Ministry, and Nash started work on ''Totes Meer'' that year. Some representatives of the Air Ministry disliked his style of art, and his full-time position was terminated before the end of the year. ''Totes Meer'' was completed in 1941, and offered to the War Artists' Advisory Committee in 1941. Nash was paid £150 for the painting. Description The work was based on sketches and photographs made at the Metal and Produce Recovery Unit at ...
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Morris Motors
Morris Motors Limited was a British privately owned motor vehicle manufacturing company formed in 1919 to take over the assets of William Morris's WRM Motors Limited and continue production of the same vehicles. By 1926 its production represented 42 per cent of British car manufacture—a remarkable expansion rate attributed to William Morris's practice of buying in major as well as minor components and assembling them in his own factory. Self-financing through his enormous profits Morris did borrow some money from the public in 1926 and later shared some of Morris Motors' ownership with the public in 1936 when the new capital was used by Morris Motors to buy many of his other privately held businesses. Though it merged... although nearly twenty-five years had elapsed since the BMC merger, not even Austin and Morris, the two volume car manufacturers that formed the core of the original merger, had integrated to a significant degree. Stokes illustrated the immensity of the probl ...
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Paintings By Paul Nash
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Collection Of The Tate Galleries
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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War Paintings
War is an intense armed conflict between states, governments, societies, or paramilitary groups such as mercenaries, insurgents, and militias. It is generally characterized by extreme violence, destruction, and mortality, using regular or irregular military forces. Warfare refers to the common activities and characteristics of types of war, or of wars in general. Total war is warfare that is not restricted to purely legitimate military targets, and can result in massive civilian or other non-combatant suffering and casualties. While some war studies scholars consider war a universal and ancestral aspect of human nature, others argue it is a result of specific socio-cultural, economic or ecological circumstances. Etymology The English word ''war'' derives from the 11th-century Old English words ''wyrre'' and ''werre'', from Old French ''werre'' (also ''guerre'' as in modern French), in turn from the Frankish *''werra'', ultimately deriving from the Proto-Germanic *''we ...
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1941 Paintings
Events Below, the events of World War II have the "WWII" prefix. January * January–August – 10,072 men, women and children with mental and physical disabilities are asphyxiated with carbon monoxide in a gas chamber, at Hadamar Euthanasia Centre in Germany, in the first phase of mass killings under the Action T4 program here. * January 1 – Thailand's Prime Minister Plaek Phibunsongkhram decrees January 1 as the official start of the Thai solar calendar new year (thus the previous year that began April 1 had only 9 months). * January 3 – A decree (''Normalschrifterlass'') promulgated in Germany by Martin Bormann, on behalf of Adolf Hitler, requires replacement of blackletter typefaces by Antiqua. * January 4 – The short subject ''Elmer's Pet Rabbit'' is released, marking the second appearance of Bugs Bunny, and also the first to have his name on a title card. * January 5 – WWII: Battle of Bardia in Libya: Australian and British troops defeat I ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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Kenneth Clark
Kenneth Mackenzie Clark, Baron Clark (13 July 1903 – 21 May 1983) was a British art historian, museum director, and broadcaster. After running two important art galleries in the 1930s and 1940s, he came to wider public notice on television, presenting a succession of programmes on the arts during the 1950s and 1960s, culminating in the ''Civilisation'' series in 1969. The son of rich parents, Clark was introduced to the arts at an early age. Among his early influences were the writings of John Ruskin, which instilled in him the belief that everyone should have access to great art. After coming under the influence of the connoisseur and dealer Bernard Berenson, Clark was appointed director of the Ashmolean Museum in Oxford aged twenty-seven, and three years later he was put in charge of Britain's National Gallery. His twelve years there saw the gallery transformed to make it accessible and inviting to a wider public. During the Second World War, when the collection was moved ...
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Eileen Agar
Eileen Forrester Agar (1 December 1899 – 17 November 1991) was a British-Argentinian painter and photographer associated with the Surrealist movement. Biography Agar was born in Buenos Aires, to a Scottish father and American mother. Her father was the head of a family business selling windmills and other agricultural machinery to Argentina. At a young age, Agar became fascinated by pictures by Edmund Dulac and Arthur Rackham. Before attending school, she grew up in her family villa, Quinta la Lila, learning from her nanny and a French governess. Agar describes her childhood as being "full of balloons, hoops and St Bernard dogs". The family travelled to Britain approximately every two years during her childhood. Aged six, Agar was sent to England to a private school in Canford Cliffs. At her second school, Heathfield School, Ascot, Agar's teacher, Lucy Kemp-Welch, encouraged her to continue to develop her art. In 1914, at the onset of World War I, Agar was sent away to Tudor ...
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The Menin Road
''The Menin Road'' is a large oil painting by Paul Nash completed in 1919 that depicts a First World War battlefield. Nash was commissioned by the British War Memorials Committee to paint a battlefield scene for the proposed national Hall of Remembrance. The painting is considered one of the most iconic images of the First World War and is held by the Imperial War Museum. Background In September 1914, the British government set up a propaganda department at Wellington House to influence domestic and overseas opinion. In 1916 Wellington House established a section to distribute films and publications such as ''War Pictorial'' and argued for practising artists to be sent to the Western Front. In 1916, Max Aitken had established the Canadian War Records Office (CWRO), aiming to create an artistic and photographic record of the activities of Canadian forces. In February 1918, Aitken was made head of the new British Ministry of Information (MoI) and subsequently established the Bri ...
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Oxford
Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the University of Oxford, the oldest university in the English-speaking world; it has buildings in every style of English architecture since late Anglo-Saxon. Oxford's industries include motor manufacturing, education, publishing, information technology and science. History The history of Oxford in England dates back to its original settlement in the Saxon period. Originally of strategic significance due to its controlling location on the upper reaches of the River Thames at its junction with the River Cherwell, the town grew in national importance during the early Norman period, and in the late 12th century became home to the fledgling University of Oxford. The city was besieged during The Anarchy in 1142. The university rose to dom ...
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