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Tosca (opera)
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late- Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic '' verismo'' style, of which he became one of the leading exponents. His most renowned works are '' La bohème'' (1896), ''Tosca'' (1900), ''Madama Butterfly'' (1904), and '' Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kerman
Joseph Wilfred Kerman (3 April 1924 – 17 March 2014) was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book ''Contemplating Music: Challenges to Musicology'' (published in the UK as ''Musicology'') was described by Philip Brett in '' The Grove Dictionary of Music and Musicians'' as "a defining moment in the field."Brett He was Professor Emeritus of Musicology at the University of California, Berkeley. Life and career Kerman, the son of an American journalist, William Zukerman, was born in London and educated at University College School there.Hewett He then attended New York University where he received his BA in 1943 and Princeton University where he received his PhD in 1950. While at Princeton he studied under Oliver Strunk, Randall Thompson and Carl Weinrich and wrote his doctoral thesis on the Elizabethan madrigal. When young, he used Kerman as a pen-name, and then adopted it officially. From 1949 to 1951 he tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio De Marchi (tenor)
Emilio De Marchi (; January 6, 1861 – March 20, 1917) was an Italian operatic tenor. He had a significant career during the late 19th and early 20th century, appearing at major theatres on both sides of the Atlantic. In 1900, he entered the annals of musical history as the creator of the role of Cavaradossi in Giacomo Puccini's ''Tosca''. Today, however, he has largely been forgotten because, unlike many of his contemporaries, he did not leave a legacy of commercial gramophone or phonograph recordings. Singing career De Marchi came from Northern Italy's Lombardy region; he was born in Voghera. His voice was discovered during his military service, and he received professional singing lessons. In 1886, he made his operatic debut in Milan, at the Teatro Dal Verme, as Alfredo in Giuseppe Verdi's ''La traviata''. Over the next few years he appeared at leading operahouses throughout Italy and Spain and was a member of a distinguished Italian operatic company which visited Buenos Air ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hariclea Darclée
Hariclea Darclée (née Haricli; later Hartulari; 10 June 1860 – 12 January 1939) was a celebrated Romanian operatic soprano who had a three-decade-long career. Darclée's repertoire ranged from coloratura soprano roles to heavier Verdi roles, including many in the Franco-Italian lyric repertory. Throughout her career she participated in several world premieres, creating the title roles in Giacomo Puccini's ''Tosca'', Pietro Mascagni's ''Iris'', and Alfredo Catalani's ''La Wally''. Puccini reportedly considered her to have been "the most beautiful and exquisite Manon". Enciclopedia dello Spettacolo, regarded as the most comprehensive international performing arts encyclopedia, named Darclée "world's greatest singer for 25 years". Darclée was considered the equivalent, in the opera world, of Sarah Bernhardt. Early years Darclée was born Hariclea Haricli in Brăila to a family with Greek roots. Her father, Ion Haricli, was a landlord in Teleorman County. Her mother, Maria Asl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Leopoldo Mugnone
Leopoldo Mugnone (29 September 1858 in Naples – 22 December 1941 in Capodichino, Naples) was an Italian conductor, especially of opera, whose most famous work was done in the period 1890–1920, both in Europe and South America. He conducted various operatic premieres, and was also a composer of operas. Training The son of Antonio Mugnone, principal double-bass in the orchestra of the San Carlo Theatre in Naples, Mugnone studied from an early age at the Royal Conservatorio of San Pietro a Maiella under Paolo Serrao and Beniamino Cesi. He composed his first theatre work, a little opera buffa ''Il Dottor Bartolo Salsapariglia'', at the age of 12, in which he wished to take part in the basso comico role, though he had then only an alto voice. At 16 he began conducting. A year later he was recruited as a chorus director for an operetta troupe at the Teatro Nuovo, run by F. Sadowsky. From there he went on to the Garibaldi Theatre, first as chorus master and later as ''concertato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah Burton
Deborah Burton is an American music theorist, pianist, and academic. She is particularly known for her publications on Giacomo Puccini and his works, including ''Recondite Harmony'' (Pendragon, 2012) and the 2004 book ''Tosca's Prism: Three Moments of Western Cultural History''. She has contributed articles to numerous music journals, including ''Nuova Rivista Musicale'', ''Opera Quarterly'', ''Studi Musicali'', and ''Theoria''. Life and career Burton earned a diploma in piano performance from the Mannes College of Music, a Master of Music from the Yale School of Music, and a PhD from the University of Michigan in 1995 with a doctoral dissertation entitled ''An Analysis of Puccini's Tosca: A Heuristic Approach to the Unifying Elements of the Opera''. She is associate professor of music, composition and theory at Boston University and is a former faculty member at Adrian College, Florida International University, Fordham University, Harvard University and the University of Massac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Franchetti
Alberto Franchetti (18 September 1860 – 4 August 1942) was an Italian composer, best known for the 1902 opera ''Germania''. Biography Alberto Franchetti was born in Turin, a Jewish nobleman of independent means. He studied first in Venice, then at the Munich Conservatory under Josef Rheinberger, and finally in Dresden under Felix Draeseke. His first major success occurred in 1888 with his opera ''Asrael''. His operatic style combined Wagnerianism and the traits of Meyerbeer with Italian verismo. During his life, critics sometimes referred to him as the "Meyerbeer of modern Italy." The words of music critic G. B. Nappi sum up Franchetti's primary talents: "His character is perhaps unsuitable for passionate dramas, but rather for those subjects, where the fantastic, romantic and epic are required in the symphonic texture and large choral pictures. In this regard Alberto Franchetti knows that he has no rival" (from "Orfeo" 6.3, 1915). ''Grove'' considers '' Cristoforo Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emanuele Muzio
Donnino Emanuele Muzio (or ''Mussio'') (24 August 1821 in Zibello – 27 November 1890 in Paris) was an Italian composer, conductor and vocal teacher. He was a lifelong friend and the only student of Giuseppe Verdi. Biography In April 1844, Verdi took on Muzio, eight years his junior, as a pupil and amanuensis. He had known him since about 1828 as a protégé of his own supporter, . Muzio, who in fact was Verdi's only pupil, became indispensable to the composer. He reported to Barezzi that Verdi "has a breadth of spirit, of generosity, a wisdom." The relationship was to grow stronger, and Muzio remained a lifelong friend. In November 1846, Muzio wrote of Verdi: "If you could see us, I seem more like a friend, rather than his pupil. We are always together at dinner, in the cafes, when we play cards...; all in all, he doesn't go anywhere without me at his side; in the house we have a big table and we both write there together, and so I always have his advice." Muzio was to remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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