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Torcafol
Torcafol or Torcafols (fl. 1175–1200) is the nickname of an occitanian troubadour from Gévaudan. He is known for his ''sirventes'' with his rival Garin d'Apchier Garin d'Apchier was an Auvergnat castellan and troubadour from Apcher in the Diocese of Mende in the Gévaudan. His life cannot be dated with precision. According to his ''Vida (Occitan literary form), vida'' he was "a valiant and good warrior ... .... Sources * * * * {{Portal, poetry, Middle Ages 12th-century French troubadours People from Lozère ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garin D'Apchier
Garin d'Apchier was an Auvergnat castellan and troubadour from Apcher in the Diocese of Mende in the Gévaudan. His life cannot be dated with precision. According to his ''Vida (Occitan literary form), vida'' he was "a valiant and good warrior ... and a handsome knight. And he knew all there was to know about love and gallantry."Egan, XXXV, p. 36. Garin left behind three ''sirventes''. According to his ''vida'', he invented the ''descort'' genre of lyric poetry when he wrote the piece that begins ''Quan foill'e flors reverdezis / et aug lo chan del rossignol'' ("When the leaf and the flower bud / and I hear the song of the nightingale"), but this has now been lost. He wrote a short literary cycle of ''sirventes'' with Torcafol. Notes Sources *Egan, Margarita, ed. ''The Vidas of the Troubadours''. New York: Garland, 1984. . *Latella, FortunataPremessa all’edizione in linea dei sirventesi di Garin d’Apchier e Torcafol.2002. External links at Rialto. {{Authority control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occitanian
Occitan (; oc, occitan, link=no ), also known as ''lenga d'òc'' (; french: langue d'oc) by its native speakers, and sometimes also referred to as ''Provençal'', is a Romance language spoken in Southern France, Monaco, Italy's Occitan Valleys, as well as Spain's Val d'Aran; collectively, these regions are sometimes referred to as Occitània. It is also spoken in Calabria ( Southern Italy) in a linguistic enclave of Cosenza area (mostly Guardia Piemontese). Some include Catalan in Occitan, as the distance between this language and some Occitan dialects (such as the Gascon language) is similar to the distance between different Occitan dialects. Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative. Occitan is an official language of Catalonia, where a subdialect of Gascon known as Aranese is spoken in the Val d'Aran. Since September 2010, the Parliament of Catalonia has considered Aranese Occitan to be the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gévaudan
Gévaudan (; oc, Gavaudan, Gevaudan) is a historical area of France in Lozère ''département''. It took its name from the Gabali, a Gallic tribe subordinate to the Arverni. History After the conquest of Gaul, the Romans preserved the capital city of the Gabali, ''Anderitum'', which they renamed ''Gabalum'', since called Javols. Middle Ages In the early Middle Ages Gévaudan was known as ''Pagus Gabalum'' and was placed under the rule of the Count of Toulouse. In the beginning of the 10th century, Mende had supplanted Javols as religious and administrative capital of the Gévaudan. The western part of Gévaudan constituted the Viscounty of Grèzes. In 1096 the Count of Toulouse, leaving for the Crusade, transmitted his rights on the eastern part of Gévaudan to the Bishop of Mende. It was inherited in 1166 by Alfonso II of Aragon. In the 12th century, Adalbert, Bishop of Mende, decided to take advantage of the lack of interest of the nominal rulers of Gévaudan to inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century French Troubadours
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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