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Tommy Giles Rogers, Jr.
Tommy Giles Rogers (born December 30, 1980 in Morganton, North Carolina) is an American musician, most notable for being the lead vocalist, keyboardist and lyricist of the American progressive metal band Between the Buried and Me, which he co-founded in 2000. His vocal style combines death growls and screams with peaceful clean singing melodies, sometimes including falsetto. In 2005, ''Stylus Magazine'' named Rogers one of the three most versatile rock singers at the time. Musical career Rogers grew up playing guitar but he sang for a hardcore punk band named Soul Integrity in high school. In 1999, he became the guitarist for the metalcore band, Prayer for Cleansing; when they disbanded, Rogers co-founded the progressive metal band Between the Buried and Me in 2000. Although he intended to be their guitar player at first, the band could not find a vocalist which prompted him to take that role. After acquiring a full lineup, Between the Buried and Me released their three-song de ...
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Morganton, North Carolina
Morganton is a city in and the county seat of Burke County, North Carolina, United States. The population was 16,918 at the 2010 census. Morganton is approximately northwest of Charlotte. Morganton is one of the principal cities in the Hickory-Lenoir-Morganton, NC Metropolitan Statistical Area. A site five miles north of Morganton has been identified as the Mississippian culture chiefdom of Joara, occupied from AD 1400 to AD 1600. This was also the site of Fort San Juan, built in 1567 by a Spanish expedition as the first European settlement in the interior of North America, 40 years before the English settlement of Jamestown, Virginia. History Joara archeological site The oldest-known European inland (non-coastal) settlement in the United States of Fort San Juan has been identified at Joara, a former Mississippian culture chiefdom located about five miles north of present-day Morganton. In 1567 a Spanish expedition built the fort there, while seeking to establish an interi ...
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Between The Buried And Me
Between the Buried and Me, often abbreviated as BTBAM, is an American progressive metal band from Raleigh, North Carolina. Formed in 2000, the band consists of Tommy Giles Rogers Jr. (lead vocals, keyboards), Paul Waggoner (lead guitar, backing vocals), Dustie Waring (rhythm guitar, lead guitar), Dan Briggs (bass, keyboards), and Blake Richardson (drums). Their debut eponymous album was released through Lifeforce Records in 2002, shifting to Victory Records for subsequent releases until their signing to Metal Blade in 2011, where Between the Buried and Me released their first extended play, '' The Parallax: Hypersleep Dialogues'' that year, and its full-length follow-up '' The Parallax II: Future Sequence'' the following year. Their seventh studio album, ''Coma Ecliptic'', was released in July 2015. Their eighth album ''Automata I'' was released in March 2018, and their ninth album, ''Automata II'', was released in July 2018. Their tenth album, ''Colors II'' (a follow up to 2 ...
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The Source (Ayreon Album)
''The Source'' is the ninth studio album from Ayreon, a progressive metal/rock opera project by Dutch musician Arjen Anthony Lucassen, released on 28 April 2017. It is Lucassen's first album under his new label, Mascot Label Group. As with every Ayreon album, it is a concept album with each character being portrayed by one singer. Unlike the previous album '' The Theory of Everything'', it marks a return to science fiction and the Ayreon storyline; it acts, in particular, as a prequel to ''01011001'', making it the first album in the storyline's chronology. In ''The Source'', the Alphans, ancestors of humanity, try to prevent the extinction of their race from machines who took control of the entire planet Alpha, by sending a select few Alphans into space so they can attempt to start anew on a distant world. In the typical style of the project, the album features several guest singers to portray the characters across the album; although Lucassen usually prefers to work only once wi ...
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Ayreon
Ayreon is a musical project by Dutch songwriter, singer, musician and record producer Arjen Anthony Lucassen. Ayreon's music is described as progressive rock, progressive metal and power metal sometimes combined with genres such as folk, electronica, experimental and classical music. The majority of Ayreon's albums are dubbed "rock operas" (or "metal operas") because the albums contain complex storylines featuring a host of characters, usually with each one being represented by a unique vocalist. Each Ayreon album tells a different story, but all, with the exceptions of ''Actual Fantasy'', '' The Theory of Everything'', and ''Transitus'', take place in the same fictional, science fiction universe; additionally, Lucassen's solo album ''Lost in the New Real'' is also set in the Ayreon universe. Ayreon's music is characterized by the use of traditional instruments in rock music (guitars, bass guitar, drums, analogue synthesizers, electric organs) mixed with instruments more native ...
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Deconstruction (The Devin Townsend Project Album)
''Deconstruction'' is the thirteenth studio album by Canadian musician Devin Townsend, and the third album in the Devin Townsend Project series. The album was released on June 20, 2011, simultaneously with the fourth Devin Townsend Project album ''Ghost'', on Townsend's independent record label HevyDevy Records. The album features two drummers, Dirk Verbeuren and Ryan Van Poederooyen, as well as a number of guest vocalists. The album's choral and orchestral parts were written and arranged by Townsend using Pro Tools software. The parts were later transcribed into conventional musical notation for the orchestra. Concept and musical style According to an interview with Townsend, the album is a concept album focused around a man who is obsessed with finding the true nature of reality. In the process of this journey, he goes to Hell and meets the devil. The devil shows him the secrets of the universe, presenting a cheeseburger to him. However, being a vegetarian, the man cannot eat th ...
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Devin Townsend Project
Devin Garrett Townsend (born May 5, 1972) is a Canadian singer, songwriter, musician, and record producer. He founded extreme metal band Strapping Young Lad and was its primary songwriter, vocalist, and guitarist from 1994 to 2007. He has also had an extensive solo career and has released a total of 28 albums across all of his projects as of 2022. After performing in a number of heavy metal bands in high school, Townsend was discovered in 1993 by a record label who asked him to perform lead vocals on Steve Vai's album ''Sex & Religion''. After recording and touring with Vai, he was discouraged by what he found in the music industry and vented his anger on his 1995 solo album ''Heavy as a Really Heavy Thing'', which he released under the pseudonym Strapping Young Lad. He soon assembled a band of the same name, with whom he released the critically acclaimed album ''City'' in 1997. Since then, he has released three more studio albums with Strapping Young Lad, along with solo materi ...
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Between The Buried And Me (album)
''Between the Buried and Me'' is the debut studio album by American progressive metal band Between the Buried and Me. It was produced by Jamie King and was released on April 30, 2002 through Lifeforce Records. Background Between the Buried and Me formed in 2000 in Raleigh, North Carolina after the demise of metalcore bands From Here On and Prayer for Cleansing, which Rogers, Waggoner, and Goodyear had been members of. Guitarist Nick Fletcher and bassist Jason King would subsequently join the band. In 2001, the band would record a demo featuring the songs "What We Have Become", "More of Myself to Kill" and "The Use of a Weapon"; these three songs would be re-recorded for ''Between the Buried and Me''. After the demo's release, the band would be signed to Lifeforce Records. About The songs on the album demonstrate numerous concepts—one of which, the song "Arsonist", was written about their strong feelings against the Westboro Baptist Church in Topeka, Kansas, which has become w ...
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Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ...
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Stylus Magazine
''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burns. It featured long-form music journalism, four daily music reviews, movie reviews, podcasts, an MP3 blog, and a text blog. Additionally, ''Stylus'' had daily features like "The Singles Jukebox", which looked at pop singles from around the globe, and "Soulseeking", a column focused on personal responses in listening. Even though they never reached the readership of other music magazines such as PopMatters or Pitchfork, they still had a very consistent and fired-up audience. In 2006, the site was chosen by the ''Observer Music Monthly'' as one of the Internet's 25 most essential music websites. ''Stylus'' closed as a business on 31 October 2007. The site remained online for several years, but did not publish any new content. On 4 January 2010, with the blessing of former editor Todd Burns, ''Stylus'' senior writer Nick Southall launched ''The Stylus Decade'', a web ...
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Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "breathy" o ...
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Screaming (music)
Screaming is an extended vocal technique that is popular in "aggressive" music genres such as heavy metal, punk rock, and noise music and others. It is common in the more extreme subgenres of heavy metal, such as death and black metal as well as many other subgenres. Genres Classical and experimental music Although screams are often suggested in stories performed in the grand opera tradition, they were never performed literally, always being sung. The first significant example of an actual scream in an opera is in Alban Berg's ''Wozzeck'' (1922), where the eponymous character screams "Murder! Murder!" in the fourth scene of Act III. Even more strikingly, Berg's unfinished ''Lulu'', written mainly in 1934, features a blood-curdling scream as the heroine is murdered by Jack the Ripper in the closing moments of the final scene. In Mascagni's 1890 ''Cavalleria rusticana'' the final line "They've murdered Turiddu!" is spoken, not sung, and often accompanied by a scream. Othe ...
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Death Growl
A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music. Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.Sharpe-Young, Garry. ''Death Metal'', Definition Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible." Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."Purcell, Natalie J. ''Death Metal Music:The Passion and ...
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