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Tomb Of The Whipping
The Tomb of the Whipping ( it, Tomba della Fustigazione) is an Etruscan tomb in the Necropolis of Monterozzi near Tarquinia, Lazio, Italy. It is dated to approximately 490 BC and named after a fresco of two men who flog a woman in an erotic context. The tomb was discovered and excavated in 1960 by Carlo Maurilio Lerici. Most of the paintings are badly damaged. Description and interpretation The tomb has one room. Komos participants, musicians, dancers and a nude boxer are painted on the walls. This suggest an influence of the cult of Dionysus. On the wall in the back opposite the entrance two of these figures are separated by a false door, a door painted on the wall. On the wall to the right of the entrance two erotic scenes are visible. They consist of two men and one woman each, also separated by a false door. The scene on the left shows two men who probably have sexual intercourse with the woman standing between them. The scene on the right side depicts a woman bending a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomba Della Fustigazione, 490 Ac Ca
''Tomba!'' is a 1997 platform-adventure game developed by Whoopee Camp and published by Sony Computer Entertainment for the PlayStation. It was released in Japan in 1997 and in other territories the following year. The game centers on the eponymous feral child as he attempts to recover his grandfather's bracelet from an evil race of anthropomorphic pigs. Creator Tokuro Fujiwara developed ''Tomba!'' after leaving Capcom in 1995, founding Whoopee Camp as director, producer and lead designer. He chose the game's 2D side-scrolling perspective for the format's straightforward nature, and created a non-linear "event" system to differentiate the game from other platforming titles. ''Tomba!'' was received positively by critics, with praise for its controls, visuals, and varied gameplay objectives. However, the game's audio received a more mixed reception. Despite the game's lackluster commercial performance, it was followed by a sequel in 1999, '' Tomba! 2: The Evil Swine Return''. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1960 Archaeological Discoveries
Year 196 ( CXCVI) was a leap year starting on Thursday A leap year starting on Thursday is any year with 366 days (i.e. it includes 29 February) that begins on Thursday 1 January, and ends on Friday 31 December. Its dominical letters hence are DC. The most recent year of such kind was 2004 and the next ... (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture, sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament (art), ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophagi an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of The Bulls
The Tomb of the Bulls ( it, Tomba dei Tori) is an Etruscan tomb in the Necropolis of Monterozzi near Tarquinia, Lazio, Italy. It was discovered in 1892 and has been dated back to either 540–530 BC or 530–520 BC. According to an inscription Arath Spuriana apparently commissioned the construction of the tomb. It is named after the two bulls which appear on one of its frescoes. It is the earliest example of a tomb with complex frescoes in the necropolis, and the stylistic elements are derived from Ionian Greek culture. Along with the frescoes of the Tomb of the Whipping these paintings are relatively rare examples of explicit sexual scenes in Etruscan art, which were far more common in Ancient Greek art. Like other Etruscan tombs, it would originally have contained many grave goods, especially Etruscan pottery, now removed. Description The entrance to the tomb leads to the main chamber. The back wall of the main chamber is opposite to the entrance and contains two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apotropaic Magic
Apotropaic magic (from Greek "to ward off") or protective magic is a type of magic intended to turn away harm or evil influences, as in deflecting misfortune or averting the evil eye. Apotropaic observances may also be practiced out of superstition or out of tradition, as in good luck charms (perhaps some token on a charm bracelet), amulets, or gestures such as crossed fingers or knocking on wood. Many different objects and charms were used for protection throughout history. Symbols and objects Ancient Egyptian Apotropaic magical rituals were practiced throughout the ancient Near East and ancient Egypt. Fearsome deities were invoked via ritual in order to protect individuals by warding away evil spirits. In ancient Egypt, these household rituals (performed in the home, not in state-run temples) were embodied by the deity who personified magic itself, Heka. The two gods most frequently invoked in these rituals were the hippopotamus-formed fertility goddess, Taweret, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fellatio
Fellatio (also known as fellation, and in slang as blowjob, BJ, giving head, or sucking off) is an oral sex act involving a person stimulating the penis of another person by using the mouth, throat, or both. Oral stimulation of the scrotum may also be termed ''fellatio'', or colloquially as ''teabagging.'' If fellatio is performed on oneself, the act is called autofellatio. Fellatio can be sexually arousing for both participants, and may lead to orgasm for the partner being fellated. It may be performed by a sexual partner as foreplay before other sexual activities, such as vaginal or anal intercourse, or as an erotic and physically intimate act of its own. Fellatio creates a risk of contracting sexually transmitted infections (STIs), but the risk is significantly lower than that of vaginal or anal sex, especially for HIV transmission. Most countries do not have laws banning the practice of fellatio, though some cultures may consider it taboo. People may also refrain from e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomba Della Fustigazione
''Tomba!'' is a 1997 platform-adventure game developed by Whoopee Camp and published by Sony Computer Entertainment for the PlayStation. It was released in Japan in 1997 and in other territories the following year. The game centers on the eponymous feral child as he attempts to recover his grandfather's bracelet from an evil race of anthropomorphic pigs. Creator Tokuro Fujiwara developed ''Tomba!'' after leaving Capcom in 1995, founding Whoopee Camp as director, producer and lead designer. He chose the game's 2D Side-scrolling video game, side-scrolling perspective for the format's straightforward nature, and created a Nonlinear gameplay, non-linear "Quest (video games), event" system to differentiate the game from other platforming titles. ''Tomba!'' was received positively by critics, with praise for its controls, visuals, and varied gameplay objectives. However, the game's audio received a more mixed reception. Despite the game's lackluster commercial performance, it was fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komos
The Kōmos ( grc, κῶμος; pl. kōmoi) was a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as komasts (κωμασταί, ''kōmastaí''). Its precise nature has been difficult to reconstruct from the diverse literary sources and evidence derived from vase painting. The earliest reference to the komos is in Hesiod's '' Shield of Herakles'', which indicates it took place as part of wedding festivities (line 281). And famously Alcibiades gate-crashes the ''Symposium'' while carousing in a komos. However, no one kind of event is associated with the komos: Pindar describes them taking place at the city festivals (Pythian 5.21, 8.20, Olympian 4.9), while Demosthenes mentions them taking place after the '' ''pompe'''' and '' choregoi'' on the first day of the Greater Dionysia (Speeches 21.10), which may indicate the komos might have been a competitive event. The komos must be distinguished from the '' pompe'', or ritual pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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