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Today And Tomorrow (McCoy Tyner Album)
''Today and Tomorrow'' is the fourth album by jazz pianist McCoy Tyner. It was recorded for the Impulse! label in 1963 and 1964. The two sessions featured performances by Tyner with bassist Jimmy Garrison, drummer Albert Heath, tenor saxophonist John Gilmore, trumpeter Thad Jones, alto saxophonist Frank Strozier, bassist Butch Warren and drummer Elvin Jones. Reception The Allmusic review by Scott Yanow states that "Virtually all of McCoy Tyner's recordings are easily recommended and this CD has more variety than most of his Impulses".Yanow, S. Allmusic Reviewaccessed February 19, 2009. Track listing All compositions by McCoy Tyner except where noted # "Contemporary Focus" - 8:28 # "A Night in Tunisia" ( Gillespie) - 5:07 # "T 'N A Blues" (Jones) - 4:05 # " Autumn Leaves" (Kosma) - 6:10 # "Three Flowers" - 10:12 # "When Sunny Gets Blue" (Marvin Fisher, Segal) - 4:42 The 1991 remastered edition features a different running order, grouping together the tracks from the two sess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Butch Warren
Edward Rudolph "Butch" Warren Jr. (August 9, 1939 – October 5, 2013) was an American jazz bassist who was active during the 1950s and 1960s. Biography Warren's mother was a typist at the CIA. His father, Edward Sr., was an electronics technician who played piano and organ part-time in clubs in Washington, D.C; his uncle, Quentin — actually the same age as Butch — played guitar. The Warren home was often visited by jazz musicians Billy Hart, Jimmy Smith, and Stuff Smith. The first time Butch Warren played bass was at home on an instrument left by Billy Taylor, who had played bass for Duke Ellington. Warren has cited Jimmy Blanton, the innovative and virtuoso bassist with Ellington from 1939 to 1941, as his biggest inspiration. Warren began playing professionally at age 14 in a Washington, D.C. band led by his father. He later worked with other local groups, including that of Stuff Smith, as well as with altoist and bandleader Rick Henderson at the Howard Theatre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upright Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You'd Be So Nice To Come Home To
"You'd Be So Nice to Come Home To" is a popular song written by Cole Porter for the 1943 film '' Something to Shout About'', where it was introduced by Janet Blair and Don Ameche. The song was nominated for the Academy Award for Best Original Song in 1943 but lost to "You'll Never Know". Other recordings *Dinah Shore had a hit with the song at the time of its introduction. * Helen Merrill with Clifford Brown – ''Helen Merrill'' (1954) * Cannonball Adderley - ''Compact Jazz'' - Capitol - (1955) * Art Pepper – ''Art Pepper Meets the Rhythm Section'' (1957) * Coleman Hawkins and Ben Webster – '' Coleman Hawkins Encounters Ben Webster'' (1957) * Frank Sinatra - ''A Swingin' Affair!'' (1957) * Bing Crosby and Rosemary Clooney recorded the song for their radio show in 1958 and it was released on the album ''Bing & Rosie – The Crosby-Clooney Radio Sessions'' (2010). * Nina Simone – ''Nina Simone at Newport'' (1960) * Jo Stafford with Ben Webster – ''Jo + Jazz'' (1960) * Al C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Segal
Jack Segal (October 19, 1918 – February 10, 2005) was a pianist and composer of popular American songs, known for writing the lyrics to '' Scarlet Ribbons''. His composition '' May I Come In?'' was the title track for a Blossom Dearie album. Other songs he authored or co-authored are ''When Sunny Gets Blue'', ''That's the Kind of Girl I Dream Of'', ''I Keep Going Back to Joe's'' (with Marvin Fisher), ''A Boy from Texas, a Girl from Tennessee'' (with John Benson Brooks & Joseph Allan McCarthy), ''After Me'' (with Blossom Dearie) and ''When Joanna Loved Me'' (with Robert Wells). It has been estimated that his songs have helped sell 65 million records. Lyrics for the ballad that was perhaps Segal's greatest hit, Scarlet Ribbons (with music composed by Evelyn Danzig Levine), were written in just 15 minutes in 1949, but the song languished until Segal presented it to Harry Belafonte five years later. Belafonte's recording was responsible for making the song a hit. At least 30 ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When Sunny Gets Blue
"''When Sunny Gets Blue''" is a song written by Marvin Fisher (music) and Jack Segal (lyrics), which has become a jazz standard. The song was originally recorded in September 1956 by Johnny Mathis backed by Ray Conniff and his Orchestra, released in February 1957 as the B-side of Mathis's debut single "Wonderful! Wonderful!". The song was included on the compilation album '' Johnny's Greatest Hits'', released in April 1958. The album was a smash hit, staying on the ''Billboard'' pop chart for 490 weeks, including 3 weeks at number 1, and 57 weeks in the Top Ten. The song was recorded in January 1957 by June Christy for her album '' Fair and Warmer!'', released later that year. Pete Rugolo arranged and conducted for Christy. Around the same time, Nat King Cole recorded it for his album ''Love Is the Thing'', with this rendition praised by music critic Will Friedwald as displaying Cole's "tenderness, compassion and empathy". Arranger Gordon Jenkins backed Cole. Legal case "When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kosma
Joseph Kosma (22 October 19057 August 1969) was a Hungarian-French composer. Biography Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Ákos. A maternal relative was the photographer László Moholy-Nagy, and another was the conductor Georg Solti. He started to play the piano at age five, and later took piano lessons. At the age of 11, he wrote his first opera, ''Christmas in the Trenches''. After completing his education at the Secondary Grammar School Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy, receiving diplomas in composition and conducting. He won a grant to study in Berlin in 1928, where he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn Leaves (1945 Song)
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: "Les Feuilles mortes"), and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a number one best-seller in the US ''Billboard'' charts of 1955. Background Kosma was a native of Hungary who was introduced to Prévert in Paris. They collaborated on the song ' ("The Dead Leaves") for the 1946 film '' Les Portes de la nuit (Gates of the Night)'' where it was sung by Irène Joachim and Yves Montand. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The first commercial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
