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To Catch A Thief
'' To Catch a Thief'' is a 1955 American romantic thriller film directed by Alfred Hitchcock, from a screenplay by John Michael Hayes based on the 1952 To Catch a Thief (novel), novel of the same name by David Dodge (novelist), David Dodge. The film stars Cary Grant as a retired cat burglar who has to save his reformed reputation by catching an impostor preying on the wealthy tourists (including the daughter of a wealthy widow, played by Grace Kelly) of the French Riviera. Plot Retired jewel thief John "The Cat" Robie is suspected by the police in a string of burglaries on the French Riviera. When they come to his hilltop villa to question him, he slips their grasp and heads to a restaurant owned by his friend Bertani. The restaurant's staff are members of Robie's old gang, who have been paroled for their work in the French Resistance during World War II. They are angry at Robie because they are all under suspicion as long as the new Cat is active. When the police arrive at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology '' Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Burglar
Burglary, also called breaking and entering and sometimes housebreaking, is the act of entering a building or other areas without permission, with the intention of committing a criminal offence. Usually that offence is theft, robbery or murder, but most jurisdictions include others within the ambit of burglary. To commit burglary is to ''burgle'', a term back-formed from the word ''burglar'', or to ''burglarize''. Etymology Sir Edward Coke (1552–1634) explains at the start of Chapter 14 in the third part of ''Institutes of the Lawes of England'' (pub. 1644), that the word ''Burglar'' ("''or the person that committeth burglary''"), is derived from the words ''burgh'' and ''laron'', meaning ''house-thieves''. A note indicates he relies on the ''Brooke's case'' for this definition. According to one textbook, the etymology originates from Anglo-Saxon or Old English, one of the Germanic languages. (Perhaps paraphrasing Sir Edward Coke:) "The word ''burglar'' comes from the two Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North By Northwest
''North by Northwest'' is a 1959 American spy thriller film, produced and directed by Alfred Hitchcock and starring Cary Grant, Eva Marie Saint and James Mason. The screenplay was by Ernest Lehman, who wanted to write "the Hitchcock picture to end all Hitchcock pictures". ''North by Northwest'' is a tale of mistaken identity, with an innocent man pursued across the United States by agents of a mysterious organization trying to prevent him from blocking their plan to smuggle microfilm, which contains government secrets, out of the country. This is one of several Hitchcock films that feature a music score by Bernard Herrmann and an opening title sequence by graphic designer Saul Bass, and was the first to feature extended use of kinetic typography in its opening credits. ''North by Northwest'' is listed among the canonical Hitchcock films of the 1950s and is often listed among the greatest films of all time. It was selected in 1995 for preservation in the United States National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VistaVision
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three ''Star Wars'' films for high-resolution special effects sequences. In many ways, VistaVision became the testing ground for every cinematography idea that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, like Vist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Alfred Hitchcock Cameo Appearances
English film director Alfred Hitchcock made cameo appearances in 40 of his 54 surviving major films (his second film, ''The Mountain Eagle'', is lost). For the films in which he appeared, he would be seen for a brief moment in a non-speaking part as an extra, such as boarding a bus, crossing in front of a building, standing in an apartment across the courtyard, or even appearing in a newspaper photograph (as seen in the film ''Lifeboat'', which otherwise provided no other opportunity for him to appear). During the filming of '' The Lodger: A Story of the London Fog'', Hitchcock later said his cameo came about at the last minute because the actor who was supposed to play the bit part of a telephone operator failed to show up, so Hitchcock filled in for him. This playful gesture became one of Hitchcock's trademark signatures; and fans would make a sport of trying to spot his cameos. As a recurring theme, he would carry a musical instrument– especially memorable was the double bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Newlan
Paul Emory Newlan (June 29, 1903 – November 23, 1973) was an American film and TV character actor from Plattsmouth, Nebraska. He was best known for his role as Captain Grey on the NBC police series ''M Squad'' and for his roles in films including ''The Americanization of Emily'' and ''The Slender Thread''. Career Early in his career, Newlan worked in Vaudeville, sometimes doing as many as 10 shows a day. Newlan appeared in dozens of films and TV shows between 1935 and 1971. Among his other film roles were '' My Favorite Spy'', '' The Captive City'', '' The Great Adventures of Captain Kidd'' and '' The Buccaneer'', in addition to smaller roles in numerous other films including ''Abbott and Costello Meet Captain Kidd'', ''Abbott and Costello Go to Mars'', ''You're Never Too Young'', '' We're No Angels'', and ''To Catch a Thief''. On March 4, 1955, Newlan appeared as the outlaw Jules Beni in an episode of Jim Davis's syndicated western series ''Stories of the Century''. Gregg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Blancard
René Blancard (12 March 1897 – 5 November 1965) was a French film actor. He appeared in 80 films between 1922 and 1965. Selected filmography * ''The Mysteries of Paris'' (1922) - Bras-Rouge * ''Montmartre'' (1925) - Frédéric Charançon * ''La Joueuse d'orgue'' (1925) - Henri Savane * ''Un coup de rouge'' (1937) * '' Beautiful Star'' (1938) - Le commissaire * ''Monsieur Coccinelle'' (1941) - Presto (uncredited) * ' (1941) - Ferdinand * ''The Murderer Lives at Number 21'' (1942) - Picard (uncredited) * ' (1943) - L'employé (uncredited) * '' Strange Inheritance'' (1943) - Le directeur du théâtre (uncredited) * ' (1943) - Itchoua * ''La Main du diable'' (1943) - Le chirurgien (uncredited) * ''Au Bonheur des Dames'' (1943) - Colomban * ''Les Roquevillard'' (1943) * ' (1943) - Gourier * ''Mermoz'' (1943) * ''Vautrin'' (1943) - Coquard (uncredited) * ''A Cage of Nightingales'' (1945) - Monsieur Rachin * ''Le dernier sou'' (1946) - L'avocat général * ''Raboliot'' (1946) - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgette Anys
Georgette Anys (15 July 1909 – 4 March 1993) was a French film and television actress. A character actress, she appeared mainly in French productions, but also some American films which were shot in Europe including Alfred Hitchcock's ''To Catch a Thief'' in which she plays Cary Grant's housekeeper Germaine.Glancy p.533 Selected filmography * '' Le Roi des resquilleurs'' (1930) * ''Sending of Flowers'' (1950) - La spectatrice exubérante * '' Old Boys of Saint-Loup'' (1950) - La voyageuse à l'enfant (uncredited) * ''Quay of Grenelle'' (1950) - Minor rôle (uncredited) * ''Mystery in Shanghai'' (1950) * '' Beware of Blondes'' (1950) - Une sténodactylo (uncredited) * ''La rue sans loi'' (1950) - (uncredited) * ''Without Leaving an Address'' (1951) - La concierge de Forestier * ''Under the Sky of Paris'' (1951) - Madame Malingret * '' Mr. Peek-a-Boo'' (1951) - Maria (uncredited) * '' The Two Girls'' (1951) - La lavandière * ''They Were Five'' (1951) - (uncredited) * ''La vie ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Martinelli
Jean Martinelli (15 August 1909 – 13 March 1983) was a French actor who appeared in over 50 French films between 1933 and 1983, mostly in supporting roles. One of his few international films was Alfred Hitchcock's classic film ''To Catch a Thief'' (1955), where he played the role of a one-legged waiter. Martinelli also worked in television and theatre. He was married to the actress Nadine Basile. Selected filmography *'' The Two Orphans'' (1933) - Roger de Vaudray *'' All for Love'' (1933) - Théo *'' The Abbot Constantine'' (1933) - Jean Reynaud *''La dernière valse'' (1936) - Le comte Dimitri *''La loupiote'' (1937) - 'Jac' Jacques *''Blanchette'' (1937) - Georges Galoux * ''The Red Dancer'' (1937) - Frantz *''La goualeuse'' (1938) - Pierre Duchemin *''The Charterhouse of Parma'' (1948) - (uncredited) *''Dernière Heure, édition spéciale'' (1949) - L'avocat *''Le Furet'' (1950) - Moncey *''Menace de mort'' (1950) - André Garnier *'' La vie est un jeu'' (1951) - Le directe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moors
The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages. Moors are not a distinct or self-defined people. The 1911 ''Encyclopædia Britannica'' observed that the term had "no real ethnological value." Europeans of the Middle Ages and the early modern period variously applied the name to Arabs and North African Berbers, as well as Muslim Europeans. The term has also been used in Europe in a broader, somewhat derogatory sense to refer to Muslims in general,Menocal, María Rosa (2002). ''Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain''. Little, Brown, & Co. , p. 241 especially those of Arab or Berber descent, whether living in Spain or North Africa. During the colonial era, the Portuguese introduced the names " Ceylon Moors" and "Indian Moors" in South Asia and Sri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masquerade Ball
A masquerade ball (or ''bal masqué'') is an event in which many participants attend in costume wearing a mask. (Compare the word "masque"—a formal written and sung court pageant.) Less formal "costume parties" may be a descendant of this tradition. A masquerade ball usually encompasses music and dancing. These nighttime events are used for entertainment and celebrations. History Masquerade balls were a feature of the Carnival season in the 15th century, and involved increasingly elaborate allegorical Royal Entries, pageants, and triumphal processions celebrating marriages and other dynastic events of late medieval court life. The "Bal des Ardents" (''"Burning Men's Ball"'') was held by Charles VI of France, and intended as a ''Bal des sauvages'' (''"Wild Men's Ball"''), a form of costumed ball (''morisco''). It took place in celebration of the marriage of a lady-in-waiting of Charles VI of France's queen in Paris on January 28, 1393. The King and five courtiers dres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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