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Tlaltecuhtli
Tlaltecuhtli (Classical Nahuatl ''Tlāltēuctli'', ) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world. According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort. Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tlaltecuhtli Stone Carving
Tlaltecuhtli (Classical Nahuatl ''Tlāltēuctli'', ) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world. According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort. Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tlaltecuhtli Monolith
Tlaltecuhtli (Classical Nahuatl ''Tlāltēuctli'', ) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world. According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort. Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tlaltecuhtli Codex Painting
Tlaltecuhtli (Classical Nahuatl ''Tlāltēuctli'', ) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world. According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort. Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tlalcihuatl
Tlaltecuhtli ( Classical Nahuatl ''Tlāltēuctli'', ) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world. According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort. Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aztec Calendar Stone
The Aztec sun stone ( es, Piedra del Sol) is a late post-classic Mexica sculpture housed in the National Anthropology Museum in Mexico City, and is perhaps the most famous work of Mexica sculpture. It measures in diameter and thick, and weighs . Shortly after the Spanish conquest, the monolithic sculpture was buried in the Zócalo, the main square of Mexico City. It was rediscovered on 17 December 1790 during repairs on the Mexico City Cathedral. Following its rediscovery, the sun stone was mounted on an exterior wall of the cathedral, where it remained until 1885.Getty Museum, "Aztec Calendar Stone" ''getty.edu'', accessed 22 August 2018 Early scholars initially thought that the stone was carved in the 1470s, though modern research suggests that i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cōātlīcue
Coatlicue (; nci, cōātl īcue, , "skirt of snakes"), wife of Mixcōhuātl, also known as (, "mother of the gods") is the Aztec goddess who gave birth to the moon, stars, and Huītzilōpōchtli, the god of the sun and war. The goddesses Toci "our grandmother" and Cihuacōātl "snake woman", the patron of women who die in childbirth, were also seen as aspects of Cōātlīcue. Etymology The goddess' Classical Nahuatl name can be rendered both ''Cōātlīcue'' and ''Cōātl īcue'', from '' cōātl'' "snake" and '' īcue'' "her skirt", roughly meaning " he who hasthe skirt of snakes". The name ''Tēteoh īnnān'', from '' tēteoh'', plural of '' teōtl'' "god", + '' īnnān'' "their mother", refers directly to her maternal role. Myths Coatlicue is represented as a woman wearing a skirt of writhing snakes and a necklace made of human hearts, hands, and skulls. Her feet and hands are adorned with claws and her breasts are depicted as hanging flaccid from pregnancy. Her face is f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aztec Mythology
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who were to become the Aztecs arrived from the north into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven ''nahuatlacas'' (Nahuatl-speaking tribes, from ''tlaca'', "man") to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves," or at Tamoanchan (the legendary origin of all civilizations). The Mexic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tezcatlipocas
In Aztec mythology, Creator-gods are the only four Tezcatlipocas, the children of the creator couple Ometecuhtli and Omecihuatl "Lord and Lady of Duality", "Lord and Lady of the Near and the Close", "Father and Mother of the Gods", "Father and Mother of us all", who received the gift of the ability to create other living beings without childbearing. They reside atop a mythical thirteenth heaven Ilhuicatl-Omeyocan "the place of duality". Each of the four sons takes a turn as Sun, these suns are the Five Suns, sun of earth, the Five Suns, sun of air, the Five Suns, sun of fire, the Five Suns, sun of water (Tlaloc, rain god replaces Xipe-Totec). Each world is destroyed. The present era, Five Suns, the Fifth Sun is ushered in when a lowly god, Nanahuatzin sacrifices himself in fire and becomes Tonatiuh, the Fifth Sun. In his new position of power he refuses to go into motion until the gods make sacrifice to him. In an elaborate ceremony, Quetzalcoatl cuts the hearts out of each of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cipactli
Cipactli ( nci, Cipactli "crocodile" or "caiman") was the first day of the Aztec divinatory count of 13 X 20 days (the '' tonalpohualli'') and ''Cipactonal'' "Sign of Cipactli" was considered to have been the first diviner. In Aztec cosmology, the crocodile symbolized the earth floating in the primeval waters. According to one Aztec tradition, ''Teocipactli'' "Divine Crocodile" was the name of a survivor of the flood who rescued himself in a canoe and again repopulated the earth. In the Mixtec Vienna Codex (Codex Vindobonensis Mexicanus I), Crocodile is a day associated with dynastic beginnings. In Aztec mythology, Cipactli was a primeval sea monster, part crocodilian, part fish, and part toad or frog, with indefinite gender. Always hungry, every joint on its body was adorned with an extra mouth. The deity Tezcatlipoca sacrificed a foot when he used it as bait to draw the monster nearer. He and Quetzalcoatl created the earth from its body. Karl A. Taube has noted that among the F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xochitlicue
Xochitlicue (meaning in Nahuatl 'the one that has her skirt of flowers') is the Aztec goddess of fertility, patroness of life and death, guide of rebirth, younger sister of Coatlicue, Huitzilopochtli's mother according Codex Florentine; and Chimalma, Quetzalcoatl's mother according Codex Chimalpopoca. One of the three daughters of Tlaltecuhtli and Tlalcihuatl, the couple of the earth gods created by the Tezcatlipocas In Aztec mythology, Creator-gods are the only four Tezcatlipocas, the children of the creator couple Ometecuhtli and Omecihuatl "Lord and Lady of Duality", "Lord and Lady of the Near and the Close", "Father and Mother of the Gods", "Father and Mot .... Mother of the twin brothers Xochipilli, 'Prince of Flowers'; and Xochiquetzal, 'Precious Feather Flower', the goddess of beauty and love. References Aztec goddesses Mesoamerican deities Fertility goddesses Health goddesses Death goddesses Life-death-rebirth goddesses {{mesoamerica-myth-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Columbian
In the history of the Americas, the pre-Columbian era spans from the original settlement of North and South America in the Upper Paleolithic period through European colonization, which began with Christopher Columbus's voyage of 1492. Usually, the era covers the history of Indigenous cultures until significant influence by Europeans. This may have occurred decades or even centuries after Columbus for certain cultures. Many pre-Columbian civilizations were marked by permanent settlements, cities, agriculture, civic and monumental architecture, major earthworks, and complex societal hierarchies. Some of these civilizations had long faded by the time of the first permanent European colonies (c. late 16th–early 17th centuries), and are known only through archaeological investigations and oral history. Other civilizations were contemporary with the colonial period and were described in European historical accounts of the time. A few, such as the Maya civilization, had their own wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Tajín
El Tajín is a pre-Columbian archeological site in southern Mexico and is one of the largest and most important cities of the Mesoamerican chronology, Classic era of Mesoamerica. A part of the Classic Veracruz culture, El Tajín flourished from 600 to 1200 CE and during this time numerous temples, palaces, Mesoamerican ballcourt, ballcourts, and pyramids were built. From the time the city fell, in 1230, to 1785, no European seems to have known of its existence, until a government inspector chanced upon the Pyramid of the Niches. El Tajín, named after the Totonac rain god, was named a World Heritage site in 1992, due to its cultural importance and its architecture. This architecture includes the use of decorative niches and cement in forms unknown in the rest of Mesoamerica. Its best-known monument is the Pyramid of the Niches, but other important monuments include the Arroyo Group, the North and South Ballcourts and the palaces of Tajín Chico. In total there have been 20 ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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