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Titon Et L'Aurore
(English: ''Tithonus and Aurora'') is an opera in three acts and a prologue by the French composer Jean-Joseph de Mondonville which was first performed at the Académie royale de musique in Paris on 9 January 1753. The authorship of the libretto has been subject to debate; Mondonville's contemporaries ascribed the prologue to Antoine Houdar de la Motte and the three acts of the opera to the Abbé de La Marre. ''Titon et l'Aurore'' belongs to the genre known as the ''pastorale héroïque''. The work played an important role in the so-called Querelle des Bouffons, a dispute over the relative merits of the French and Italian operatic traditions which dominated the intellectual life of Paris in the early 1750s. The tremendous success of Mondonville's opera at its premiere was an important victory for the French camp (although their Italian rivals claimed that this was because they had been excluded from their seats by members of the army). ''Titon'' was one of Mondonville's most pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Quentin De La Tour
Maurice Quentin de La Tour (5 September 1704 – 17 February 1788) was a French Rococo portraitist who worked primarily with pastels. Among his most famous subjects were Voltaire, Rousseau, Louis XV of France, Louis XV and Madame de Pompadour. Biography Maurice Quentin de La Tour was born in Saint-Quentin, Aisne, Saint-Quentin, the third son of a musician, François de La Tour. François was from Laon and he was the son of a master mason, Jean de La Tour, of Laon and Saint-Quentin, who died in 1674. François de La Tour apparently was successively a trumpet-player for the rifle regiment of the Duc du Maine, and musician to the master of the collegiate church of Saint-Quentin. He is popularly said to have disapproved of his son taking up the arts, but there is nothing to support this. According to François Marandet in 2002, an apprenticeship was arranged for the young Maurice, with a painter named Dupouch, from 12 October 1719, but it is not known when this contract was terminat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus
In Greek mythology, Prometheus (; , , possibly meaning "forethought")Smith"Prometheus". is a Titan god of fire. Prometheus is best known for defying the gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally, civilization. In some versions of the myth, he is also credited with the creation of humanity from clay. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences. He is sometimes presented as the father of Deucalion, the hero of the flood story. The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1753 Operas
Events January–March * January 3 – King Binnya Dala of the Hanthawaddy Kingdom orders the burning of Ava, the former capital of the Kingdom of Burma. * January 29 – After a month's absence, Elizabeth Canning returns to her mother's home in London and claims that she was abducted; the following criminal trial causes an uproar. * February 17 – The concept of electrical telegraphy is first published in the form of a letter to ''Scots' Magazine'' from a writer who identifies himself only as "C.M.". Titled "An Expeditious Method of Conveying Intelligence", C.M. suggests that static electricity (generated by 1753 from "frictional machines") could send electric signals across wires to a receiver. Rather than the dot and dash system later used by Samuel F.B. Morse, C.M. proposes that "a set of wires equal in number to the letters of the alphabet, be extended horizontally between two given places" and that on the receiving side, "Let a ball be suspended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jean-Joseph Cassanéa De Mondonville
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Minkowski
Marc Minkowski (born 4 October 1962) is a French conductor of classical music, especially known for his interpretations of French Baroque works, and is the current general director of Opéra national de Bordeaux. His mother, Mary Anne (Wade), is American, and his father was Alexandre Minkowski, a Polish-French professor of pediatrics and one of the founders of neonatology. Marc Minkowski is a Chevalier du Mérite. Life and career Marc Minkowski was born in Paris. His maternal grandmother, Edith Wade, was a violinist. He began his musical career as a bassoonist for René Clemencic's Clemencic Consort and Philippe Pierlot's Ricercar Consort. In 1982, Minkowski formed "Les Musiciens du Louvre", an orchestra dedicated to showcasing French Baroque music which has championed works by Marin Marais (opera '' Alcyone''), Jean-Joseph Mouret (opera ''Les amours de Ragonde''), Marc-Antoine Charpentier, Jean-Baptiste Lully (opera '' Phaëton'' at Opéra National de Lyon) and Jean-Phili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Musiciens Du Louvre
Les Musiciens du Louvre (literally ''The Musicians of the Louvre'') is a French period instrument ensemble, formed in 1982. Originally based in Paris, since 1996 it has been based in the Couvent des Minimes in Grenoble. ''The Guardian'' considers it one of the best orchestras in the world.Tim AshleyProm 22 'The Guardian', Tuesday 31 July 2007. History Founded by Marc Minkowski in 1982, the ensemble was originally based in Paris. From 1987 it gained an international reputation as one of the best Baroque and classical ensembles. It has also made successful forays into the works of Offenbach, Berlioz and Bizet. In 1992, it inaugurated the Baroque music festival at the Palace of Versailles with '' Armide'' by Gluck, then in 1993 took part in the inauguration of the Opéra Nouvel in Lyon with '' Phaëton'' by Lully. 1993 also saw it win a Gramophone Award for Best Baroque Vocal Recording for its recording of ''San Giovanni Battista'' by Stradella. On its move to Grenoble in 1996 i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Huttenlocher
Philippe Huttenlocher (born 29 November 1942) is a Swiss baritone. Life and career He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg. In 1972, he won the international singing competition in Bratislava. He is married to the soprano Danielle Borst. He has had a long association with the Ensemble Vocal de Lausanne and Michel Corboz. He is known for his interpretations of Bach and Charpentier. He has made many recordings, particularly of sacred music. Along with Nina Hagen, he sings Lars Von Trier's Europa Aria, at the end of the film Europa (film) (1991). < ...
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Jean-Paul Fouchécourt
file:JP Fouchécourt 03900.jpg, 2015 Jean-Paul Fouchécourt is a French people, French tenor, mostly as an opera singer. He was born on 30 August 1958 at Blanzy in the Bourgogne, Burgundy region. He is best known for singing French Baroque music, especially the parts called in French ''haute-contre'', written for a very high tenor voice with no falsetto singing. Life and career Specialist in French Baroque repertory, Jean-Paul Fouchécourt has gained his international reputation with his portrayal of the title role ''Platée'' by Rameau, Arnalta in ''l’Incoronazione di Poppea'' by Monteverdi, the four servants in the ''Tales of Hoffmann'' by Offenbach and le Mari in the ''Mamelles de Tirésias'' by Poulenc. He combines excellent musicality with a strong stage presence. After studying the classical saxophone and conducting, Jean-Paul Fouchécourt decided to become a singer after a workshop with Cathy Berberian in 1982. He began his career with Les Arts Florissants (ensemble), Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pales
In ancient Roman religion, Pales was a deity of shepherds, flocks and livestock. Regarded as male by some sources and female by others, ''Pales'' can be either singular or plural in Latin, and refers at least once to a pair of deities. Pales' festival, called the Parilia, was celebrated on April 21. Cattle were driven through bonfires on this day. Pales and the Parilia were strictly connected to the foundation of Rome which took place on the day of their festival. Marcus Atilius Regulus built a temple to Pales in Rome following his victory over the Salentini in 267 BC. It is generally thought to have been located on the Palatine Hill, but, being a victory monument, it may have been located on the route of the triumphal procession, either on the Campus Martius or the Aventine Hill. According to the ''Fasti Antiates Maiores'', there was a festival for "the two Pales" (''Palibus duobus'') on July 7, probably to mark the dedication of this temple. Scholarship has suggested the Pal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolus
In Greek mythology, Aeolus or Aiolos (; grc, Αἴολος , ) is a name shared by three mythical characters. These three personages are often difficult to tell apart, and even the ancient mythographers appear to have been perplexed about which Aeolus was which. Diodorus Siculus made an attempt to define each of these three (although it is clear that he also became muddled), and his opinion is followed here. * The first Aeolus was a son of Hellen and the eponymous founder of the Aeolian race. * The second Aeolus was a son of Poseidon, who led a colony to islands in the Tyrrhenian Sea. * The third Aeolus was a son of Hippotes who is mentioned in the ''Odyssey'' and the ''Aeneid'' as the ruler of the winds. All three men named Aeolus appear to be connected genealogically, although the precise relationship, especially regarding the second and third Aeolus, is often ambiguous as their identities seem to have been merged by many ancient writers. Aeolus was also the name of the follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurora (mythology)
Aurōra () is the Latin word for dawn, and the goddess of dawn in Roman mythology and Latin poetry. Like Greek ''Eos'' and Rigvedic ''Ushas'', ''Aurōra'' continues the name of an earlier Indo-European dawn goddess, '' Hausos''. Name Aurōra stems from Proto-Italic ''*ausōs'', and ultimately from Proto-Indo-European ''*haéusōs'', the "dawn" conceived as divine entity. It has cognates in the goddesses Ēṓs, Uṣas, Aušrinė, Auseklis and Ēastre. Roman mythology In Roman mythology, Aurōra renews herself every morning and flies across the sky, announcing the arrival of the Sun. Her parentage was flexible: for Ovid, she could equally be ''Pallantis'', signifying the daughter of Pallas, or the daughter of Hyperion. She has two siblings, a brother ( Sol, the Sun) and a sister (Luna, the Moon). Roman writers rarely imitated Hesiod and later Greek poets by naming Aurōra as the mother of the Anemoi (the Winds), who were the offspring of Astraeus, the father of the stars. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
%2C_RP-P-1986-363.jpg "Click for more on -> Pales")
