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Jean-Paul Fouchécourt
file:JP Fouchécourt 03900.jpg, 2015 Jean-Paul Fouchécourt is a French people, French tenor, mostly as an opera singer. He was born on 30 August 1958 at Blanzy in the Bourgogne, Burgundy region. He is best known for singing French Baroque music, especially the parts called in French ''haute-contre'', written for a very high tenor voice with no falsetto singing. Life and career Specialist in French Baroque repertory, Jean-Paul Fouchécourt has gained his international reputation with his portrayal of the title role ''Platée'' by Rameau, Arnalta in ''l’Incoronazione di Poppea'' by Monteverdi, the four servants in the ''Tales of Hoffmann'' by Offenbach and le Mari in the ''Mamelles de Tirésias'' by Poulenc. He combines excellent musicality with a strong stage presence. After studying the classical saxophone and conducting, Jean-Paul Fouchécourt decided to become a singer after a workshop with Cathy Berberian in 1982. He began his career with Les Arts Florissants (ensemble), Les ...
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JP Fouchécourt 03900
JP may refer to: Arts and media * JP (album), ''JP'' (album), 2001, by American singer Jesse Powell * Jp (magazine), ''Jp'' (magazine), an American Jeep magazine * ''Jönköpings-Posten'', a Swedish newspaper * Judas Priest, an English heavy metal band * ''Jurassic Park'', an American media franchise * ''Jyllands-Posten'', a Danish newspaper People * JP (musician) (born 1984), American singer-songwriter * Jayaprakash Narayan (1902–1979), Indian independence activist * Jonathan Putra (born 1982), British–American actor and television host * JP Karliak (born 1981), American actor, voice actor and comedian * JP Sears (born 1981), American conservative YouTuber and comedian * JP Tokoto (born 1993), American basketball player, now in Israel's premier league *J. P. Nadda (born 1960), Indian politician and lawyer Places * Japan (ISO 3166-1 country code: JP) * Jamaica Plain, Massachusetts, neighborhood of Boston, U.S. Political parties * Janata Party, India * Jubilee Party, Kenya ...
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Chorégies D'Orange
The ''Chorégies d'Orange'' is a summer opera festival held each August in Orange located about 21 kilometres north of Avignon in southern France. Performances are presented in the ancient Roman theatre, the Théâtre Antique d'Orange, the original stage wall of which has remained intact, creating a semi-circular auditorium which seats 9,000. A festival began in Orange in 1860 and was held periodically, but it was only after the Roman theatre was restored in 1869 that it became the location of a popular “Roman Festival” which celebrated the glory of Rome and included a performance of Méhul’s opera, ''Joseph''. All the major players of the French classical stage appeared in the Orange festivals, including Sarah Bernhardt who played “Phèdre” in 1903. In 1902, the festival was given a new name, the “Chorégies,” and it was planned to take place annually. The name comes from the Greek χορηγός ''khorêgós'' "choir leader." Until 1969, the Chorégies consist ...
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Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas o ...
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Marc Minkowski
Marc Minkowski (born 4 October 1962) is a French conductor of classical music, especially known for his interpretations of French Baroque works, and is the current general director of Opéra national de Bordeaux. His mother, Mary Anne (Wade), is American, and his father was Alexandre Minkowski, a Polish-French professor of pediatrics and one of the founders of neonatology. Marc Minkowski is a Ordre National du Mérite, Chevalier du Mérite. Life and career Marc Minkowski was born in Paris. His maternal grandmother, Edith Wade, was a violinist. He began his musical career as a bassoonist for René Clemencic's Clemencic Consort and Philippe Pierlot's Ricercar Consort. In 1982, Minkowski formed "Les Musiciens du Louvre", an orchestra dedicated to showcasing Music history of France#Baroque era, French Baroque music which has championed works by Marin Marais (opera ''Alcyone (opera), Alcyone''), Jean-Joseph Mouret (opera ''Les amours de Ragonde''), Marc-Antoine Charpentier, Jean-Ba ...
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Marin Marais
Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ''ordinaire de la chambre du roy pour la viole,'' a title he kept until 1725. He was the father of the composer Roland Marais (c. 1685 – c. 1750). Career Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of '' Pièces de viole'' (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" ( Hubert Le Blanc, 1740). His other works include a book of ''Pièces en ...
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Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of t ...
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The Fairy-Queen
''The Fairy-Queen'' (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's comedy ''A Midsummer Night's Dream''. First performed in 1692, ''The Fairy-Queen'' was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century. Purcell did not set any of Shakespeare's text to music; instead he composed music for short masques in every act but the first. The play itself was also slightly modernised in keeping with seventeenth-century dramatic conventions, but in the main the spoken text is as Shakespeare wrote it. The masques are related to the play metaphorically, rather than literally. Many critics have stated that they bear no relationship to the play. Recent scholarship has shown that the opera, which ends with a masque featuring Hymen, the God of Marriage, was composed for ...
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Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of th ...
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David Et Jonathas
''David et Jonathas'' (''David and Jonathan''), H. 490, is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, by Father François Bretonneau, is based on the Old Testament story of the friendship between David and Jonathan. Although the opera takes the form of a typical French ''tragédie en musique'' it has also been referred to as a ''tragédie biblique'' because of its Biblical subject matter. ''David et Jonathas'' was first performed at a Jesuit college in combination with a spoken drama in Latin, ''Saul'', by Father Étienne Chamillard (1656–1730). Each act of the opera was followed by one act from the play. Charpentier's work was so successful, it was reprised at other Jesuit colleges in 1706, 1715 and 1741. The opera received its American premiere in Baltimore in 2005. Pinchgut Opera performed the Australian premiere in 2008; a recor ...
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William Christie (musician)
William Lincoln Christie (born December 19, 1944) is an American-born French conductor and harpsichordist. He is a specialist in baroque and classical repertoire and is the founder of the ensemble Les Arts Florissants. Biography Christie studied art history at Harvard University, where he was briefly assistant conductor of the Harvard Glee Club. From 1966, he began studies at Yale University in music, where he was a student of harpsichordist Ralph Kirkpatrick. He was opposed to the Vietnam War, and served in a reserve officers course to avoid the draft. He subsequently taught at Dartmouth College. When his Dartmouth post was not renewed, Christie moved first to the United Kingdom (1970), and in 1971 to France. He was one of a number of young men who left the United States at this time because of disagreement with the Vietnam War, and in order to avoid the draft. In France, he became known for his interpretations of Baroque music, particularly French Baroque music, worki ...
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Jean-Baptist Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan fri ...
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Atys (Lully)
''Atys'' ('' Attis'') is a 1675 ''tragédie en musique'' — described in a 1708 revival as a ''tragédie mise en musique'' and today considered a ''tragédie lyrique'', a French form of opera — in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's '' Fasti''. It was premiered for the royal court on 10 January the following year by Lully's Académie Royale de Musique (Paris Opera) at the Château de Saint-Germain-en-Laye. The first public performance took place in April 1676 at the Théâtre du Palais-Royal. Although ''Atys'' was met with indifference by Paris audiences, it became known as "the king's opera" because of Louis XIV's fondness for it; it was repeated for him in 1678, 1682 and 1708. Roles Plot and music outline The French style of opera, established in the 1670s by Lully, was in five acts with a prologue. Prologue Lully's prologues normally served to comment on current events at the court of Louis XIV in a way tha ...
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